sat 25/01/2020

David Cheal

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Articles By David Cheal

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Robert Henke CBM 8032, Barbican - a vision of possibilities...

Robert Henke is to techno fans as Leo Fender and Les Paul are to rock lovers. The Ableton Live software which he co-created is every bit as...

Album: Squirrel Flower - I Was Born Swimming

The first album from the Boston-bred songwriter Squirrel Flower opens and closes with autobiographical songs. “I-80”...

Stewart Copeland's Adventures in Music, BBC Four review...
Drums away: Stewart Copeland, drummer with The Police and a score of other groups, composer for films, video games and operas, now beams...
Uncle Vanya, Harold Pinter Theatre review - a superlative co...

Uncle Vanya must surely be the closest, the most essential of...

The Personal History of David Copperfield review – top-drawe...

Armando Iannucci’s move away from the contemporary political satires that made his name, first signalled by his bold, uproariously brilliant...

The Sunset Limited, Boulevard Theatre review - all talk, no...

Cormac McCarthy’s two-hander, premiered at Chicago's mighty Steppenwolf Theatre in 2006, has by this point been everything short of an ice ballet...

The Welkin, National Theatre review - women's labour is...

History plays should perform a delicate balancing act: they have to...

The Grudge review - non-stop shocks wear out their welcome

The 18-year-old Japanese horror hit Ju-On (The Grudge)...