Marina Vaizey
Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.
Articles By Marina Vaizey
latest in today
Ivan the Terrible, Grange Park Opera review - from tsar to S...
All 15 of Rimsky-Korsakov’s operas deserve to...
Reissue CDs Weekly: Dungen - Stadsvandringar
Dungen’s October 2005 appearance on Late Night With Conan O'Brien was incongruous. Here was a...
Solstice, English National Ballet, RFH review - a midsummer...
“A tonic to the nation”. That was the hoped-for effect of the Festival of Britain in 1951, and its concrete legacy was the...
First Person: Roxanna Panufnik on a new version of her...
A month ago, I sat in St Martin-in-the Fields listening to London Mozart Players recording my orchestral version of Letters from Burma. I...
Jimmy Carr, Palace Theatre review - rape gags and risible cl...
What to make of Jimmy Carr? He’s a fantastic gag writer and experienced...
Hallé, Berglund, Bridgewater Hall, Manchester review - takin...
Tabita Berglund is that rare species, an up-and-coming orchestral...
In the Heights review - to life, Lin-Manuel Miranda-style
The general uptick of late in film versions of stage musical...
Happy Days, Riverside Studios review - memory, madness and m...
Just when you thought you couldn’t take any more one- or two-handers, online or in the theatre, along comes the supreme masterpiece to jolt you...