wed 15/05/2024

Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Pioneering Women, Oxford Ceramics Gallery online review - domestic pleasures

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Hold Still, National Portrait Gallery review - snapshots from lockdown

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Extinction: The Facts, BBC One review - David Attenborough tells a devastating story

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William Feaver: The Lives of Lucian Freud: Fame 1968-2011 review - mesmerising, exhaustive and obsessively detailed

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George IV: Art & Spectacle, The Queen's Gallery review - all is aglitter

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Vincent van Gogh: the reader and the writer

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Bears About the House, BBC Two review - uphill struggle to save hunted animals

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Tutankhamun in Colour, BBC Four review - amazing enhanced images bring fabled Pharaoh to life

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The World's Greatest Paintings, Channel 5 review - enthusiastic presenter but no dazzling revelations

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John Grisham: Camino Winds review - morality tale with a light touch

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Caroline Maclean: Circles and Squares review - adventurous art, progressive living and a good gossip

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Grayson's Art Club, Channel 4 review - too many clichés and platitudes?

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Don Winslow: Broken review - a staggering crash course in the possibilities of crime

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Mark Kermode's Secrets of Cinema, BBC Four review - the undying allure of the spying game

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Sam Bourne: To Kill a Man review – the woman who fought back

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Taking Control: The Dominic Cummings Story, BBC Two review - disruptive political maverick eludes pigeonholing

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Hoard review - not any old rubbish

A visually dazzling, fiercely acted psychological drama with a manic comic edge, Hoard channels an 18-year-old South Londoner’s quest to...

Hidden Door 10th Birthday Party, St James Quarter, Edinburgh...

It’s hard to imagine that The Arches – a string of stylish glass-fronted units in prime city centre location, housing boutique bars,...

Blu-ray: Chocolat

Claire Denis’ 1988 debut is a sensual madeleine to her Cameroonian childhood, with its taste of termites on butter, sound of birdsong and insect...

Coote, LSO, Tilson Thomas, Barbican review - the triumph of...

Programme notes for Mahler’s monumental symphonies will often...

Conchúr White, St Pancras Old Church review - side-stepping...

If there’s a feeling of déjà vu, it isn’t detectable. Conchúr White played St Pancras Old Church in April 2016 with County Armagh’s Silences, the...

DVD/Blu-ray: The Holdovers

Glance at The Holdovers’ synopsis and you might suspect that...

Rhod Gilbert, G-Live Guildford review - cancer, constipation...

Rhod Gilbert is disarmingly honest about his thought process when he received his diagnosis of head and neck cancer in 2022. Following quickly...

Pop Will Eat Itself, Chalk, Brighton review - hip hop rocker...

By midway, things are cooking. “Can U Dig It?”, a post-modern list-song from another age (Ok,...

Album: Beth Gibbons - Lives Outgrown

It’s been a long while since Beth Gibbons released an album. Portishead’s Third was out in 2008.  She has lived through so many...