sat 25/06/2022

Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Pioneering Women, Oxford Ceramics Gallery online review - domestic pleasures

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Hold Still, National Portrait Gallery review - snapshots from lockdown

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Extinction: The Facts, BBC One review - David Attenborough tells a devastating story

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William Feaver: The Lives of Lucian Freud: Fame 1968-2011 review - mesmerising, exhaustive and obsessively detailed

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George IV: Art & Spectacle, The Queen's Gallery review - all is aglitter

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Vincent van Gogh: the reader and the writer

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Bears About the House, BBC Two review - uphill struggle to save hunted animals

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Tutankhamun in Colour, BBC Four review - amazing enhanced images bring fabled Pharaoh to life

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The World's Greatest Paintings, Channel 5 review - enthusiastic presenter but no dazzling revelations

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John Grisham: Camino Winds review - morality tale with a light touch

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Caroline Maclean: Circles and Squares review - adventurous art, progressive living and a good gossip

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Grayson's Art Club, Channel 4 review - too many clichés and platitudes?

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Don Winslow: Broken review - a staggering crash course in the possibilities of crime

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Mark Kermode's Secrets of Cinema, BBC Four review - the undying allure of the spying game

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Sam Bourne: To Kill a Man review – the woman who fought back

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Taking Control: The Dominic Cummings Story, BBC Two review - disruptive political maverick eludes pigeonholing

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latest in today

Album: James Vincent McMorrow - The Less I Knew

An artist with a myriad of strings to his bow – gifted wordsmith, multi-instrumentalist, captivating...

Elvis review - Austin Butler shines in patchy biopic

Strictly Ballroom aside, I’ve never been entirely persuaded by...

First person: Ukrainian violinist Valeriy Sokolov on perform...

A fortnight ago I performed Tchaikovsky's Violin Concerto with the Aurora Orchestra, joining them and their Principal Conductor Nicholas Collon in...

The Big Hit review - prisoners play 'Godot'

High culture...low life. Emmanuel Courcol’s film The Big Hit (Un Triomphe in France) is a 105-minute experiment in what...

Hughes, Manchester Collective, Hallé St Peter’s, Manchester...

Manchester Collective were back on home ground last night in the tour of a programme featuring the first performances of a new song cycle by...

Album: Regina Spektor - Home, before and after

When did life become so theoretical? In the penultimate track of her new album, Home, before and after, Regina Spektor plays the role of...

Blk Jks, Moth Club review - Johannesburg’s art-rockers are m...

Figuratively, “Tselane” is Blk Jks’s “Stairway to Heaven.” Both songs begin quietly and move through passages of turbulence suggesting an...

Album: Hollie Cook - Happy Hour

In a world seemingly devoid of joy, Hollie Cook's fourth...

A Doll's House, Part 2, Donmar Warehouse review - Noma...

Slamming the door on experience comes with repercussions in A Doll's House, Part 2, the thrilling...