Katherine Waters

Articles By Katherine Waters

Sophie Mackintosh: The Water Cure review - on the discipline of survival Sunday, 27 May 2018 Read more...	Building the Wall, Park Theatre review - the nature of nightmare Sunday, 06 May 2018 Read more...
The Woman in White, BBC One review - camp Victoriana Monday, 23 April 2018 Read more...	Martin Gayford: Modernists & Mavericks review - people, places and paint Sunday, 22 April 2018 Read more...
Stephen: The Murder That Changed A Nation, BBC One review - ‘He was a cool guy and everybody loved him’ Wednesday, 18 April 2018 Read more...	Michael Rakowitz: The Invisible Enemy Should Not Exist, Fourth Plinth review - London's new guardian Saturday, 31 March 2018 Read more...
White Guy on the Bus, Finborough Theatre review - a moral tale of Pennsylvania's divisions Saturday, 31 March 2018 Read more...	Female Parts: Shorts, Hoxton Hall review - women speak out Saturday, 17 March 2018 Read more...
Murillo: The Self-Portraits, National Gallery review - edged with darkness Tuesday, 06 March 2018 Read more...	Lisa Halliday: Asymmetry review - unconventional and brilliant Sunday, 04 March 2018 Read more...
The B*easts, Bush Theatre review - Monica Dolan is almost flawless Tuesday, 20 February 2018 Read more...	Emil Nolde: Colour Is Life, National Gallery of Ireland review - boats, dancers, flowers Thursday, 15 February 2018 Read more...
Roma Agrawal: Built review - solid love Sunday, 11 February 2018 Read more...	Collective Rage, Southwark Playhouse review - a rollicking riot Wednesday, 07 February 2018 Read more...
Booby's Bay, Finborough Theatre review - a bit fishy Saturday, 03 February 2018 Read more...	John, National Theatre review - in for the long haul? Thursday, 25 January 2018 Read more...

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Just over two weeks before Christmas 1967, The Rolling Stones issued Their Satanic Majesties Request. The album’s title appeared to serve...

Things Will Be Different review - lost in the past

Time-travel is a trap in debutante Michael Felker’s tender sf two-hander, whose title’s grim irony becomes gradually apparent.

There’s...

Joan, ITV1 review - the roller-coaster career of a 1980s jew...

If you’re looking for an advertisement for how crime doesn’t pay, Joan will do very nicely....

National Ballet of Canada, Sadler's Wells review - see...

What to expect of the National Ballet of Canada since its last...

Lear, Barbican Theatre review - a very stormy saga, Korean-s...

What do the cult TV show Squid Game and National Changgeuk Company of Korea’s Lear have in common? Oddly, a K-Pop...

Album: Goat - Goat

With the Pagan festival of Mabon and the Autumnal Equinox only just past us, it seems appropriate for Scandi psychedelic rockers, Goat to provide...

Monet and London, Courtauld Gallery review - utterly sublime...

In September 1899, Claude Monet booked into a room at the Savoy Hotel. From there he had a good view of Waterloo Bridge and the south bank beyond...

Joker: Folie à Deux review - supervillainy laid low

“Psychopaths sell like hotcakes,” William Holden observed in Sunset Boulevard in 1950, and those individuals have been doing...

A Tupperware of Ashes, National Theatre review - family and...

Queenie is in trouble. Bad trouble. For about a year now, this 68-year-old Indian woman has been forgetful. Losing her car keys; burning rice in...