wed 29/05/2024

Katherine Waters

Articles By Katherine Waters

Rodrigo y Gabriela, Roundhouse - sound and (new) noise

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Banine: Days in the Caucasus review - revolutions, pogroms and love

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Climate Change: The Facts, BBC One review - how much reality can humankind bear?

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My Enemy's Cherry Tree: Wang Ting-Kuo review - a masterpiece from Taiwan

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Mary Quant, Victoria & Albert Museum review - quantities of Quant

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Pitzhanger Manor review - letting the light back in

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Yxng Bane, Brixton Academy review - all the fam on stage

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Kamasi Washington, Brixton Academy review - reaching transcendence

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Sadie Jones: The Snakes review - lacking feeling

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The Lady from the Sea, Print Room at the Coronet review - freedom to choose?

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Chloe Aridjis: Sea Monsters review - a teenage bestiary

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Christian Dior: Designer of Dreams, Victoria & Albert Museum - sumptuous

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Fausto Melotti: Counterpoint, Estorick Collection review - harmonious things

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Magda Szabó: Katalin Street review - love after life

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Edward Burne-Jones, Tate Britain review - time for a rethink?

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Oceania, Royal Academy review - magnificent encounters

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Tosca, Opera Holland Park review - passion and populism

Set in a tensely polarised Roman neighbourhood, with an election in the offing and radicals scrapping with reactionaries under poster-plastered...

St Martin's Voices, Earis, St Martin-in-the-Fields revi...

The concert offering at St-Martin-in-the-Fields has transformed in recent years, under Director of Music Andrew Earis. There is still a decent...

The Harmony Test, Hampstead Theatre review - pregnancy and p...

“Welcome to motherhood, bitch!” By the time a character delivers this reality check, there have been plenty of laughs, and some much more awkward...

The Lovely Eggs, XOYO, Birmingham review - Lancashire duo br...

When the Lovely Eggs’ married duo of Holly Ross and David Blackwell took to the stage at the recently rebranded XOYO in Birmingham on Bank Holiday...

Album: Bat For Lashes - The Dream of Delphi

Natasha Khan’s musical career has always explored the artier end of...

Bluets, Royal Court review - more grey than ultramarine

When does creativity become mannered? When it’s based on repetition, and repetition without development. About halfway through star director Katie...

Sheffield Chamber Music Festival 2024 review - curator Steve...

“Saint-Saëns: The Renaissance Man” proclaimed the big screen at the first remarkable programme I attended within the 2024 Sheffield Chamber Music...

Blu-ray: Two Films by Yasujirō Ozu

It’s interesting to discover that sound wasn’t the norm in Japanese...

Sphinx Organization, Wigmore Hall review - black performers...

Kudos to the Wigmore Hall for continuing to make efforts to diversify its roster of performers and repertoire. Last year I reviewed the...