sat 20/04/2024

Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Joanna Trollope: Mum & Dad review - redemption in Spain

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Confronting Holocaust Denial with David Baddiel, BBC Two review - grappling with the incomprehensible

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Secrets of the Museum, BBC Two review - the incredible hidden worlds of the V&A

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Shock of the Nude with Mary Beard, BBC Two review - when does art become erotica?

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Stewart Copeland's Adventures in Music, BBC Four review - an essay on the emotional power of music

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Hugh Grant: A Life on Screen, BBC Two review - hiding in plain sight?

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Eva Meijer: Animal Languages review - do you talk crow?

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John Grisham: The Guardians review - nail-bitingly good

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Michael Connelly: The Night Fire review - unputdownable

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John le Carré: Agent Running in the Field review - fake news, Brexit and Cold war echoes

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Joanna Cannon: Breaking and Mending review - can you feel too much?

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10 Questions for author Martin Gayford

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Martin Gayford: The Pursuit of Art review - devotion, distilled

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A. N. Wilson: Prince Albert review - entertaining bio is a total treat

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Martin Hägglund: This Life - Why Mortality Makes Us Free review - profound book to be read slowly

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BP Portrait Award 2019, National Portrait Gallery review - a story for everyone

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latest in today

London Tide, National Theatre review - haunting moody river...

“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...

Watts, BBC Symphony Orchestra and Chorus, Bignamini, Barbica...

Anyone who’d booked to hear soprano Sally Matthews or to witness the rapid progress of conductor Daniele Rustioni – the initial draw for me –...

The Songs of Joni Mitchell, Roundhouse review - fans (old an...

For most people’s 40th birthday celebrations, they might get a few...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Album: Taylor Swift - The Tortured Poets Department: The Ant...

Taylor Swift’s unfathomable ability to articulate human emotion shines as brightly as ever in her latest double album The Tortured Poets...

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...