fri 28/03/2025

New Music Reviews

Jazz Voice, London Jazz Festival, Barbican

peter Quinn

And we're off. Marking the official start of the London Jazz Festival, “Jazz Voice: Celebrating a Century of Song” provided a superbly paced and brilliantly conceived curtain-raiser. Hosted by Scottish actor Dougray Scott and presenting vocalists from both sides of the Atlantic, this paean to the art of song featured Guy Barker's consummate, high-spec arrangements lovingly performed by his hand-picked orchestra.

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Hjaltalín, Hoxton Square Bar and Kitchen

Kieron Tyler

There’s a moment during Hjaltalín’s encore when bolero rhythms take over and you wonder if the Reykjavik septet have invented a new musical hybrid: a Ravel-driven makeover of Seventies-slanted soul. As singer Sigrídur Thorlacius lets rip on the thrillingly anthemic “Feels Like Sugar”, it’s clear that Hjaltalín aren’t bothered with current musical templates. They take from the unlikeliest sources, smoosh them together and end up sounding like no one else.

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Bellowhead, Bristol Old Vic

mark Kidel

Bellowhead are 21st-century genre-busters: punk music-hall madness born out of British folk, seasoned with a zeitgeist-friendly dose of multicultural spice. Sounds gimmicky? Well, not at all, as Bellowhead’s greatest quality, apart from being an outstandingly enjoyable live act, comes from the way they ride their eclecticism with brio and intelligence, inventing as they go a new folk music for our times.

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Ash, Liquid Rooms, Edinburgh

graeme Thomson Ash, with Tim Wheeler (right): Still providing the soundtrack to the uni disco circa 1995

So, did they play all the singles? Well no, not all of them, given that they’ve released 26 of the buggers in the past year alone, frisbeeing one out every fortnight in the sort of kamikaze experiment contemplated by only the truly inspired or the slightly desperate. Ash, on the evidence of last night's gig, might just be a bit of both.

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Dub Colossus, Bloomsbury Ballroom

howard Male The core members of Dub Colossus pose with a messenqo (a one-string fiddle)

I’d not been to the Bloomsbury Ballroom before, but over the past five years or so the likes of Amy Winehouse and Martha Reeves have played this plush Art Deco space. Somewhat disconcertingly, apart from the stage, the rest of the hall was in virtual darkness which suited Dub Colossus perfectly: this intriguing collective of British and Ethiopian musicians are purveyors of intense, atmospheric dance music who actually benefited from this dramatic lack of lighting which made the stage appear...

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Hot Chip/ LCD Soundsystem, Alexandra Palace

Russ Coffey

Unlikely cool. It’s what unites LCD Soundsystem and Hot Chip. They’re the geeks and outsiders who made it to being hip on the dancefloor. These improbable, subversive electro-pop heroes have united this autumn for what for fans has been a dream double-headline tour. Both bands have had albums out this year and both albums have been well received. But for James Murphy the rumours are that this may be the last tour he does as LCD Soundsystem.

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Odd Future, The Drop, Stoke Newington

Paul McGee Tyler from the LA rap teenage outfit Odd Future: On Big Lists everywhere

Given the somewhat viral nature of Odd Future's rapidly flourishing notoriety, it's both appropriate and a little ironic that their debut UK performance should take place in the basement of a pub in a part of north London where the underground doesn't run. Also known as OFWGKTA (or Odd Future Wolf Gang Kill Them All), this 10-strong self-contained teenage rap conglomerate from Los Angeles has united hip-hop über-nerds, jaded old-schoolers and regular rap fans alike – a remarkable...

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Terry Riley Celebration, St George's Bristol & Bristol Old Vic

mark Kidel

Terry Riley is one of the great unsung heroes of contemporary music, the ur-minimalist who shaped the creative paths of John Adams, Peter Townshend, Mike Oldfield and Philip Glass, to name just a sample of the wide range of musicians who have been inspired by his raga-tinged loops and all-enveloping electronic soundscapes.

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Wilko Johnson, O2 Academy Islington

howard Male Wilko and Telecaster: ‘A great Wilko riff motors along like a speeding truck over the roughest terrain.'

Is it a bird? Is it a plane? Is it an amphetamine-fuelled chicken on rollers? No, it’s the one-time guitarist for Dr Feelgood (during the only period that matters) still doing the moves that made him the main reason to see the band in the mid-1970s. Now bald-headed and bushy-browed but still delivering those electrically charged stares (which he learnt to do during a brief stint as a schoolteacher), he had the air of a benevolent dictator last night as he surveyed the Academy’s crowd for...

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Magnetic Man, Heaven

joe Muggs Magnetic Man's LED cage

Rave music, in its many ever-mutating forms, is now more than a generation into its existence. Many, possibly most, of the crowd pushing into Heaven, under Charing Cross station, weren't even born when acid house fully hit the UK in 1988, but none of them are here for some retro experience. It's hard, as a superannuated lover of electronic beats, not to feel cultural vertigo at the fact that what once felt like the most impossibly inhuman of sounds has now become so ubiquitous and so...

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