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Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Nolan: Australia's Maverick Artist, BBC Four review – a lust for life in all its aspects

Monday, 21 January 2019 Read more...

American History's Biggest Fibs with Lucy Worsley, BBC Four review - rewriting history in the Land of the Free

Friday, 18 January 2019 Read more...

On Drums... Stewart Copeland!, BBC Four review - no drummer, no rock'n'roll

Friday, 11 January 2019 Read more...

The Sound of Movie Musicals with Neil Brand, BBC Four review - genius of song and dance

Saturday, 22 December 2018 Read more...

Boris Akunin: Black City review - a novel to sharpen the wits

Sunday, 16 December 2018 Read more...

Louis Theroux's Altered States: Choosing Death, BBC Two review - profound and moving

Monday, 19 November 2018 Read more...

Our Classical Century, BBC Four review - enthusiasm and delight

Friday, 16 November 2018 Read more...

Dramatic Exchanges review - a brilliant slice of theatre history

Sunday, 11 November 2018 Read more...

Michael Connelly: Dark Sacred Night review - a pairing of loner detectives

Sunday, 04 November 2018 Read more...

The new V&A Photography Centre review - a new museum to make us proud

Monday, 29 October 2018 Read more...

Michael Caine: Blowing the Bloody Doors Off review - an actor's handbook, annotated by experience

Sunday, 28 October 2018 Read more...

Julian Baggini: How the World Thinks review - a whirlwind tour of ideas

Sunday, 21 October 2018 Read more...

Barneys, Books and Bust Ups, BBC Four review - the Booker Prize at 50

Tuesday, 16 October 2018 Read more...

Simon Sebag Montefiore: Written in History review - epistolary high points

Sunday, 07 October 2018 Read more...

Queen of the World, ITV review - born to run and run

Wednesday, 26 September 2018 Read more...

Courtauld Impressionists: From Manet to Cézanne review - much loved treasures, seen afresh

Monday, 24 September 2018 Read more...

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'We are bowled over!' Thank you for your messages... ...
Deaf Republic, Royal Court review - beautiful images, shame...

The Ukraine war is not the only place of horror in the world, but it does present a challenge to theatre makers who want to respond to events that...

Classical CDs: Sleigh rides, pancakes and cigars

 

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Album: Josh Ritter - I Believe in You, My Honeydew

Americana rocker Josh Ritter can write a beautiful song....

Laura Benanti: Nobody Cares, Underbelly Boulevard Soho revie...

Laura Benanti has been enchanting Broadway audiences for several decades now, and London has this week been let in on the secret that recently...

Waley-Cohen, Manchester Camerata, Pether, Whitworth Art Gall...

Manchester Camerata is enhancing its reputation for pioneering with three performances featuring Nick Martin’s new Violin Concerto, which it has...

The Courageous review - Ophélia Kolb excels as a single moth...

“I never abandoned you,” says Jule (Ophélia Kolb; Call My Agent!) to her 10-year-old daughter Claire (Jasmine Kalisz Saurer), setting a...

Album: David Byrne - Who is the Sky?

From his early days with Talking Heads, David Byrne has ploughed a highly individual furrow, and exploited a persona that combines naivety with...

The Paper, Sky Max review - a spinoff of the US Office worth...

Fans of the US version of The Office may wonder what happened to the assorted oddballs of Dunder Mifflin, proud creators of...

Edinburgh Psych Fest 2025 review - eclectic and experimental

Now in its third year, Edinburgh Psych Fest returned to multiple venues in the old town and the city’s southside for 2025; namely Summerhall,...