wed 29/05/2024

Katherine Waters

Articles By Katherine Waters

Sophie Mackintosh: The Water Cure review - on the discipline of survival

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Building the Wall, Park Theatre review - the nature of nightmare

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The Woman in White, BBC One review - camp Victoriana

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Martin Gayford: Modernists & Mavericks review - people, places and paint

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Stephen: The Murder That Changed A Nation, BBC One review - ‘He was a cool guy and everybody loved him’

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Michael Rakowitz: The Invisible Enemy Should Not Exist, Fourth Plinth review - London's new guardian

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White Guy on the Bus, Finborough Theatre review - a moral tale of Pennsylvania's divisions

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Female Parts: Shorts, Hoxton Hall review - women speak out

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Murillo: The Self-Portraits, National Gallery review - edged with darkness

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Lisa Halliday: Asymmetry review - unconventional and brilliant

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The B*easts, Bush Theatre review - Monica Dolan is almost flawless

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Emil Nolde: Colour Is Life, National Gallery of Ireland review - boats, dancers, flowers

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Roma Agrawal: Built review - solid love

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Collective Rage, Southwark Playhouse review - a rollicking riot

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Booby's Bay, Finborough Theatre review - a bit fishy

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John, National Theatre review - in for the long haul?

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Tosca, Opera Holland Park review - passion and populism

Set in a tensely polarised Roman neighbourhood, with an election in the offing and radicals scrapping with reactionaries under poster-plastered...

St Martin's Voices, Earis, St Martin-in-the-Fields revi...

The concert offering at St-Martin-in-the-Fields has transformed in recent years, under Director of Music Andrew Earis. There is still a decent...

The Harmony Test, Hampstead Theatre review - pregnancy and p...

“Welcome to motherhood, bitch!” By the time a character delivers this reality check, there have been plenty of laughs, and some much more awkward...

The Lovely Eggs, XOYO, Birmingham review - Lancashire duo br...

When the Lovely Eggs’ married duo of Holly Ross and David Blackwell took to the stage at the recently rebranded XOYO in Birmingham on Bank Holiday...

Album: Bat For Lashes - The Dream of Delphi

Natasha Khan’s musical career has always explored the artier end of...

Bluets, Royal Court review - more grey than ultramarine

When does creativity become mannered? When it’s based on repetition, and repetition without development. About halfway through star director Katie...

Sheffield Chamber Music Festival 2024 review - curator Steve...

“Saint-Saëns: The Renaissance Man” proclaimed the big screen at the first remarkable programme I attended within the 2024 Sheffield Chamber Music...

Blu-ray: Two Films by Yasujirō Ozu

It’s interesting to discover that sound wasn’t the norm in Japanese...

Sphinx Organization, Wigmore Hall review - black performers...

Kudos to the Wigmore Hall for continuing to make efforts to diversify its roster of performers and repertoire. Last year I reviewed the...