fri 19/04/2024

Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Victorian Giants, National Portrait Gallery review - pioneers of photography

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Agnès Poirier: Left Bank review - Paris in war and peace

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Civilisations, BBC Two review - no shocks from Schama

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Ursula K Le Guin - Dreams Must Explain Themselves review - enraging and enlightening

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Mick Herron: London Rules review - hypnotically fascinating, absolutely contemporary

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Andreas Gursky, Hayward Gallery review - staggering scale, personal perspective

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Afua Hirsch: Brit(ish) review - essential reading on identity

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DVD/Blu-ray: The Mystery of Picasso

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Charles I: King and Collector, Royal Academy review - a well executed display of taste

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Great American Railway Journeys, Series 3, BBC Two review - edutainment despite shortage of trains

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Art, Passion and Power: The Story of the Royal Collection, BBC Four review - monarchs knew the power of the portrait

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David Lodge: Writer’s Luck - A Memoir 1976-1991 review - literary days, in detail

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Big Cats, BBC One review - how cats conquered the world

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Little Women, BBC One review - life during wartime with the March sisters

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Judi Dench: My Passion for Trees, BBC One review - an arboreal delight

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Jenny Uglow: Mr Lear - A Life of Art and Nonsense review - a lonely Victorian life, so richly illustrated

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latest in today

London Tide, National Theatre review - haunting moody river...

“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Album: Jonny Drop • Andrew Ashong - The Puzzle Dust

As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...

If Only I Could Hibernate review - kids in grinding poverty...

Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...