tue 13/05/2025

New Music Reviews

Wilco, Royal Festival Hall

David Cheal

Rock music doesn’t get much better than this. For two hours, the raggedy Chicago band Wilco poured out song after song from a repertoire that stretches back 15 years, slipping effortlessly between gentle alt-country and avant-garde rock, between the whisperingly quiet and the crushingly loud. They were sensational, a band at the top of their game.

Read more...

Muse, Wembley Stadium

David Cheal

Some years ago I saw Muse playing at the Corn Exchange in Cambridge. Towards the end of the show, at a climactic moment (I think it might have been during their proggy epic, “New Born”), singer and guitarist Matt Bellamy reached into a bag attached to his microphone stand, pulled out a handful of shiny golden confetti and flung it into the air. It fluttered downwards most attractively.

Read more...

Archaos: Circus From Hell, Bargehouse

Peter Culshaw Archaos: Fun with motorbikes and chainsaws

Archaos were the mad, bad and dangerous troupe who revolutionised circus back in the Eighties and early Nineties – their antics with juggling chainsaws, raunchy Galllic attitude and mayhem with motorbikes is celebrated with a pop-up exhibition at the Bargehouse in the Oxo Tower Wharf on the South Bank for just three days ending on Sunday. It’s also a tribute to the genial genius behind the troupe, Pierre Bidon, who died earlier this year, at the age of 56.

Read more...

Janelle Monáe, KOKO

howard Male

The video for this Kansas fantasist’s new single shows Monáe in harshly lit close-up singing the adrenalin-charged “Cold War” directly to camera. But then halfway through the song her concentration goes and she starts laughing and then crying, leaving one wondering what the thinking was behind its release.

Read more...

The Runaways

Graham Fuller

A drop of menstrual blood spatters the ground in the opening shot of The Runaways, an insolent enough metaphor for the unstaunchable female energy that drives writer-director Floria Sigismondi’s bracing biopic of the pioneering all-girl teenage 1970s rock band until it heads up a narrative cul-de-sac.

Read more...

Shea Seger, The Half Moon, Putney

Russ Coffey

Shea Seger is a woman with a story. A story of a career interrupted. At the age of 20, the fragile and slightly dangerous-looking blonde from Texas came over here and made a record which sent ripples across the pond of the Americana scene. Shortly after, her father became crippled after a botched operation on an old Vietnam injury and she returned to Texas to care for him. During those 10 years she also brought up a little girl, Luna, and lived in a trailer. Now she’s back in the UK; and she...

Read more...

Caitlin Rose, The Windmill

howard Male

Last night was the third and probably last time this 21-year-old Nashville songstress will grace the humble Windmill pub in Brixton with her charismatic yet down-to-earth presence. Not because the gig wasn’t a sell-out and an unqualified success, but because of the radio airplay and unanimous critical praise she has received for her debut album Own Side Now from...

Read more...

Robert Plant, Band of Joy, Forum

David Cheal

It’s funny how things turn out. Of the four former members of Led Zeppelin, John Bonham is dead, John Paul Jones is an odd and unpredictable figure, popping up only occasionally with an album or a collaboration, while Jimmy Page is, according to Mick Wall’s definitive 2008 Led Zeppelin biography When Giants Walked the Earth, lost in a twilit world of his own creation.

Read more...

The Moons, 93 Feet East, London

Kieron Tyler

The keyboard player usually associated with Paul Weller is "Merton" Mick Talbot, who, after leaving mod revival band The Merton Parkas, filled out The Jam’s sound in their twilight days and accompanied Weller’s journey through the Style Council. Andy Crofts of The Moons has made the journey in reverse: currently Weller’s live keyboard player, he also fronts and plays guitar with The Moons, a five-piece he formed in 2007.

Read more...

Eels, O2 Academy, Brixton

Russ Coffey

Coming on stage in a gangsta bandana, wrap-around shades, and what looked like Saddam Hussein’s beard, Mr E was giving little away. There was no opening gambit, nor any indication of what direction the evening was going. Some had said the Scotland concerts hadn’t been so great. I heard one girl say that if Eels concerts had personalities they’d be as capricious as the fragile moods of the man simply known as E. But E stood there saying nothing.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Stile Antico, Wigmore Hall review - a glorious birthday cele...

There was a wonderful festal spirit at the Wigmore Hall last night, as the vocal ensemble Stile Antico ran through a Greatest Hits selection in...

House of Games, Hampstead Theatre review - adapted Mamet scr...

There is so much that is right about Jonathan Kent’s new production of House of Games – the casting, the staging, the...

PUP, SWG3, Glasgow review - controlled chaos from Canadian p...

According to PUP lead singer Stefan Babcock, the Toronto foursome practiced together a grand total of twice before embarking on their current UK...

Zoe Lyons, Touring - midlife, without the crisis

Zoe Lyons knows her audience; as a few shoutouts confirmed, many of them are long-time fans, and have had lives with similar highs and...

The Last Musician of Auschwitz review - a haunting testament...

“It is so disgraceful, what happened there,” says Anita Lasker-Wallfisch, in a comment that is the understatement of the century. She is referring...

Giulio Cesare, The English Concert, Bicket, Barbican review...

Is Giulio Cesare in Egitto, to give the full title, Handel’s best and shapeliest opera? Glyndebourne’s revival of the legendary David...

Hallé, Elder, Bridgewater Hall, Manchester review - premiere...

Huw Watkins’ Concerto for Orchestra, the fourth new work of his to be commissioned and premiered by the Hallé and Sir Mark Elder, is...

DVD/Blu-ray: Slade in Flame

Over the years Slade in Flame has been hailed as one of the greatest rock movies (albeit rarely seen or screened), up...

Music Reissues Weekly: Roots Rocking Zimbabwe

“Soul Scene,” by Echoes Limited, is built from elements of the James Brown sound. But it’s put together in such a way that the result is...