Classical Reviews
Uchida, Connolly, Skelton, LPO, Jurowski, RFH review – songs of farewellMonday, 01 October 2018
Not all composers require the finger of mortality pointing at them to develop what becomes a late style. Charges of detachment and even indifference have been levelled at the B flat major Piano Concerto K595 which Mozart completed early in the year of his death, but Mitsuko Uchida’s playing of it on Saturday night was as refined, as weightless and translucent as her trademark silk tops. Read more... |
Psappha, Kok / Kempf, Northern Chamber Orchestra, Stoller Hall, Manchester review - new and oldSaturday, 29 September 2018
The Stoller Hall, the modest-size auditorium inside Chetham’s School of Music, is really proving itself to be the venue Manchester has long needed this season. Two concerts on successive days, each the first of a series and both making something of a statement, proved that. Read more... |
Lammermuir Festival 2018 review - a bigger buzzMonday, 24 September 2018
There’s always been something of a buzz in the air at East Lothian’s Lammermuir Festival. It’s the feeling that it’s somehow a special privilege to discover its performances – whether they’re from international names or emerging artists, challenging, provocative and illuminating by turns – across the region’s exquisite and little-known churchs, halls, theatres and other venues. Read more... |
Ian Bostridge, Thomas Adès, Wigmore Hall review - haunting, brutal SchubertTuesday, 18 September 2018
Winterreise brings out the best from Ian Bostridge, and the worst. His dedication to understanding and communicating its complex and harrowing text is everywhere apparent, and this was an emotionally draining evening. Read more... |
LSO, Rattle, Barbican Hall review - a mixed bag of British composersMonday, 17 September 2018
A tradition seems to have been invented. First nights of the LSO’s seasons with Sir Simon Rattle as its Music Director start with a concert of music by British composers. The first one last year had Helen Grime, Thomas Adès, Birtwistle, Knussen and Elgar. Read more... |
Elisabeth Leonskaja, Wigmore Hall review - Mozart and Webern, anyone?Saturday, 15 September 2018
“What is it about Mozart?” wondered the legendary pianist Sviatoslav Richter, pointing out the composer's frightening demands of accuracy and lucidity. Even though many pianists today command technique to spare, a Mozart fear factor tends to keep his sonatas off recital programmes. Read more... |
Kremer, CBSO, Wellber, Symphony Hall Birmingham review - supercharged DvořákThursday, 13 September 2018
A shrewd orchestra maintains a strong subs bench. Read more... |
Ax, Kavakos, Ma, Barbican review - all-star BrahmsMonday, 10 September 2018
Expectations ran high for this recital, Brahms from an all-star piano trio of Emanuel Ax, Leonidas Kavakos and Yo-Yo Ma. The group has recently recorded the three Brahms piano trios for Sony, and this concert was part of a promotional tour of the US and Europe. The high-profile event also served to open the Barbican season. Read more... |
Prom 74, Theodora, Arcangelo, Cohen review - coherent and compelling HandelSaturday, 08 September 2018
This was the first complete performance of Theodora at the Proms, one of a series of Handel oratorios initiated with William Christie’s Israel in Egypt last year. Theodora is more often performed today as a staged opera, most famously in the Peter Sellars production at Glyndebourne in the 1990s. Read more... |
Prom 72, War Requiem, RSNO, Oundjian review - the pity, and the spectacle, of warFriday, 07 September 2018
A day after John Eliot Gardiner and wandering violist Antoine Tamestit had converted the Royal Albert Hall into a sonic map of Hector Berlioz’s Italy, conductor Peter Oundjian and his full-strength divisions transported us to the Western Front. Read more... |
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