Classical Reviews
Scholl, Halperin, Sam Wanamaker PlayhouseMonday, 04 January 2016
“Music for a while, shall all your cares beguile.” So promise Dryden and Purcell in their hypnotic song, a high-stakes closer for Andreas Scholl and Tamar Halperin’s "Exquisite Love" recital. But beguiling away cares on the eve of a national return to work is a big ask, even in the other-worldly surroundings of the Sam Wanamaker Playhouse, and something that, on this occasion, the countertenor himself couldn’t quite deliver. Read more... |
Murray, National Youth Orchestra of Great Britain, Collon, Leeds Town HallSunday, 03 January 2016
The National Youth Orchestra of Great Britain’s standard of playing is consistently impressive, so much so that it’s easy to forget that the ensemble is effectively reconstituted from scratch each autumn. Last night’s fresh incarnation, deftly conducted by Nicholas Collon, sounded as if they’d been playing together for decades, though without any sense of complacency which that might bring. Read more... |
Classical CDs Weekly: Roger Doyle, Mahler, ProkofievSaturday, 02 January 2016
|
Best of 2015: Classical ConcertsSaturday, 26 December 2015
The musical future looks bright indeed, at least from my perspective. There are more classical concerts than ever going on across the UK on most days of the year, so who can know with any authority what might have been missed? Yet each of theartsdesk’s classical music writers has a special take on the events of 2015, and part of mine has been the special privilege of following a trail of younger players in out-of-the-way places. Read more... |
Best of 2015: Classical CDsSaturday, 26 December 2015
Does classical music still matter? Of course it does – sample any one of these ten discs and discover why. All of them are available as CDs as well as downloads – the classical CD shop may be almost extinct, but the physical product refuses to die. Read more... |
Christmas Oratorio, AAM, Egarr, BarbicanWednesday, 23 December 2015
Relatively recent tweaks to the abundant London concert scene have resulted in top-end events right up to Christmas. We have in part to thank the seasonal festival at St John’s Smith Square, postponing the Orchestra of the Age of Enlightenment’s holidays, putting them together with superb soloists and choirs, and serving up major Handel and Bach. One snag: their Christmas Oratorio when I last went to hear it turned out to be only four cantatas out of the sequence of six. Read more... |
La Dama d'Aragó, L'Arpeggiata, Wigmore HallTuesday, 22 December 2015
L'Arpeggiata seem to revel in being L'Anachronista. The baroque-jazz group led by the Graz-born theorbo player Christina Pluhar has been proudly and brazenly flouting the dictates of those who set the rules of Historically Informed Performance (HIP) for all 15 years of their existence. Read more... |
Ex Cathedra, St Paul's Church BirminghamMonday, 21 December 2015
Is it possible for a carol concert to have a cult following? Ex Cathedra's annual Christmas Music by Candlelight performances in St Paul’s Church have quietly grown into a Birmingham institution. The audience has evolved its own rituals: camping out through the long interval in the box pews, and sharing improvised picnics of mulled wine and mince pies. Read more... |
Pires, LSO, Harding, BarbicanThursday, 17 December 2015
Imagine knowing Hamlet as a four-act play, or The Ambassadors without its bottom third. Imagine Mozart’s Requiem as a torso that halts eight bars into the Lacrymosa, or Mahler’s Tenth as the lone Adagio (as, indeed it too often appears). We might admire them all the more for what we ached to feel whole as their creators intended. Read more... |
A Wondrous Mystery, Stile Antico, Temple ChurchWednesday, 16 December 2015
It’s boasting, but surely true, to claim that London offers the biggest number of classy Christmas concerts in the world. How could it be otherwise with established seasonal festivals based around Spitalfields, St John’s Smith Square and the over-restored but still amazing Temple Church whose founder Knights Templar bring Dan Brown fans in droves and an inevitable daily admission fee of a fiver? Read more... |
Roger Doyle: Time Machine (Heresy Records)Pages
inside classical music
latest in today
theartsdesk Q&A: Eddie Marsan and the American Revolutio...
He’s not the kind of actor who has paparazzi following him...
Rebus, BBC One review - revival of Ian Rankin's Scottis...
The previous incarnation of Ian Rankin’s Scottish detective on ITV starred, in their contrasting styles, John Hannah and Ken Stott. For this ...
Orchestre Révolutionnaire et Romantique, Sousa, St Martin-in...
Better (much better, indeed) late than never. The Orchestre Révolutionnaire et Romantique should have given their cycle of Beethoven symphonies at...
Die Zauberflöte, Glyndebourne review - cornucopia of visual...
Five years after it first clattered onto the ...
Hough, Hallé, Elder, Bridgewater Hall, Manchester review - a...
It’s probably a bit early to be getting misty-eyed about the approaching end of Sir Mark Elder’s time as music director of the Hallé, but the...
Clinton Baptiste, Touring review - spoof clairvoyant on grea...
Clinton Baptiste – clairvoyant, medium and psychic – first appeared briefly as a character in Peter Kay’s Phoenix Nights on Channel 4....
Music Reissues Weekly: Andwella - To Dream
Original pressings of Love And Poetry sell for up to £2,800. Copies of the August 1969 debut album by Andwellas Dream can sometimes also...
Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Ma...
There’s a sense of cheerful abandon about Manchester Camerata’s ...
Album: Barry Adamson - Cut to Black
Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the...
Carmen, Glyndebourne review - total musical fusion
It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...