Katherine Waters

Articles By Katherine Waters

Visual Arts Lockdown Special 4: half-way houses Wednesday, 01 July 2020 Read more...	Tahar Ben Jelloun: The Punishment review - triumph over torture Sunday, 28 June 2020 Read more...
Visual Arts Lockdown Special 2: read, search, listen, create Tuesday, 05 May 2020 Read more...	Bill Brandt/Henry Moore, The Hepworth Wakefield review - a matter of perception Tuesday, 03 March 2020 Read more...
Dora Maar, Tate Modern review - how women disappear Wednesday, 27 November 2019 Read more...	Measure for Measure, RSC, Barbican review - behind the times Tuesday, 19 November 2019 Read more...
Craig David, BBC Radio 2 review - what's your flava? Saturday, 16 November 2019 Read more...	Charlotte Salomon: Life? or Theatre?, Jewish Museum London review - rallying against death Friday, 15 November 2019 Read more...
Tutankhamun: Treasures of the Golden Pharaoh, Saatchi Gallery review - worth its weight? Saturday, 09 November 2019 Read more...	Little Simz, EartH review - bossing it Wednesday, 30 October 2019 Read more...
George Stubbs: 'all done from Nature', MK Gallery review - a glorious menagerie Tuesday, 29 October 2019 Read more...	Hogarth: Place and Progress, Sir John Soane’s Museum review - state of the nation Thursday, 24 October 2019 Read more...
Shuck 'n' Jive, Soho Theatre review - a mixed bag, lots of promise Tuesday, 08 October 2019 Read more...	William Blake, Tate Britain - sympathy for the rebel Sunday, 29 September 2019 Read more...
Van Gogh’s Inner Circle, Noordbrabants Museum review - the man behind the art Thursday, 26 September 2019 Read more...	Peter Doig, Michael Werner review - ambiguous and excellent Wednesday, 25 September 2019 Read more...

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Album: Solar Eyes - Live Freaky! Die Freaky!

Solar Eyes are an indie dance two-piece from Birmingham’s Hall Green. With a sound that binds together psychedelic guitars, foot stomping beats...

Bacchae, National Theatre review - cheeky, uneven version of...

The word "after" can be elastic when a modern writer is inspired by a classic. Nima Taleghani here stretches it to breaking point, although, to be...

Slow Horses, Series 5, Apple TV+ review - terror, trauma and...

Fifth time around, Slow Horses continues to show the rest of the field a clean pair of heels. Or hooves. The adventures of Jackson Lamb (...

The Harder They Come, Stratford East review - still packs a...

The impact of great art is physical as much as it is psychological. I recall the first time I saw Perry Henzell’s 1972 film,...

Kohout, Spence, Braun, Manchester Camerata, Huth, RNCM, Manc...

The Royal Northern College of Music was in celebratory mood last night for the opening of its new season, in a joint promotion with Manchester...

Album: Night Tapes - portals//polarities

“Helix” is the ninth track on portals//polarities. With this dramatic, acid house-leaning slab of shoegazing-infused...

Coldwater, ITV1 review - horror and black comedy in the High...

Scripted by Belfast-born playwright David Ireland...

Kerry Godliman, G-Live review - she's livid but deliver...

Kerry Godliman is livid, she tells us. Spider webs catching in her hair, the state of the world, her teenage children; you name it,...

Mark Hussey: Mrs Dalloway - Biography of a Novel review - ec...

Writing in her diary just over 100 years ago on 19^th June 1923, Virginia Woolf wrote: “In this...