wed 17/07/2019

Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

BP Portrait Award 2019, National Portrait Gallery review - a story for everyone

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Thatcher: A Very British Revolution, Finale, BBC Two review - a heartbreaking account of her decline

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Edouard Vuillard: The Poetry of the Everyday, Holburne Museum, Bath review - dizzying pattern and colour

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Thatcher: A Very British Revolution, BBC Two review - demolishing the boys' club

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Leah Hazard: Hard Pushed review - a midwife's tales

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Sorolla: Spanish Master of Light, National Gallery review - a national treasure comes to London

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Frans de Waal: Mama's Last Hug review - animal feelings

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Only Human: Martin Parr, National Portrait Gallery review - relentlessly feelgood

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Kader Attia / Diane Arbus, Hayward Gallery review - views from the margins

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Fiona MacCarthy: Walter Gropius review - a master of modernism

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Sam Bourne: To Kill the Truth review - taut thriller of big ideas

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Richard J Evans: Eric Hobsbawm - A Life in History review - mesmerisingly readable

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John Ruskin: The Power of Seeing, Two Temple Place review - inside the mind of a visionary

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Don McCullin: Looking for England, BBC Four review - a hard look at home

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The Last Survivors, BBC Two review - living on

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Kristen Roupenian: You Know You Want This review - twisted tales

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k.d.lang, Brighton Dome review - superb revival of classic a...

It’s hard to convey in an age of equal marriage and gender fluidity the impact that k.d. lang’s Ingénue had when it was released in 1992...

The Night of the Iguana, Noël Coward Theatre review - Clive...

One of the glories of contemporary London theatre is its revivals of classic American drama. Year after year, audiences are able to revisit and...

Ewa Banaszkiewicz and Mateusz Dymek: 'Is our film porny...

Spoiler alert: About sixty-four minutes into our feature film, one of the main female characters undresses for the camera. Alicja is being filmed...

The Day We Walked on the Moon, ITV review - it was 50 years...

It was on 16 July 1969 that Apollo 11 lifted off from Florida en route for the Moon, and exactly 50 years later, as we nervously anticipate the...

Burt Bacharach Together with Joss Stone, Eventim Apollo revi...

Whatever age you are, in whatever era you grew up – wherever you grew up – you will know, perhaps unknowingly, a large handful of songs by Burt...

Inside the Social Network: Facebook's Difficult Year, B...

Not everybody is on Facebook, yet. So far, Mark Zuckerberg’s social media monolith has only managed to scrape together about 2.3 billion users,...

The Best Plays in London

London is the theatre capital of the world, with more than 50 playhouses offering theatrical entertainment. From the mighty National Theatre to...

CD: The Flaming Lips – King’s Mouth

Oh to be inside the head of Wayne Coyne. The frazzle-haired frontman has always been an enigma, persistently quirky, morally dubious, and...

Equus, Trafalgar Studios review - passionate intensity

When he gave Martin Dysart, the troubled psychiatrist protagonist of Equus, a line in which he speaks about “moments of experience” being...