Theatre Reviews
Sand in the Sandwiches, Theatre Royal, Haymarket review - delightful but sanitisedThursday, 01 June 2017
Bard of Metroland and scourge of Slough, John Betjeman is, alongside Philip Larkin on parenthood, still one of the 20th century’s most-quoted poets. Hugh Whitemore’s play, part highlights reading and part biographical drama, offers a hugely charming account of a poet who, for many readers, epitomises a nostalgic but conflicted view of England. Read more... |
La Strada, The Other Palace review - Fellini's tragicomedy becomes a noisy rompThursday, 01 June 2017
Hitting the essence of a Fellini masterpiece in a different medium is no easy task. Read more... |
Killology, Royal Court review – both disturbing and life-affirmingWednesday, 31 May 2017
The monologue is a terrific theatre form. Using this narrative device, you can cover huge amounts of storytelling territory, fill in lots of background detail – and get right inside a character’s head. But the best monologues are those that interlock with other solo voices, giving different points of view on the same situation. Read more... |
Jam review – obsession and resentment in the classroomMonday, 29 May 2017
When TV drama tackles Britain’s class divide, the go-to working-class type is the northerner: gritty, blunt of vowel and partial to a deep-fried Mars bar. The first and perhaps only pleasant surprise in Matt Parvin’s debut play Jam, produced by the ever-adventurous Finborough, is that it’s set in Cornwall. Read more... |
An Octoroon review - slavery reprised as melodrama in a vibrantly theatrical showSaturday, 27 May 2017
Make no mistake about it, Branden Jacobs-Jenkins is a playwright to watch. Read more... |
Deposit, Hampstead Theatre Downstairs review - capital's housing crisis lands centre-stageFriday, 26 May 2017
Matt Hartley's personal take on London's housing crisis returns to the Hampstead Theatre's studio space downstairs and is sure to hit audiences where, so to speak, they live. Read more... |
Twelfth Night, Shakespeare's Globe review - Emma Rice goes out with a bangThursday, 25 May 2017
The Globe’s artistic director Emma Rice has made no secret of her desire to go out with a bang, in this, the final season of her brutally truncated tenure at the company. Read more... |
The Mikado review - Sasha Regan's all-male operetta formula hits a reefThursday, 25 May 2017
Men playing boys playing girls, women and men, all female parts convincingly falsettoed and high musical standards as backbone: Sasha Regan's single-sex Gilbert and Sullivan has worked a special magic on Iolanthe and The Pirates of Penzance, HMS Pinafore and now The Mikado, not so much. Energetic song and dance are still in evidence. Read more... |
Woyzeck, Old Vic review - John Boyega’s thrillingly powerful triumphWednesday, 24 May 2017
Welcome back, John Boyega. Less than a decade ago, he was an unknown budding British stage actor, then he took off as a global film star thanks to his role as Finn in Star Wars: The Force Awakens after his debut in Attack the Block, the comedy sci-fi flick. Read more... |
Tristan & Yseult, Brighton Festival review - playful and inventive storytellingWednesday, 24 May 2017
Tristan & Yseult has become something of a calling card for Kneehigh, which was founded in 1980 and is now the unofficial National Theatre of Cornwall. Emma Rice, currently artistic director of Shakespeare's Globe in London, created this production in 2003 with writers Anna Maria Murphy and Carl Grose, and it catapulted the company to national recognition. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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