New Music Reviews
The Mexican Institute of Sound, KOKOMonday, 18 April 2011
The downside of this job is that because new CDs are dropping through the letterbox every day, a lot of stuff inevitably gets consigned to the archives and forgotten about, when it really shouldn’t be. So when I heard that The Mexican Institute of Sound (aka Mexico City’s Camilo Lara) was rather belatedly playing live in London for the first time (his last album was released two years ago), it was an excuse to reacquaint myself with his recorded works to see if they were as good as they... Read more... |
Jamiroquai, O2 ArenaSaturday, 16 April 2011
This was one of the funkiest shows I’ve seen for a long while; perhaps even since Prince’s peerlessly funky residence at the same venue in 2007 (though nowhere near as brilliant). There came a moment, on "Deeper Underground", when everything just clicked – the bassist and the drummer were locked in a deep groove, the guitarist was doing his precisely controlled chopping thing, the percussionist was rattling his timbales, the brass section popped and squirted, the backing singers... Read more... |
Lykke Li, Shepherds Bush EmpireThursday, 14 April 2011
As her black robe swirled around a black leotard, Lykke Li became the anti-Stevie Nicks. Instead of conjuring the mellow California feeling, she sang “sadness is a blessing”. Yet this Swede’s pop is as uplifting, as transporting as any good vibe merchant. More so. Last night’s show transfixed with its Bo Diddley beats, gospel choruses and wheezy garage rock organ. Read more... |
Miloš Karadaglić, LPO Foyle Future Firsts, 100 ClubThursday, 14 April 2011
Bear with me while, like supergroomed rising star Miloš Karadaglić retuning his guitar to a mellower vein, I adjust my concert-hall vocab and describe this as a no-gimmicks sell-out gig underground with young musicians from the London Philharmonic’s Foyle Future Firsts scheme presenting two varied sets and Karadaglić headlining. And now I’ll just revert to old habits and declare the meat to be a slice of Classicism chromatically spiced (Mozart) and a 20th-century maverick pushing Neo-Baroque... Read more... |
Seun Kuti and Egypt 80, Royal Festival HallThursday, 14 April 2011
Given that Seun Kuti and Egypt 80’s new album nearly blew my speaker covers off with its focused punch and irrepressible energy, the band really shouldn’t have had a problem making an impression on Tuesday night’s lacklustre Later… with Jools Holland. But bafflingly, they chugged awkwardly into life but never got up a proper head of steam. Read more... |
Josh Ritter, Liquid Room, EdinburghWednesday, 13 April 2011
I’ll say this much for Josh Ritter last night, he was happy to be there. I’ve never seen a man grin quite so much on stage, and apparently with complete sincerity. Before the Idaho-born singer-songwriter played a note he promised that “we’ll have a ball”, and by the end he had certainly delivered. And yet still some small but essential ingredient seemed to be lacking. Read more... |
Esperanza Spalding, BarbicanSaturday, 09 April 2011
The last time I saw Esperanza Spalding live, at Ronnie Scott's towards the end of 2009, the mention of her name would largely have been greeted with quizzical looks. Read more... |
Kylie Minogue, O2 ArenaFriday, 08 April 2011
Frothier than a zero-gravity cappuccino, camper than a gay pride march through Brighton, cheesier than all the fromageries in France, and with almost as many beats per minute as a hummingbird’s heart: Kylie is back with a brand new show, and it’s quite something. Others will doubtless have rolled out the statistics – that it cost £530 million to stage, is built and staffed by a crew of 7,000, and requires a fleet of trucks that would stretch from London to Luton to keep it on the road. Read more... |
McCoy Tyner, Ronnie Scott'sWednesday, 06 April 2011
Inspired to take up the piano by his neighbours Bud and Richie Powell, Philadelphia’s McCoy Tyner made jazz history as a member of the early-1960s John Coltrane quartet before emerging as a leader at Blue Note records. If his voicings seem any less distinctive today, it’s only because they have been so influential. And though his attack may have mellowed a little, that famous haymaker left hand remains very much in evidence several years after he blew out the candles on his 70th birthday...
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Keren Ann, Jazz CaféWednesday, 06 April 2011
Keren Ann’s new album, 101, might showcase her new-found pop smarts but last night’s hour-and-a-half set ranged through her whole catalogue taking in country-flavoured balladry, early Velvet Underground chugging and introspective singer-songwriting. A single French-language song acknowledged where she first attracted attention. Her American-accented English betrayed little of her Franco-Israeli roots. Truly multinational, her show at the Jazz Café was similarly diverse. Read more... |
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