thu 04/09/2025

New Music Reviews

Sonny Rollins, Barbican

Marcus O'Dair Sonny Rollins: Octogenarian colossus

"Being asked to introduce this artist”, began the compere, “is like being asked to introduce God." Fans of Eric Clapton, of course, might beg to differ. But in jazz terms, Sonny Rollins, self-proclaimed “saxophone colossus”, has indisputably been on the all-time A-list since his early work with Miles Davis and Thelonious Monk. He is also on a particularly exclusive part of that list...

Read more...

Leonard Cohen: Bird on a Wire, BBC Four

graeme Thomson

The renaissance enjoyed by Leonard Cohen over the past few years is not only thoroughly welcome and entirely justified, but also partly a testament to the strange and powerful alchemy that sometimes occurs when the defiantly high-brow is swallowed whole by popular culture.

Read more...

Paco de Lucía, Royal Festival Hall

james Woodall Best foot forward: Paco de Lucía, Spain's musical Picasso

The sense of occasion around flamenco guitarist Paco de Lucía’s return to London was palpable. The Royal Festival Hall was heaving. Queues at the bars before the show and during the interval were three or four deep. Spanish was everywhere. And that was good to hear. Paco de Lucía is a hero in his country as much for interesting political reasons as he is for purely musical ones. London-based compatriot fans were not going to miss this.

Read more...

Jon Hendricks, London Jazz Festival, Ronnie Scott's

peter Quinn

Another sold-out gig, another standing ovation, another memorable night. A sprightly 89 years old, the vocal pipes may not be quite so silky, but on the first of a three-night run at Ronnie Scott's, Jon Hendricks – dubbed the “James Joyce of jive” by Time magazine - still had the chops to show why he's considered one of the most original and influential singers in jazz.

Read more...

Mavis Staples, Jazz Café

David Cheal Mavis Staples: 'I ain't tired yet'

When Mavis Staples opens her mouth, remarkable things happen. She hollers, she sobs, she moans, she swoops, she rasps, she croons, she shudders. Not since I last saw Al Green have I seen such a bravura display of vocal prowess. On a rainy night in London, the 71-year-old singer of gospel, soul and R&B was in town for a one-off gig (and also for a Jools Holland appearance) to promote her new album, You Are Not Alone.

Read more...

Jason Yarde and Andrew McCormack + Wah!, 606 Club

Marcus O'Dair Jason Yarde: Mini top hat just out of shot

It's now over 20 years since saxophonist Jason Yarde emerged, aged just 16, with pioneering London collective The Jazz Warriors. Since then he has played with big hitters like McCoy Tyner, Hugh Masekela and Roy Ayers, as well as a younger generation including Gwilym Simcock and Soweto Kinch. Yet he's more than an in-demand sideman, having also established himself as a composer and arranger in his own right through work for the LSO and BBC Concert Orchestra.

Read more...

Fela!, National Theatre

Peter Culshaw

For me there is a trinity of black musicians, visionaries who reshaped music in the last half-century: James Brown, Miles Davis and Fela Kuti. And just as it’s hard to imagine a biographical musical of James Brown or Miles Davis coming off - because which mere actor is ever going to have their charisma, attitude or moves - likewise it seemed a stretch to imagine Fela! being much more than sophisticated karaoke. Karaoke with a message and some groovy dancing, no doubt.

Read more...

William Parker and Hamid Drake Trio, Baltic

Marcus O'Dair Hamid Drake and William Parker: A collaboration of open-armed accessibility

They began with a whimper, rather than a bang. Bronx bassist William Parker was still tuning up when Zhenya Strigalev, Russian by birth but a regular performer at this south London restaurant and vodka bar, summoned the first quiet squeak from his alto saxophone. Parker’s playing became gradually more deliberate, but it was hard to say exactly at what point the ...

Read more...

Herbie Hancock, London Jazz Festival, Royal Festival Hall

peter Quinn

A member of Miles Davis's legendary second quintet (“arguably Miles's best ever group” according to the Penguin Jazz Guide); a composer of standards (“Watermelon Man”, “Dolphin Dance”, “Maiden Voyage”, “Cantaloupe Island”) and soundtracks (Antonioni's Blow-Up, Bertrand Tavernier's Round Midnight); winner of over 10 Grammy Awards, the first for...

Read more...

Gorillaz, O2 Arena

David Cheal

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

'We are bowled over!' Thank you for your messages... ...
Laura Benanti: Nobody Cares, Underbelly Boulevard Soho revie...

Laura Benanti has been enchanting Broadway audiences for several decades now, and London has this week been let in on the secret that recently...

The Paper, Sky Max review - a spinoff of the US Office worth...

Fans of the US version of The Office may wonder what happened to the assorted oddballs of Dunder Mifflin, proud creators of...

Edinburgh Psych Fest 2025 review - eclectic and experimental

Now in its third year, Edinburgh Psych Fest returned to multiple venues in the old town and the city’s southside for 2025; namely Summerhall,...

The Pitchfork Disney, King's Head Theatre review - blaz...

Ever wondered if there was one moment when in-yer-face theatre started? Well, yes there was; there was one play that kicked off that whole 1990s...

Supersonic Festival 2025, Birmingham review - a deep dive in...

The annual Supersonic Festival is a major jewel in ...

Album: Faithless - Champion Sound

Although they haven’t had a hit single in almost 20 years, Faithless remain a potent commercial force, continuing to rack up festival headline...

The Guest, BBC One review - be careful what you wish for

Why isn’t Eve Myles a superstar? Though well known for her appearances in the likes of Torchwood, Broadchurch and the brilliant...

Born with Teeth, Wyndham's Theatre review - electric sp...

The title refers to a line in Henry VI, Part III: the future Richard III boasts that midwives cried, "Oh Jesus bless us, he is born with...

Album: Saint Etienne - International

International is Saint Etienne’s 13th album. It is their last. According to the promotional material, it was written while recording...