sun 19/05/2019

Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Leah Hazard: Hard Pushed review - a midwife's tales

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Sorolla: Spanish Master of Light, National Gallery review - a national treasure comes to London

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Frans de Waal: Mama's Last Hug review - animal feelings

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Only Human: Martin Parr, National Portrait Gallery review - relentlessly feelgood

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Kader Attia / Diane Arbus, Hayward Gallery review - views from the margins

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Fiona MacCarthy: Walter Gropius review - a master of modernism

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Sam Bourne: To Kill the Truth review - taut thriller of big ideas

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Richard J Evans: Eric Hobsbawm - A Life in History review - mesmerisingly readable

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John Ruskin: The Power of Seeing, Two Temple Place review - inside the mind of a visionary

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Don McCullin: Looking for England, BBC Four review - a hard look at home

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The Last Survivors, BBC Two review - living on

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Kristen Roupenian: You Know You Want This review - twisted tales

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Michael Peppiatt: The Existential Englishman review - we'll always have Paris

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Nolan: Australia's Maverick Artist, BBC Four review – a lust for life in all its aspects

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American History's Biggest Fibs with Lucy Worsley, BBC Four review - rewriting history in the Land of the Free

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On Drums... Stewart Copeland!, BBC Four review - no drummer, no rock'n'roll

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latest in today

First Person: Ellen McDougall on finding the commonality in...

I’ve wanted to direct Thornton Wilder’s Our Town for a long time.

The play is beautifully written and its form feels not only...

Cannes 2019: Pain and Glory review - a dour, semi-autobiogra...

There’s a touch of Fellini’s 8 ½ in Pedro Almodóvar’s latest film. It’s a forlorn, confessional tale, with Antonio Banderas starring as...

Thomas Harris: Cari Mora review – mayhem in Miami

This March, a real-estate office in Miami Beach, Florida, put a parcel of prime seafront land on the market. A vacant estate with plans filed for...

Reissue CDs Weekly: Ronnie Lane

It was inevitable that Rod Stewart’s distracting solo adventures would eventually kill off...

Tucked review - dispiriting British drag queen drama

It would be great to herald this low-budget drama about an elderly...

Gravity & Other Myths: Backbone, Brighton Festival 2019...

Shows by Gravity & Other Myths fall into the realm of “contemporary...

CD: Flying Lotus - Flamagra

It's five years since Steven Ellison aka Flying Lotus released an album, and it's not entirely clear how far he's moved creatively. To be fair he'...

Cannes 2019: Sorry We Missed You review - essential Loach dr...

Who would have thought that Ken Loach could make a film more heart-wrenching than I, Daniel Blake? His new feature, co-written with his...

First Person: Liam Byrne on bringing Versailles to the City...

When you dedicate your life to studying and performing on a musical instrument that essentially went extinct at the end of the...