sun 24/06/2018

Katherine Waters

Articles By Katherine Waters

Sarah Langford: In Your Defence review - messy lives

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Finishing the Picture, Finborough Theatre review - projections in a realm of mirrors

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The London Mastaba, Serpentine Galleries review - good news for ducks?

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Natural World: The Super Squirrels, BBC Two review - silliness and facts

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Sancho: An Act of Remembrance, Wilton's Music Hall review - pure entertainment

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Aftermath: Art in the Wake of World War One, Tate Britain review - all in the mind

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Break of Noon, Finborough Theatre review - irredeemable?

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Sophie Mackintosh: The Water Cure review - on the discipline of survival

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Building the Wall, Park Theatre review - the nature of nightmare

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The Woman in White, BBC One review - camp Victoriana

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Martin Gayford: Modernists & Mavericks review - people, places and paint

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Stephen: The Murder That Changed A Nation, BBC One review - ‘He was a cool guy and everybody loved him’

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Michael Rakowitz: The Invisible Enemy Should Not Exist, Fourth Plinth review - London's new guardian

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White Guy on the Bus, Finborough Theatre review - a moral tale of Pennsylvania's divisions

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Female Parts: Shorts, Hoxton Hall review - women speak out

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Murillo: The Self-Portraits, National Gallery review - edged with darkness

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theartsdesk in Paris - following in the footsteps of Gounod

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Sarah Langford: In Your Defence review - messy lives

When Sarah Langford goes to work, she puts on warpaint and wig and acts. But she is not an actor. She defends those who might or might not be...

Reissue CDs Weekly: Contract in Blood / Winds of Time

Although the cover of the 19 May 1979 issue of the music weekly Sounds was dominated by a photo of American...

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When Ray Davies released his Americana LP last year, much was made of how the the ex-Kink's lyrical...

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theartsdesk at Glastonbury Festival 2018

Daft Punk! Kendrick Lamar! The Kinks! Yes! We blew the lid off!

What? No! There IS no...

The Town Hall Affair, The Wooster Group, Barbican review - e...

Iconoclasm, orgasms, and rampant rhetoric are all on irrepressible display in...

The Path to Heaven, RNCM, Manchester review - tragedy, truth...

Adam Gorb’s The Path to Heaven, with libretto by Ben Kaye, is his longest work to date (almost two hours’ running time without interval)...