tue 18/06/2024

Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Val McDermid: Insidious Intent review - dark and expert crime writing

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Fred Vargas: The Accordionist review - intriguing Gallic sleuthing yarn

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Utopia: In Search of the Dream, BBC Four review - the best of all possible documentaries?

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James Hamilton: Gainsborough - A Portrait review - an artistic life told with verve and enthusiasm

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Matisse in the Studio, Royal Academy review - a fascinating compilation

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Queer as Art, BBC Two review - showbusiness and the gay revolution

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Grandad, Dementia and Me, BBC One review - no easy solutions to terrifying mental condition

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Michael Connelly: The Late Show review - mesmerising and believable characters

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The Exhibition Road Quarter review, V&A - an intelligent and much needed expansion

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Jonathan Miles: St Petersburg review - culture and calamity

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Sargent, Dulwich Picture Gallery review - wonders in watercolour

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Brenda Maddox: Reading the Rocks review - revelations of geology

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National Gallery of Ireland review - bigger and better

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Elif Batuman: The Idiot review - memories of student life and travels meander

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Alberto Giacometti, Tate Modern

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Sunday Book: Henry Marsh - Admissions: A Life in Brain Surgery

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latest in today

The Master Musicians of Joujouka, Morocco review - a healing...

A small mountain village, tucked away in the foothills of the Rif Mountains, south-east of Tangier. The “smallest music festival in the world”, so...

Gavin Jantjes: To Be Free, Whitechapel Gallery review - a sw...

Born in Cape Town in 1948, Gavin Jantjes grew up under ...

Presumed Innocent, Apple TV+ review - you read the book and...

Scott Turow published his cunningly-wrought legal thriller in 1987, and Alan J Pakula’s powerful movie version, starring Harrison Ford, appeared...

Ashton Celebrated, Royal Ballet review - peerless delights f...

Launching a four-year global project to proclaim the genius of...

Il Trittico, Welsh National Opera review - another triumph f...

It’s somehow typical of the Welsh National Opera I’ve known now for...

Goldscheider, Royal Orchestral Society, Miller, SJSS review...

London’s non-professional orchestra sector is an undervalued asset to the city, and deserves more attention. And so last night I went to hear the...

Freud's Last Session review - Freud and CS Lewis search...

How can it be part of God’s plan to allow so much pain and suffering in the world, asks Sigmund Freud (Anthony Hopkins) of a young Oxford don, CS...

Album: Kehlani - CRASH

The noise in the international mainstream in recent years might be about dance-pop,...

Music Reissues Weekly: Margo Guryan - Words and Music

Late summer 1966. Jazz was Margo Guryan’s thing. She was not interested in pop music. This changed when she was played The Beach Boys’s “God Only...