thu 12/12/2024

Katherine Waters

Articles By Katherine Waters

Bruno Maçães: The Dawn of Eurasia review - middle of nowhere

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Lumiere London review - London in a different light

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Art UK, Art of the Nation review - public art in a private space

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The Nutcracker, English National Ballet review - a thoroughly enchanting performance

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Blue Planet II, BBC One review - just how fragile?

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Rachel Hewitt: A Revolution of Feeling review - from passions to emotions

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The Melting Pot, Finborough Theatre review - entertaining morals

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Modigliani, Tate Modern review - the pitfalls of excess

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The Best of AA Gill review - posthumous words collected

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Mother Courage, Southwark Playhouse review - this production is not one for our times

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Han Kang: The White Book review - between what is, what was, what might have been

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Age of Terror: Art Since 9/11, Imperial War Museum review - affecting but incoherent

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Philip Pullman: La Belle Sauvage review - not quite equal

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David Bomberg, Pallant House Gallery, Chichester review - a reputation restored

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The End of Hope, Soho Theatre review - initially bold but not quite enough

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Young Reviewer of the Year Award Winner: Katherine Waters on Marc Quinn

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The Lord of the Rings: The War of the Rohirrim review - a mi...
Lauded by Auden, detested by Edmund Wilson, the Tolkien sagas have divided many from childhood onwards: for kids, they’re not quite pulpy enough...
Jesus & Mary Chain, O2 Institute, Birmingham - Reid Brot...

The Jesus and Mary Chain may have been around for some 40 years (albeit on and off), but the Reid brothers clearly have no intention of setting up...

Album: Ajukaja & Mart Avi - Death of Music

Death of Music was created in Estonia. Despite the English lyrics, directness is absent. Take the title track. “Drop the music” exhorts...

The Producers, Menier Chocolate Factory review - liberating...

There is something deliciously perfect about the timing of The Producers’ arrival at the Menier Chocolate Factory. In these...

La rondine, LSO, Pappano, Barbican review - sumptuous orches...

There are no battlement leaps or murderous vows, no pistols or daggers, not so much as a slight cough disturbs the serene plot of La rondine...

A Midsummer Night's Dream, RSC, Barbican review - visua...

Hermia is a headbutting punk with a tartan fetish, Oberon looks like Adam Ant and Lysander appears to have stumbled out of a Madness video. Yet...

L’étoile, RNCM, Manchester review - lavish and cheerful absu...

Emmanuel Chabrier’s L’étoile is not exactly a French farce, but it comes from a post-Offenbach era (1877 saw its premiere) when cheerful...

Album: Ben Folds - Sleigher

The Christmas album is an American phenomenon that doesn’t...

Black Doves, Netflix review - Keira Knightley and Ben Whisha...

It’s rare to spot Keira Knightley in a TV series, and it’s no doubt a sign of changing times that she’s starring in this six-part spies-and-guns...