Classical Reviews
Prom 66, Wang, Berlin Philharmonic, Petrenko review - intense perfectionSunday, 02 September 2018
Setting aside any reservations about a slight overall timidity in repertoire choices - no problems with that last night - this year's Proms have worked unexpectedly well, above all with their weekend strands. Read more... |
Prom 65, London Voices, BBCSO, Bychkov review - 20th century masterpieces hit homeSaturday, 01 September 2018
This Prom had three pieces from times of social crisis, although only one faces its crisis head on. Stravinsky’s Rite of Spring hides its pre-war angst behind a story of pagan Russia while Ravel’s post-war desolation is danced in decadent Viennese waltz time in La Valse. Read more... |
Prom 63, Bach: The Well-Tempered Clavier - Book 2, Schiff review - the universe withinThursday, 30 August 2018
It was the C major Prelude and Fugue from this second book of Bach's The Well-Tempered Clavier, not its more familiar counterpart in Book One, which found itself tracked on a gold-plated disc inside Voyager I to reach whatever intelligent life there may be outside our solar system. Read more... |
Proms at...Cadogan Hall 7, Giunta, Sikich, review - dazzlement in Bernstein and beyondTuesday, 28 August 2018
“What drivel! What nonsense! What escapist Techicolor twaddle!” No, not a description of Wallis Giunta’s scintillating BBC Proms at Cadogan Hall recital, it’s a lyric from “What A Movie”, Leonard Bernstein’s outstanding stand-alone number from his one-act opera Trouble In Tahiti. Read more... |
Edinburgh Festival 2018 review: Benedetti, Baltimore SO, Alsop - puzzlingly tameMonday, 27 August 2018
The Edinburgh International Festival scored quite a coup in securing the services of Bernstein protégée Marin Alsop and the Baltimore Symphony Orchestra on the very day of the great composer/conductor’s centenary – and for the festival’s penultimate concert of 2018. Read more... |
Prom 57, On the Town, LSO, Wilson review - symphonic dances and sassy vocalsSunday, 26 August 2018
1944 was one hell of a year for Bernstein the composer, with a perfect ballet and a near-perfect musical sharing a general theme of three sailors loose in New York, but nothing else, in their boisterous originality. Read more... |
Edinburgh Festival 2018 review: Aimard, SCO, Pintscher - psychedelic visionsSaturday, 25 August 2018
There were two immediate casualties at Pierre-Laurent Aimard’s high-energy account of Messiaen’s monumental Des canyons aux étoiles… with the Scottish Chamber Orchestra at the Edinburgh International Festival. Read more... |
Prom 55, Lisztes, Lendvai, Lendvay, Budapest Festival Orchestra, Fischer review - unity and strengthFriday, 24 August 2018
There seems no limit to the sheer creativity that fizzes from Iván Fischer and his Budapest Festival Orchestra. For their second night at the Proms, packed out this time, the theme was the meeting of classical and Gypsy musical traditions. Read more... |
Prom 54, Richter, Budapest Festival Orchestra, Fischer review - independent-minded Hungarians returnThursday, 23 August 2018
Two heartening facts first. Iván Fischer's much-loved crew remains one of the few world-class orchestras with an individual voice, centred on lean, athletic strings adaptable to Fischer's febrile focus (perfect for Enescu and Bartók, not quite so much for Mahler). Read more... |
Proms at...Cadogan Hall 6, BBC Singers, Oramo review - excellent choristers need to diversifyTuesday, 21 August 2018
Those of us schooled in the English choral tradition know and love Hubert Parry's "My soul, there is a country", but few have sung or heard it live as the first of a mighty cycle. Parry completed the six Songs of Farewell not long before his death 100 years ago. Read more... |
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