tue 07/02/2023

Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Pioneering Women, Oxford Ceramics Gallery online review - domestic pleasures

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Hold Still, National Portrait Gallery review - snapshots from lockdown

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Extinction: The Facts, BBC One review - David Attenborough tells a devastating story

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William Feaver: The Lives of Lucian Freud: Fame 1968-2011 review - mesmerising, exhaustive and obsessively detailed

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George IV: Art & Spectacle, The Queen's Gallery review - all is aglitter

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Vincent van Gogh: the reader and the writer

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Bears About the House, BBC Two review - uphill struggle to save hunted animals

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Tutankhamun in Colour, BBC Four review - amazing enhanced images bring fabled Pharaoh to life

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The World's Greatest Paintings, Channel 5 review - enthusiastic presenter but no dazzling revelations

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John Grisham: Camino Winds review - morality tale with a light touch

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Caroline Maclean: Circles and Squares review - adventurous art, progressive living and a good gossip

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Grayson's Art Club, Channel 4 review - too many clichés and platitudes?

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Don Winslow: Broken review - a staggering crash course in the possibilities of crime

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Mark Kermode's Secrets of Cinema, BBC Four review - the undying allure of the spying game

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Sam Bourne: To Kill a Man review – the woman who fought back

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Taking Control: The Dominic Cummings Story, BBC Two review - disruptive political maverick eludes pigeonholing

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latest in today

Linck & Mülhahn, Hampstead Theatre review - problems as...

With the total loss of its Arts Council funding,...

Eliza Carthy and The Restitution, Barbican review - folk at...

Eliza Carthy has been busy, as she always has. Recording various albums with various artists during the pandemic, her show with her band, The...

Fabienne Verdier, The Song of the Stars (Le chant des étoile...

I have wanted to visit the Musée Unterlinden in Colmar for many years: the home of Matthias Grünewald’s masterpiece, the Isenheim Altarpiece (1512...

DVD: Babylon Berlin, Season Four

It’s coming up for two years since some of us watched the first three seasons of what’s increasingly coming to seem like television’s greatest...

The Damnation of Faust, LPO, Gardner, RFH review - the devil...

No work gives its listeners such pleasure on the way to hell (and back) as...

Saint Omer review - exile and erasure

Saint Omer is a psychological and sociological mystery, unpicking the enigma of Laurence (Guslagie Malanda), a French...

The Cunning Little Vixen, Opera North review - magic of a cl...

It’s good to think that there are some opera productions – not just compositions – that in themselves can have the status of classics. David...

Smoke, Southwark Playhouse review - dazzling Strindberg upda...

A play’s title can be an almost arbitrary matter – there’s no streetcar but plenty of desire in that one for example...

Album: Yo La Tengo - This Stupid World

Yo La Tengo’s new disc would appear to be an homage to the indie ...

Music Reissues Weekly: The Senders - All Killer No Filler

The New York Dolls, The Ramones, Suicide, Television, Blondie, The Dictators, The Heartbreakers, The Shirts, Richard Hell and the Voidoids. From...