New Music Reviews
The xx, Village Underground, ShoreditchWednesday, 28 October 2009
Browsing through various past reviews of The xx, two adjectives which occur time and again are “fragile” and “tentative”. These are wrong – but understandable. Read more... |
Matthew Herbert, British Council 75th anniversary concert, BarbicanTuesday, 27 October 2009
Before Matthew Herbert’s triumphantly anarchic appearance in the second half, stiflingly good taste ruled at last night’s concert at the Barbican. Middle-aged suits were out in force to celebrate the British Council’s 75th anniversary and a comfortable faith in liberal values permeated the hall, and the bill.
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McAlmont & Nyman, Union ChapelSunday, 25 October 2009
It’s taken David McAlmont over 15 years to find the right outlet for his remarkable voice and songs but, fingers crossed, it looks as if he's finally done it. In prospect, McAlmont's collaboration with Michael Nyman and his band, which received its first public airing last night at the Union Chapel, seems rather random. What, you might well ask, has a man with the vocal chops of a soul legend such as Curtis Mayfield got to say to a minimalist composer and soundtrack specialist with a gift... Read more... |
Nyman McAlmont, Union ChapelSunday, 25 October 2009It’s taken David McAlmont over 15 years to find the right outlet for his remarkable voice and songs but, fingers crossed, it looks as if he's finally done it. In prospect, McAlmont's collaboration with Michael Nyman and his band, which received its first public airing last night at the Union Chapel, seems rather random. What, you might well ask, has a man with the vocal chops of a soul legend such as Curtis Mayfield got to say to a minimalist composer and soundtrack specialist with a gift for... Read more... |
Krautrock: The Rebirth of Germany, BBC FourSaturday, 24 October 2009
It's over-egging it a bit to equate Krautrock with the entire rebirth of Germany. It's also slightly jarring to entitle the film Krautrock when its narrator then blames the World War Two-obsessed British music press for inventing such a disparaging term (cue supplementary evidence of Spike Milligan and John Cleese pretending to be Nazis.) Read more... |
Spandau Ballet, O2 ArenaWednesday, 21 October 2009
The success of Spandau Ballet's ecstatically received reunion lies in no small part in its impeccable timing. The band could hardly have chosen a better moment to re-form and revisit their well stocked catalogue of 1980s hits. Not only are their original fans now stuck firmly into middle age and feeling the usual nostalgia for the soundtrack of their youth, but a younger generation of listeners has at last decided that Eighties pop is cool. Read more... |
Sara Tavares, Jazz CafeTuesday, 20 October 2009
Portuguese singer-songwriter Sara Tavares trades in understatement. She strokes rather than strums guitar chords, her two percussionists are more likely to brush a drum than whack it hard, and her soft close-to-the-mike voice specialises in gentle yearning rather than soul-girl histrionics. So the intimate space of the Jazz Café seems much better suited to her than, say, the Barbican where she had the unenviable task earlier this year of being a viable support act to the larger-than-life Malian... Read more... |
Indigo Girls, O2 Academy, BristolSunday, 18 October 2009
It’s interesting to ponder why, after 22 years in the business, the Indigo Girls aren’t more successful or better known outside the cognoscenti and their very loyal fanbase. Their intricate harmonies and beautifully constructed guitar-based folk-rock has attracted many fans (and sometime collaborators) in the music industry - from Natalie Merchant and Ani DiFranco to Lucinda Williams and REM - and one of their albums went platinum. They even won a Grammy, so what’s not to like? Read more... |
Wolfgang Voigt as Gas, BarbicanSaturday, 17 October 2009
It comes to something when the logic of a German act calling themselves “Gas” is the least troubling element of a perfomance. Not that Wolfgang Voigt's ambient music, or the slowly-evolving digital art of Petra Hollenbach projected on the Barbican's cinema screen, contained any obvious shock tactics – but the whole 80 minutes created just about as unsettling an experience as one could imagine from abstracted sound and image. Read more... |
Synth Britannia, BBC FourFriday, 16 October 2009
Would-be axe murderers of the BBC often propose to lop off (among other things) TV channels Three and Four, but Four’s music coverage is vastly better value for viewers’ money than the executive pension fund. Synth Britannia stuck firmly to Four’s “Britannia” formula, being a bunch of talking heads and clumps of archive footage interwoven with synth-pop classics from the late Seventies and early Eighties. Read more... |
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