New Music Reviews
The National, Brixton AcademyTuesday, 30 November 2010
I spent a long time waiting for this gig to take off, but eventually realised that it wasn’t going to happen. To begin with I thought the band were just pacing themselves, playing a slow-burning set that would eventually explode into life, opening with the modest thrum of “The Runaway”, and following it with the similarly restrained “Anyone’s Ghost” and “Mistaken for Strangers”. But in the end, although The National moved up through the gears and finished the show with a big warm... Read more...
|
Gogol Bordello, The Dome, BrightonMonday, 29 November 2010
As New York gypsy punk live sensation Gogol Bordello tear into another Balkan rebel hoedown in front of a capacity Brighton crowd I'm reminded of an old Stones lyric, Jagger and Richards's 1971 classic "Dead Flowers": "When you're sitting there in your silk upholstered chair/ Talking to some rich folks that you know/ Well, I hope you won't see me in my ragged company/ You know I could never be alone". Gogol Bordello epitomise the rock'n'roll "ragged company", the scruffy outsiders. Read more... |
Primal Scream, OlympiaSaturday, 27 November 2010
Primal Scream's gig last night may well have been the loudest gig theartsdesk has ever attended. Three hours after returning home, my ears are still ringing like they've never rung before. At the time I didn't notice the volume though. I was enjoying the veteran band's emphatic performance too much to realise quite how many decibels were being pumped out. Read more... |
AfroCubism, BarbicanMonday, 22 November 2010
In theory, AfroCubism should have been one of the most exciting world-music releases of the year; how could you go wrong with a supergroup composed of Cuban and Malian musicians working towards combining their musical styles in a new and exciting manner? In fact, originally this get-together was meant to take place 14 years ago for what became the multimillion-selling Buena Vista Social Club album. But passport problems prevented the Malian musicians from being able to take... Read more... |
Sonny Rollins, BarbicanSunday, 21 November 2010
"Being asked to introduce this artist”, began the compere, “is like being asked to introduce God." Fans of Eric Clapton, of course, might beg to differ. But in jazz terms, Sonny Rollins, self-proclaimed “saxophone colossus”, has indisputably been on the all-time A-list since his early work with Miles Davis and Thelonious Monk. He is also on a particularly exclusive part of that list...
Read more...
|
Leonard Cohen: Bird on a Wire, BBC FourFriday, 19 November 2010
The renaissance enjoyed by Leonard Cohen over the past few years is not only thoroughly welcome and entirely justified, but also partly a testament to the strange and powerful alchemy that sometimes occurs when the defiantly high-brow is swallowed whole by popular culture. Read more... |
Paco de Lucía, Royal Festival HallFriday, 19 November 2010
The sense of occasion around flamenco guitarist Paco de Lucía’s return to London was palpable. The Royal Festival Hall was heaving. Queues at the bars before the show and during the interval were three or four deep. Spanish was everywhere. And that was good to hear. Paco de Lucía is a hero in his country as much for interesting political reasons as he is for purely musical ones. London-based compatriot fans were not going to miss this. Read more... |
Jon Hendricks, London Jazz Festival, Ronnie Scott'sFriday, 19 November 2010
Another sold-out gig, another standing ovation, another memorable night. A sprightly 89 years old, the vocal pipes may not be quite so silky, but on the first of a three-night run at Ronnie Scott's, Jon Hendricks – dubbed the “James Joyce of jive” by Time magazine - still had the chops to show why he's considered one of the most original and influential singers in jazz. Read more... |
Mavis Staples, Jazz CaféThursday, 18 November 2010
When Mavis Staples opens her mouth, remarkable things happen. She hollers, she sobs, she moans, she swoops, she rasps, she croons, she shudders. Not since I last saw Al Green have I seen such a bravura display of vocal prowess. On a rainy night in London, the 71-year-old singer of gospel, soul and R&B was in town for a one-off gig (and also for a Jools Holland appearance) to promote her new album, You Are Not Alone. Read more... |
Jason Yarde and Andrew McCormack + Wah!, 606 ClubWednesday, 17 November 2010
It's now over 20 years since saxophonist Jason Yarde emerged, aged just 16, with pioneering London collective The Jazz Warriors. Since then he has played with big hitters like McCoy Tyner, Hugh Masekela and Roy Ayers, as well as a younger generation including Gwilym Simcock and Soweto Kinch. Yet he's more than an in-demand sideman, having also established himself as a composer and arranger in his own right through work for the LSO and BBC Concert Orchestra.
|
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Music Reissues Weekly: Beggars Arkive - The Lurkers’ 1978 Jo...
On its own, the second session The Lurkers recorded for the BBC’s John Peel show on 18 April 1978 is arguably a curio, a footnote. Four tracks of...
Manchester Collective, RNCM review - something special in ne...
When a piece of music is heard for the first time ever, there’s always the delicious hope that, just by being there, an audience might witness...
The Marriage of Figaro, Welsh National Opera review - no con...
Drained as they are at present of crucial funds, WNO are managing to...
Jacqueline Feldman: Precarious Lease review - living on the...
Taking on some of the contingent, nebulous quality of its subject, Jacqueline Feldman’s ...
Elektra, Duke of York's Theatre review - Brie Larson...
We live in tragic times given over to cataclysmic events that require outsized emotions in return. That may be one reason to account for the...
Widmann, LSO, Pappano, Barbican review - razor-sharp attack...
Perhaps all great music counterpoints and comments on the times, but Antonio Pappano and the London Symphony Orchestra have been searingly...
Bring Them Down review - ramming it home in the west of Irel...
“You know what they say: where there’s livestock, there’s dead stock,” says Jack (a brilliant Barry Keoghan). Never a truer word. There’s an awful...