Theatre Reviews

Death of a Comedian, Soho Theatre

Veronica Lee Monday, 20 April 2015

Owen McCafferty’s new play could have had as its starting point John Updike’s line "Celebrity is a mask that eats into the face”, for it deals with stand-up comedian Steve Johnston, who hungers after success so much that he is prepared to jettison everything that matters to him – girlfriend, integrity, talent – to achieve it.

Carmen Disruption, Almeida Theatre

aleks Sierz Saturday, 18 April 2015

Playwright Simon Stephens has made a long journey. Starting off as a young in-yer-face writer, then pausing to mellow over slices of life, then winning awards with state-of-the-nation family dramas and teen plays, he has ended up by brilliantly adapting The Curious Incident of the Dog in the Night-Time. And yet.

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Alice's Adventures Underground, The Vaults

Marianka Swain Saturday, 18 April 2015

The 150^th anniversary of Lewis Carroll’s seminal novel has inspired a raft of commemorative works, from Damon Albarn and Moira Buffini’s musical Wonder.land to Holland Park opera and Glastonbury’s surrealist haven; Disney’s film sequel arrives next year. Les Enfants Terribles’ contribution takes a literal trip down the rabbit hole, guiding audiences into the depths of Waterloo Vaults.

The Pirates of Penzance, Touring

David Nice Saturday, 18 April 2015

When does a Gilbert and Sullivan chorus make you laugh, cry and cheer as much as any of the famous set pieces? In this case when Major-General Stanley’s daughters “climbing over rocky mountain” wear pretty white dresses but turn out to be gym-trained showboys from the waist up, with their very own hair. That’s already one extra dimension to an operetta gem, but there’s so much more to enjoy around the crisp delivery of Gilbert’s undimmed lyrics.

Measure for Measure, Cheek by Jowl/Pushkin Theatre, Barbican

David Nice Friday, 17 April 2015

Russia isn’t the only country where violations of personal freedoms and censorship seem to be mounting by the day, but it’s surely the most confused: ask any of the persecutors what they hope to achieve, and you won’t get a convincing answer.

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Gypsy, Savoy Theatre

David Nice Thursday, 16 April 2015

Vaudeville is alive and well in the silvered Lilliputian cave which might have been made for it (not that Victorian Savoyards could have had any inkling). If you find yourself, like last night’s showbiz audience, beguiled to cheering point by the shreds-and-patches routines put together by the ultimate theatrical whirlwind, Mamma Rose, that’s because everything in this London transfer from the Chichester Festival Theatre, parody included, is solid gold.

Lampedusa, Soho Theatre

Jenny Gilbert Thursday, 16 April 2015

You might think you know what you’re in for with a play by Anders Lustgarten, winner of the inaugural Harold Pinter Playwright’s Award and current go-to political activist for the Royal Court and the National. Listed alongside the plays on his CV is the boast that he’s been “arrested in four continents”.

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The School for Scandal, Tobacco Factory, Bristol

mark Kidel Thursday, 16 April 2015

Andrew Hilton’s immensely enjoyable Shakespeare at the Tobacco Factory production of the Sheridan classic opens with a display of hilarious brio from Byron Mondahl, who steps into the intimate arena of this South Bristol venue, only half in character as he has yet to don his powdered wig, to deliver a quick fire introduction on the joys of gossip.

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The Glass Protégé, Park Theatre

Marianka Swain Wednesday, 15 April 2015

Hollywood has never met a cliché it didn’t love; unfortunately, neither has Dylan Costello. His peek behind the curtain of Tinseltown’s Golden Age employs every stock type imaginable, from the boorish, chain-smoking manager to a pill-popping Marilyn-lite. It’s a play with admirable aims, but desperately in need of a good script doctor.

The Twits, Royal Court Theatre

aleks Sierz Wednesday, 15 April 2015

The Royal Court has had a makeover. Recently, the walls have had a fresh coat of paint and huge messages have appeared on them: the front doors now say, “Come In”. (Oh, thanks for telling me...) Inside, there are so many arrows pointing you to the stalls, circle and bar that sometimes it seems like these places are harder than ever to find.

inside theatre

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★★★★★

‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

★★★★★

‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

Book by 30 September and get tickets from £15*
with no booking fee.