Classical Reviews
Leonskaja/ Pires, Dumay, Meneses, Wigmore HallWednesday, 29 October 2014
What a day for piano-lovers and Beethoven-lovers – Elisabeth Leonskaja for lunch, Maria João Pires for supper. Beethoven from both, stupendous playing from both, all in all generating a general sense of disbelief in this member of the audience. I mean, really! The Wigmore Hall is the epicure’s choice for music, but even by Wiggie standards this was beyond expectations. Read more... |
Beatson, Scottish Ensemble, Queen's Hall, EdinburghWednesday, 29 October 2014
I declare an interest. In the last 10 years or so the Scottish Ensemble has twice, at my invitation, visited the Borders village where I live, about 30 miles south of Edinburgh. On both occasions the ensemble performed a rich and challenging programme in front of a rural audience awestruck that such uncompromisingly competent music-making could descend on a village hall more accustomed to flower shows and badminton tournaments. Read more... |
Malala/A Child of Our Time, Crouch End Festival Chorus, Temple, BarbicanWednesday, 29 October 2014
James McCarthy’s oratorio Malala is both a heartfelt tribute to the young Nobel Peace laureate, Malala Yousafzai, and political statement in favour of the education of women. In it, as in its companion piece A Child of Our Time, a persecuted individual is turned into a symbol of all mankind. Read more... |
RPO, National Arts Centre Orchestra, Zukerman, Royal Festival HallTuesday, 28 October 2014
This concert was part of a tour of Canada’s National Arts Centre orchestra to five cities in the UK themed around the anniversary of the start of World War One. The Ottawa-based orchestra joined forces with the Royal Philharmonic Orchestra and the London Philharmonic Choir for this London centrepiece to the tour, under the baton of violinist-turned-conductor Pinchas Zukerman. Read more... |
Royal Scottish National Orchestra, Søndergård, Usher Hall, EdinburghSaturday, 25 October 2014
Is there an ideal way to programme Metamorphosen? Richard Strauss’s elegiac masterpiece requires 23 solo strings. That’s more than most chamber orchestras can muster, but with a full size symphony orchestra the piece leaves most of the players with nothing to do. In this Usher Hall concert the Royal Scottish National Orchestra chose to let Metamorphosen stand in glorious isolation before the interval. Read more... |
Classical CDs Weekly: Bach, Prokofiev, ShostakovichSaturday, 25 October 2014
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quartet-lab, Wigmore HallWednesday, 22 October 2014
Musical theatre needn’t be dominated by the human voice. Instrumental dramas with an element of acting can be a good way into the wonderful world of chamber music for younger audiences, and the Wigmore Hall’s new gambit of special student tickets for contemporary music paid off with the very different crowd there last night. Read more... |
Classical CDs Weekly: Mahler, Poulenc, Orbert DavisSaturday, 18 October 2014
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Mitsuko Uchida, Royal Festival HallFriday, 17 October 2014
Pianist Mitsuko Uchida's concentration, calm and grace under pressure are an inspiration. Towards the end of the first piece on her programme, played to a packed Royal Festival Hall last night, the quiet but insistent high-pitched screech of a fire alarm kept going off. Low voices on walkie-talkies at the entrances to the hall were also audible. Read more... |
Sioned Williams, Purcell RoomWednesday, 15 October 2014
What Anne-Sophie Mutter is to the violin, Alison Balsom to the trumpet and Sabine Meyer to the clarinet, so is Sioned Williams to the harp. Though Meyer had the glass-ceiling distinction of being the first woman in the Berlin Philharmonic, Williams’s service to the BBC Symphony Orchestra has been longer (nearly 25 years so far as principal harp). Read more... |
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