Katherine Waters

Articles By Katherine Waters

Bruno Maçães: The Dawn of Eurasia review - middle of nowhere Sunday, 21 January 2018 Read more...	Lumiere London review - London in a different light Saturday, 20 January 2018 Read more...
Art UK, Art of the Nation review - public art in a private space Wednesday, 17 January 2018 Read more...	The Nutcracker, English National Ballet review - a thoroughly enchanting performance Thursday, 14 December 2017 Read more...
Blue Planet II, BBC One review - just how fragile? Monday, 11 December 2017 Read more...	Rachel Hewitt: A Revolution of Feeling review - from passions to emotions Sunday, 10 December 2017 Read more...
The Melting Pot, Finborough Theatre review - entertaining morals Thursday, 07 December 2017 Read more...	Modigliani, Tate Modern review - the pitfalls of excess Friday, 24 November 2017 Read more...
The Best of AA Gill review - posthumous words collected Sunday, 12 November 2017 Read more...	Mother Courage, Southwark Playhouse review - this production is not one for our times Thursday, 09 November 2017 Read more...
Han Kang: The White Book review - between what is, what was, what might have been Sunday, 05 November 2017 Read more...	Age of Terror: Art Since 9/11, Imperial War Museum review - affecting but incoherent Wednesday, 01 November 2017 Read more...
Philip Pullman: La Belle Sauvage review - not quite equal Sunday, 22 October 2017 Read more...	David Bomberg, Pallant House Gallery, Chichester review - a reputation restored Saturday, 21 October 2017 Read more...
The End of Hope, Soho Theatre review - initially bold but not quite enough Thursday, 19 October 2017 Read more...	Young Reviewer of the Year Award Winner: Katherine Waters on Marc Quinn Wednesday, 04 October 2017 Read more...

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Billie Eilish, O2 review - power, authenticity and deep conn...

Billie Eilish may be one of the biggest names in new music, but here at the O2 Arena, she’s just Billie – the one who stares deep into your soul,...

Sir Brian Clarke (1953-2025) - a personal tribute

Brian Clarke died on 1 July 2025, after a long illness. He was one of the most original British artists of our time – wide-ranging, ground-...

Interview: Quinteto Astor Piazzolla on playing in London and...

“I still can’t believe that some pseudo-critics continue to accuse me of having murdered...

Falstaff, Glyndebourne review - knockabout and nostalgia in...

From the animatronic cat on the bar of the Garter Inn to the rowers’ crew who haul their craft across the stage and the military ranks of “Dig for...

S/HE IS STILL HER/E - The Official Genesis P-Orridge Documen...

“I like guns. At school we had to fight with guns in the army cadets. I’m actually a first-class sniper. I could shoot people from half a mile...

Blu-ray: Heart of Stone

Heart of Stone (Das kalte Herz) was the first colour film produced by...

Salome, LSO, Pappano, Barbican review - a partnership in a m...

A Salome without the head of John the Baptist is nothing new: several directors have perversely decided they could do without in recent...

Till the Stars Come Down, Theatre Royal Haymarket review - a...

The 2024 play at the National...

Too Much, Netflix - a romcom that's oversexed, and over...

A thirtysomething American woman with wavering self-confidence, a tendency to talk too much and a longing for married bliss with Mr...