wed 02/07/2025

Katherine Waters

Articles By Katherine Waters

Lavinia Greenlaw: In the City of Love’s Sleep review - curated lives

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I object, British Museum review - censorship, accidental?

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The Human Voice, Gate Theatre review - unrelenting and sad

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Olga Tokarczuk: Drive Your Plow over the Bones of the Dead review - on vengeful nature

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Annie Ernaux: The Years, review - time’s flow

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Roderic O’Conor and the Moderns, National Gallery of Ireland review - experiments in Pont-Aven

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Rachel Heng: Suicide Club review - skin-deep dystopia

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The Jungle, Playhouse Theatre review - new territory

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Frida Kahlo: Making Her Self Up, V&A review - appearances aren't everything

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Sarah Langford: In Your Defence review - messy lives

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Finishing the Picture, Finborough Theatre review - projections in a realm of mirrors

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The London Mastaba, Serpentine Galleries review - good news for ducks?

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Natural World: The Super Squirrels, BBC Two review - silliness and facts

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Sancho: An Act of Remembrance, Wilton's Music Hall review - pure entertainment

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Aftermath: Art in the Wake of World War One, Tate Britain review - all in the mind

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Break of Noon, Finborough Theatre review - irredeemable?

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The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with...

Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...

Album: Brìghde Chaimbeul - Sunwise

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small...

Music Reissues Weekly: Rupert’s People - Dream In My Mind

Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...