tue 23/04/2024

Marina Vaizey

Marina Vaizey's picture
Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Winnie-the-Pooh: Exploring a Classic, V&A review - nostalgic family fun

Read more...

Reza Aslan: God - A Human History review - on being 'sapiens', and believing

Read more...

Lake Keitele: A Vision of Finland review, National Gallery - light-filled northern vistas

Read more...

Impressionists in London, Tate Britain review - from the stodgy to the sublime

Read more...

ArtReview Power 100 - an artist tops the list

Read more...

Cézanne Portraits, National Portrait Gallery review - eye-opening and heart-breaking

Read more...

Oliver Sacks: The River of Consciousness review - a luminous final collection of essays

Read more...

Chris Packham: Asperger's and Me, BBC Two review - 'like an alien from another planet'

Read more...

Niall Ferguson: The Square and the Tower review - of groups and power

Read more...

Henning Mankell: After the Fire review - of death and redemption

Read more...

Basquiat: Rage to Riches review, BBC Two – death rides an equine skeleton

Read more...

Claire Tomalin: A Life of My Own review - the biographer on herself

Read more...

Jasper Johns, Royal Academy review - a master of 50 shades

Read more...

Cinema Through the Eye of Magnum, BBC Four review - moving pictures

Read more...

John le Carré: A Legacy of Spies review - the master in twilight mood

Read more...

DVD: Every Picture Tells a Story

Read more...

Pages

latest in today

Blue Lights Series 2, BBC One review - still our best cop sh...

The first season of Blue Nights was so close to ...

Sabine Devieilhe, Mathieu Pordoy, Wigmore Hall review - ench...

Sabine Devieilhe, as with many other great sopranos, elicits much fan worship, with no less than three encores at her recent Wigmore Hall recital...

Stephen review - a breathtakingly good first feature by a mu...

Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s ...

Jonn Elledge: A History of the World in 47 Borders review -...

In A History of the World in 47 Borders, Jonn Elledge takes an ostensibly dry subject – how maps and boundaries have shaped our world –...

DVD/Blu-Ray: Priscilla

There’s a scene in Priscilla where Elvis stands above his wife, who is scrambling to put her clothes in a suitcase. Priscilla has just...

Špaček, BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manch...

Billed as a “Viennese Whirl”, this programme showed that there are different kinds of music that may be known to the orchestral canon as coming...

Banging Denmark, Finborough Theatre review - lively but conf...

What would happen if a notorious misogynist actually fell in love? With a glacial Danish librarian? And decided his best means of...

Album: Fred Hersch - Silent, Listening

The previous solo piano solo album from Fred Hersch, one of the world’s great...

Music Reissues Weekly: Linda Smith - I So Liked Spring, Noth...

Three years ago, the release of Till Another Time 1988-1996 generated a thumbs up. A compilation of recordings by the Baltimore and/or...

London Tide, National Theatre review - haunting moody river...

“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...