mon 16/09/2024

Katherine Waters

Articles By Katherine Waters

Gazelle Twin, Mirth, Marvel and Maud review - sardonic folk

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Anahera, Finborough Theatre review - blistering family drama from New Zealand

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Peaches, Royal Festival Hall review - blissful anarchy

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Barber Shop Chronicles, Roundhouse review - riotous theatre at its best

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Helen Schjerfbeck, Royal Academy review - watchful absences and disappearing people

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Svetlana Alexievich: Last Witnesses: Unchildlike Stories review - anything but childish

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Cutting Edge: Modernist British Printmaking, Dulwich Picture Gallery review - a cut above

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Napoli, Brooklyn, Park Theatre review - lacking substance

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Education, Education, Education, Trafalgar Studios review - politics and pupils, mayhem and music

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Frank Bowling, Tate Britain review - a marvel

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Manga, British Museum review - stories for outsiders

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Anish Kapoor, Lisson Gallery review - naïve vulgarity and otherworldly onyx

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58th Venice Biennale review - confrontational, controversial, principled

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Cathy Wilkes, British Pavilion, Venice Biennale review - poetic and personal

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Mike Jay: Mescaline - A Global History of the First Psychedelic review - multiple perspectives

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Who’s Afraid of Drawing? Works on Paper from the Ramo Collection, Estorick Collection review - surprising and rewarding

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Wang, Lapwood, LSO, Pappano, Barbican review - grace and pow...

It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair...

My Favourite Cake review - woman, love, and freedom

The taxi cab has become a recurring motif in modern Iranian cinema, perhaps because it approximates to a kind of dissident bubble within the...

Beethoven Sonata Cycle 1, Boris Giltburg, Wigmore Hall revie...

A happy, lucid and bright pianist, a forbidding Everest among piano sonatas: would Boris Giltburg follow a bewitching, ceaselessly engaging first...

The Band Back Together, Arcola Theatre review - three is a d...

We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that...

Music Reissues Weekly: Sean Buckley & The Breadcrumbs

Although Dagenham’s Sean Buckley & The Breadcrumbs are less than a footnote in the story of beat boom-era Britain, appearances on archive...

The Critic review - beware the acid-tipped pen

The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be...

Van Gogh: Poets & Lovers, National Gallery review - pass...

Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the...

Kim's Convenience, Riverside Studios review - KC and th...

One wonders what sitcom writers will do when supermarkets finally sweep the last corner shops away with nobody left old enough to buy...