Classical Reviews
Electronica: BBC Concert Orchestra, Will Gregory Moog Ensemble, Hazlewood, QEHThursday, 07 October 2010
I would call them burglars: musicians from the experimental rock, electronica and sound-art traditions who cross the genre divide, sneak into the world of classical music, pillage its more easily pillaged valuables, thieve its respectability, filch its original ideas, and sprint back breathlessly to their wide-eyed fans to show off this brilliantly clever "new" classical music (much of which is made up of techniques that George Benjamin would have grown out of by the age of six) in double... Read more...
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Kissin, LPO, Neeme Järvi, Royal Festival HallWednesday, 06 October 2010
"Well, Kissin's the star of the show," opined the fatuous gentleman who rolled in late to my row after the first piece on the programme. Possibly not, I wanted to snap back, in the light of that very fine pianist's current erratic form. But in any case this celebrity-hunter had just missed one of the great conductors working effortless miracles of charm on... Read more... |
Mitsuko Uchida, Royal Festival HallWednesday, 06 October 2010
Mitsuko Uchida’s playing is a glorious collusion of intellect and fantasy. Her recitals are meticulously planned but seemingly unexpected with chosen pieces impacting upon each other in ways one might not have imagined. Three keyboard giants – Beethoven, Schumann, and Chopin – were the meat of this recital with not an incidental or superfluous note to be found anywhere. Read more... |
Håkan Hardenberger, Wigmore HallMonday, 04 October 2010
The first phrase of the first piece by Georges Enescu - silken, expressive, rounded, breathed to perfection - established a very good case for Håkan Hardenberger being the greatest living trumpeter. The rest of his Wigmore Hall recital established a pretty equally watertight case against. Read more... |
These Go To Eleven: The Problem of Noisy OrchestrasSunday, 03 October 2010
“Last summer we played a gala performance at the London Coliseum which included extracts from Spartacus, and most of the brass players wore earplugs because the music was relentlessly loud,” says Paul Murphy, Principal Conductor of the Royal Ballet Sinfonia, the orchestra of the Birmingham Royal Ballet. Read more... |
Connolly, BBC Symphony Orchestra, Bělohlávek, BarbicanSaturday, 02 October 2010
As experienced Wagnerian Jiří Bělohlávek came on to launch the BBCSO's new season in mid-air with the Tristan Prelude, I wondered whether the world's finest interpreter of Isolde's serving maid Brangäne, lustrous mezzo Sarah Connolly, was waiting to up her game, and her range, and tackle the Liebestod. Sadly not: that remained,... Read more... |
Mullova, London Symphony Orchestra, Nelsons, Barbican HallFriday, 01 October 2010
This season's LSO artist-in-focus, violinist Viktoria Mullova, is an incorrigible off-roader. The rougher the terrain the better. Early, modern, rock, folk: she'll absorb their shocks, vault their bumps, relish their pitfalls and come out without so much as a scratch. So Mullova's opening concert last night was intriguing. Prokofiev's Second Violin Concerto isn't exactly smooth terrain, but its roughness is pretty suburban. Read more... |
Grimaud, Philharmonia, Salonen, Royal Festival HallThursday, 30 September 2010
Esa-Pekka Salonen and his dauntless band of Philharmonia players have been wrestling with heroes. Read more... |
Matsuev, London Symphony Orchestra, Gergiev, Barbican HallSunday, 26 September 2010
Shchedrin's best works, in my experience - and his output has been prolific of late - colour and treat the themes of others: chastushki or Russian street songs in the brilliant Naughty Limericks Concerto (to be heard in the second programme of the season), Tchaikovsky in the Anna... Read more... |
The Bach Dynasty, Academy of Ancient Music, Wigmore HallFriday, 24 September 2010
No, not some crazy remake of an Eighties soap featuring various members of the Bach family (though I wouldn’t put it past certain channel programmers to come up with the idea), but the Academy of Ancient Music’s (AAM) new series of concerts, which in a nutshell gives them the chance to perform lots of Johann Sebastian, with two bookend concerts covering the befores and the afters, as it were. Bound to get the crowds in and looks nice on the posters. Read more... |
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