sun 17/02/2019

Katherine Waters

Articles By Katherine Waters

Chloe Aridjis: Sea Monsters review - a teenage bestiary

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Christian Dior: Designer of Dreams, Victoria & Albert Museum - sumptuous

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Fausto Melotti: Counterpoint, Estorick Collection review - harmonious things

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Magda Szabó: Katalin Street review - love after life

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Edward Burne-Jones, Tate Britain review - time for a rethink?

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Oceania, Royal Academy review - magnificent encounters

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Lavinia Greenlaw: In the City of Love’s Sleep review - curated lives

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I object, British Museum review - censorship, accidental?

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The Human Voice, Gate Theatre review - unrelenting and sad

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Olga Tokarczuk: Drive Your Plow over the Bones of the Dead review - on vengeful nature

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Annie Ernaux: The Years, review - time’s flow

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Roderic O’Conor and the Moderns, National Gallery of Ireland review - experiments in Pont-Aven

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Rachel Heng: Suicide Club review - skin-deep dystopia

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The Jungle, Playhouse Theatre review - new territory

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Frida Kahlo: Making Her Self Up, V&A review - appearances aren't everything

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Sarah Langford: In Your Defence review - messy lives

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Q&A Special: Actor Bruno Ganz on playing Hitler

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CD: Avril Lavigne - Head Above Water

Avril Lavigne was the original Punk Pop Queen. Fearless, feisty and...

Berberian Sound Studio, Donmar Warehouse review – improves t...

Two men called "Massimo" face the audience, one very tall, one very, well, minimo. The tall Massimo (Tom Espiner, pictured below...