New Music Reviews
The Duke Spirit, KOKOThursday, 08 March 2012
You could say the Duke Spirit have come a long way since I saw them support The Rapture (the who, now?) at the Oxford Zodiac, in 2004 – where, for my five quid, they accidentally sold me their band-wagon copy of Roy Orbison’s Big Hits from the Big ‘O’. Read more...
|
AV Festival, Newcastle/ Heiner Goebbels's Surrogate Cities, RFH/ London Contemporary Orchestra, Brunt, The RoundhouseMonday, 05 March 2012
It's often more fun on the margins. The pickings are richer. The view is clearer. You can take aim easier. The AV Festival has spent more than eight years here, on the counter-cultural edges, delving into the divisional cracks between art, music and film. Read more... |
X Factor Live, Wembley ArenaSunday, 04 March 2012
The X Factor has been rewriting the Gregorian calendar since its inception in September 2004. It’s now more acceptable (nay, expected) for major label pop acts’ careers to fall like dominos after the first year, while at the other end of the scale we’re sped into an accelerated, broader-spanning nostalgia - a longing sensation triggered mere minutes after the ITV1+1 broadcast. It’s with this in mind that the staging and characterisation of The X Factor Live caused such intrigue. Read more... |
Laura Marling, Colston Hall, BristolSunday, 04 March 2012
Laura Marling has a way, in mid-song, of arching her head back as far as it will go, as if she were opening herself up to the heavens. She’s never been one to let herself go on stage, at least not physically: there are no unnecessary histrionics, just a surrender to the extraordinary force that pours through when she stands and delivers. Read more... |
Portico Quartet, The Komedia, BrightonSaturday, 03 March 2012
I do not envy the Portico Quartet’s stage manager. The Komedia stage is not very big and most of it is covered in wire, effects boxes, electronic gizmos and other units. Amidst this carnage of cables, before the band arrives on stage, stands laptop DJ, Flying White Dots (aka Bryan Whellams), DJ Rob Da Bank’s “favourite bootleg mashup artist” (so Whellams' business card later tells me). Read more... |
The Speech Project, Purcell RoomFriday, 02 March 2012
Released last month on One Fine Day Records to excellent reviews, last night saw the first of an 11-date UK tour for Gerry Diver's remarkable multimedia work, The Speech Project. Read more... |
Sbtrkt, KokoFriday, 02 March 2012
A mea culpa from me: I never gave Sbtrkt's records the attention they deserved. I always thought they were a capitulation, a softening of the radical developments of the post grime and dubstep generation with more traditional musicality and indie affectations to reach out to a more generalist, NME reading audience... and in a way they are – but, I came to realise, that's not a bad thing, and certainly not cynically done. Read more... |
St Vincent, Shepherds Bush EmpireTuesday, 28 February 2012
It ended with Annie Clark on her back, being passed around the audience like a volleyball. Scrubbing at her guitar, the squall didn’t stop. As encores go it was pretty memorable, the confirmation that Clark – as St Vincent – has arrived. Earlier in the set she’d remarked that she was last at the Empire four years ago, playing in The National. Now she’s selling it out. Read more... |
Ana Silvera, Imogen Heap, Estonian Television Girls Choir, Holst Singers, Reverb 2012Tuesday, 28 February 2012
Freud would have loved the final night of Reverb 2012's opening weekend. First came a screening of a mad early Surrealist film from Germaine Dulac and Antonin Artaud, in which a priest chases a woman's breasts that have turned into two seashells. Read more... |
Kathleen Edwards, Oran Mor, GlasgowSunday, 26 February 2012
Accompanying herself with the violin she hung from the mic stand, the Canadian songwriter Kathleen Edwards performed “Goodnight, California” - the last track from her 2008 album Asking For Flowers - in the sensual rasp of the late night gin-drunk. The song is a sprawling, beautifully-realised portrait of loneliness, and the tightness of Edwards’ backing band only increased its eerie claustrophobia. Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today
Album: Bab L'Bluz - Swaken
Bab L’Bluz are a French-Moroccan four-piece that play a tasty blend of fiery psychedelic rock backed up with hypnotic North African gnawa rhythms...
Thank You, Goodnight: The Bon Jovi Story, Disney+ review - h...
To mark the 40th anniversary of New Jersey’s second-greatest gift to rock’n’roll,...
Album: Pokey LaFarge - Rhumba Country
Pokey LaFarge has always defied categorisation. He likened his 2020 album Rock Bottom Rhapsody to a mix tape, with elements of...
L'Olimpiade, Irish National Opera review - Vivaldi...
In Vivaldi’s more extravagant operas, some of the arias can seem like a competition for the gold medal. L’Olimpiade is relatively modest...
Red Eye, ITV review - Anglo-Chinese relations tested in junk...
Aircraft hijacking is a ghoulishly popular theme in films and TV, but Red Eye brings a slightly different twist to the perils of air...
Album: Josienne Clarke - Parenthesis, I
Parentheses, I is an album title – (I) – that’s a hieroglyph of the self, the brackets like...
Music Reissues Weekly: West Coast Consortium - All The Love...
West Coast Consortium’s first single was July 1967’s “Some Other Someday,” a delightful slice of Mellotron-infused harmony pop which wasn’t too...
Love Lies Bleeding review - a pumped-up neo-noir
Somewhere along a desert highway in the American Southwest, where there's not much to do besides get drunk, shoot guns, and pump iron, a stranger...
Remembering conductor Andrew Davis (1944-2024)
As a human being of immense warmth, humour and erudition, Andrew Davis made it all too easy to forget what towering, incandescent performances he...
Brancusi, Pompidou Centre, Paris review - founding father of...
One hundred and twenty sculptures, and so much more: the current Brancusi blockbuster at the Centre Pompidou, the first large Paris show of the...