mon 03/11/2025

Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Victorian Giants, National Portrait Gallery review - pioneers of photography

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Agnès Poirier: Left Bank review - Paris in war and peace

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Civilisations, BBC Two review - no shocks from Schama

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Ursula K Le Guin - Dreams Must Explain Themselves review - enraging and enlightening

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Mick Herron: London Rules review - hypnotically fascinating, absolutely contemporary

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Andreas Gursky, Hayward Gallery review - staggering scale, personal perspective

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Afua Hirsch: Brit(ish) review - essential reading on identity

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DVD/Blu-ray: The Mystery of Picasso

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Charles I: King and Collector, Royal Academy review - a well executed display of taste

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Great American Railway Journeys, Series 3, BBC Two review - edutainment despite shortage of trains

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Art, Passion and Power: The Story of the Royal Collection, BBC Four review - monarchs knew the power of the portrait

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David Lodge: Writer’s Luck - A Memoir 1976-1991 review - literary days, in detail

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Big Cats, BBC One review - how cats conquered the world

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Little Women, BBC One review - life during wartime with the March sisters

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Judi Dench: My Passion for Trees, BBC One review - an arboreal delight

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Jenny Uglow: Mr Lear - A Life of Art and Nonsense review - a lonely Victorian life, so richly illustrated

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'We are bowled over!' Thank you for your messages... ...
Macbeth, RSC, Stratford review - Glaswegian gangs and ghouli...

It’s hard to pinpoint exactly what’s so very different about Belfast and Glasgow, both of which I have visited in the last few...

Sananda Maitreya, Town Hall, Birmingham review - 80s megasta...

During a false start to “Billy Don’t Fall”, on Sunday night at Birmingham’s iconic Town Hall, Sananda Maitreya took the opportunity to address the...

Mr Scorsese, Apple TV review - perfectly pitched documentary...

This five-parter by Rebecca Miller is essential viewing for any...

Madama Butterfly, Irish National Opera review - visual and v...

Emotional truth backed up by musical sophistication is what saves Puccini’s drama about a geisha deserted by an American officer from mawkishness...

Hallé John Adams festival, Bridgewater Hall / RNCM, Manchest...

Am I dreaming? Did I really see a living composer of...

'Vicious Delicious' is a tasty, burlesque-rockin...

Three of last year’s finest singles were by Luvcat, a classy-but-naughty Eartha Kitt-style bad girl steeped in burlesque-rock’n’roll spirit. In...

theartsdesk at Wexford Festival Opera 2025 - two strong prod...

A drawback of choosing relatively or very obscure operas, as they've been mostly doing in Wexford Festival since 1951, is that the audiences...

Bach's B minor Mass, Irish Baroque Orchestra, Whelan, C...

The greatest procession of mass movements ever composed merits the best line-up of soloists, both vocal and instrumental, as well as the perfect...

Kaploukhii, Greenwich Chamber Orchestra, Cutts, St James...

To St James’s Piccadilly to hear the young pianist Misha Kaploukhii give an impressive performance of Beethoven’s Fourth Piano Concerto,...