mon 16/10/2017

Wigmore Hall

Guy Johnston on his 1714 Tecchler cello - 'every day I start again and explore the possibilities within'

This adventure began in 2014 when my cello turned 300 years old. As birthdays go, it was a big one, so for me it felt important to do something special to celebrate. Why not imagine a journey back to Rome where it was made?The role of the cello has...

Read more...

Anne Schwanewilms, Charles Spencer, Wigmore Hall review - going deep in Schubert

They say that Wigmore Hall audiences know their Lieder singers, but last night's far from packed house dispelled that illusion; the hall has been full for much lesser artists than German soprano Anne Schwanewilms. No matter; she gave her usual...

Read more...

Ke Ma, Wigmore Hall review - a debut of distinction

The turnout in the Wigmore’s Kirckman series of young-artist showcases was unusually high for this 23-year-old Chinese pianist. With the Op. 28 Preludes of Chopin, it became clear that many of the audience had known what they were waiting for. Up to...

Read more...

Ensemble InterContemporain, Wigmore Hall

The Paris-based Ensemble InterContemporain brought a wide-ranging programme to the Wigmore Hall. They are known as new music specialists – the group was founded by Pierre Boulez as the house band for the IRCAM electronic music studio – so Ravel and...

Read more...

Lise Davidsen, James Baillieu, Wigmore Hall

Few young singers make a UK recital debut like Lise Davidsen’s. But then, few singers come to that debut with such a weight of reputation and expectation. Taking not only the First Prize but also the Audience Prize and Birgit Nilsson Awards at 2015’...

Read more...

Hagen Quartet, Wigmore Hall

The Hagen Quartet has been playing together for decades, and it shows. The group, which includes three siblings, performs with a deep and intuitive sense of unity: of timbre, technique, articulation and intent. Where most quartets are clearly led by...

Read more...

Janina Fialkowska, Wigmore Hall

You wouldn’t guess it from her name, but Janina Fialkowska isn’t actually Polish. You wouldn’t guess from her Chopin either, which is sensitive and supple, always emotive and deeply idiomatic. The Canadian pianist (her father was Polish) has...

Read more...

Debussy Préludes, Alexander Melnikov, Wigmore Hall

Who needs hallucinogenic drugs when we have Debussy's two books of Préludes? In the hands, that is, of a pianist magician who holds the key to this wild parade, demi-real wonderland, call it what you will. I've only heard two wizards equal to the...

Read more...

Alceste, Early Opera Company, Curnyn, Wigmore Hall

A wife dies to save her husband; a hero goes to hell and back to retrieve her from the underworld. Nothing of this dark myth, other than a rollicking row across the Styx from a bass singing Charon, ferryman of the dead, remains in Handel's...

Read more...

Tara Erraught, Ulrich Pluta, James Baillieu, Wigmore Hall

As a scan through the 17-year list of Rosenblatt Recitals quickly reveals, sopranos and tenors come and (often as not) go. Much rarer is the opportunity to enjoy the gifts of a mezzo-soprano near the start of what should, all things being equal, be...

Read more...

Isabelle Faust, Alexander Melnikov, Wigmore Hall

Polish composer Szymanowski's Ovid triptych Mythes achieved something like cult status thanks to an iridescent recording. Everyone knew the pianist, the great Krystian Zimerman; the violinist, Kaja Danczowska, less so (where is she now?). A better-...

Read more...

Gauvin, Le Concert de la Loge, Chauvin, Wigmore Hall

Canadian soprano Karina Gauvin has one of the most beautiful voices in the business – a glinting crystal blade sheathed in velvet. She wields it with skill, darting swiftly with coloratura one minute, before stabbing deep with emotion the next. In...

Read more...
Subscribe to Wigmore Hall