fri 01/03/2024

Marina Vaizey

Marina Vaizey's picture
Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Thatcher: A Very British Revolution, Finale, BBC Two review - a heartbreaking account of her decline

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Edouard Vuillard: The Poetry of the Everyday, Holburne Museum, Bath review - dizzying pattern and colour

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Thatcher: A Very British Revolution, BBC Two review - demolishing the boys' club

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Leah Hazard: Hard Pushed review - a midwife's tales

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Sorolla: Spanish Master of Light, National Gallery review - a national treasure comes to London

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Frans de Waal: Mama's Last Hug review - animal feelings

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Only Human: Martin Parr, National Portrait Gallery review - relentlessly feelgood

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Kader Attia / Diane Arbus, Hayward Gallery review - views from the margins

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Fiona MacCarthy: Walter Gropius review - a master of modernism

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Sam Bourne: To Kill the Truth review - taut thriller of big ideas

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Richard J Evans: Eric Hobsbawm - A Life in History review - mesmerisingly readable

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John Ruskin: The Power of Seeing, Two Temple Place review - inside the mind of a visionary

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Don McCullin: Looking for England, BBC Four review - a hard look at home

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The Last Survivors, BBC Two review - living on

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Kristen Roupenian: You Know You Want This review - twisted tales

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Michael Peppiatt: The Existential Englishman review - we'll always have Paris

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latest in today

Cruel Intentions, The Other Palace review - Uneasy vibes, bu...

Transgression was so deliciously enticing. Back in the 80s when I saw Les Liaisons Dangereuses in the West End on three...

Album: Kaiser Chiefs – Kaiser Chiefs’ Easy Eighth Album

Kaiser Chiefs’ appropriately named Kaiser Chiefs’ Easy Eighth Album is a collection of ten easy listening, but not particularly...

The Magic Flute, English National Opera review - return of a...

Trials by fire and water pale in comparison with trials by Arts Council England. English National Opera’s long torment has lately involved...

The Human Body, Donmar Warehouse review - Keeley Hawes and J...

Keeley Hawes onstage is something to look forward to, so rare are her appearances there. In Lucy Kirkwood’s new...

Red Island review - Madagascar miniatures

The French military outpost on Madagascar is a “family...

Nachtland, Young Vic review - German black comedy brings une...

If Mark Twain thought that a German joke was no laughing...

Album: Liam Gallagher John Squire - Liam Gallagher John Squi...

Those who were around to witness the release of the Stone Roses’ Second Coming album will no doubt remember how a record-buying public...

Cable Street, Southwark Playhouse review - engaging new musi...

Hot on the heels of Brigid Larmour’s updating of The Merchant of Venice to the East End in 1936, a spirited new...

Andy Parsons, Touring review - reasons to be cheerful...

In the middle of another age of austerity, a climate crisis and seemingly intractable international conflicts, it's cheering that a comic should...