New Music Reviews
Casiokids, CargoWednesday, 25 January 2012
It’s about the bass and the drums. The choirboy high vocals and sugary melodies catch the ear first, but they’d be so much soufflé without the room-shaking, stomach-wobbling bass throb, the Chic-style disco drumming and its tsk-tsk-tsk hi-hat shuffle. Combined, the soft and airy, the propulsive and grounded make the audience move. Not tap a toe, but actually move – dance. Read more... |
The Cecil Sharp Project, St George's, BristolMonday, 23 January 2012
Folk music is about roots and place and while rootedness can provide a welcome balance to the vagaries of a virtual and globalised world, it can also raise some less salubrious spirits: the British folk movement expresses at times a folksy form of insularity, in which place or nation are made just a little too sacred and exclusive. Read more... |
Lindi Ortega, Voodoo Rooms, EdinburghSaturday, 21 January 2012
Canadian singer-songwriter Lindi Ortega took to the stage last night in a rococo Edinburgh broom cupboard looking like a country-fried Amy Winehouse in widow’s robes. As with most first impressions, it proved misleading. The visuals might have screamed Camden boho chic by way of New Nashville, but the voice was pure Dolly. Read more... |
A Winged Victory for the Sullen, Cecil Sharp HouseTuesday, 17 January 2012
Last night was about how few notes can be played, and how texture can offer them maximum effect. Five musicians strove to play the minimum with the greatest impact. Of course, that’s what Black Sabbath did at the very beginning, but A Winged Victory for the Sullen’s instrumentals are built from piano, treated guitar and strings. Yet, at times, they had the power of rock. Read more... |
The Correspondents, Café de ParisSaturday, 14 January 2012
“He’s a praying mantis,” said the girl next to me, “but sexy.” True enough, even if Mr Bruce is a gangly long-limbed performer rather than an actual insect. I’ve seen him twice this year already, and he’s completely compelling on stage and as a dancer who moves like no one else out there. Read more... |
The Boxettes, Kings PlaceFriday, 13 January 2012
The band's Facebook page states “Dirty Soulful Groovin Dancey Sweet” under genre. To which I'd add “Dramatic Playful Intense Voluptuous Transporting”. Performing last night as part of the London A Cappella Festival, The Boxettes swept away any residual festive cobwebs and dazzled a packed Kings Place. “Loosen your shirt, loosen your bow ties,” we were told. I have to confess I didn't actually see any bow ties, but, metaphorically speaking, we got the point. Read more... |
Lanterns on the Lake, CargoFriday, 13 January 2012
Shock, horror. London audience keeps quiet. And in Shoreditch too, under a railway viaduct. Newcastle’s Lanterns on the Lake did something virtually no band achieves – directing the focus onto them. London audiences will babble through anything and everyone, but this sold-out show cast a spell. Read more... |
Survivor, Hofesh Shechter & Anthony Gormley, Barbican TheatreFriday, 13 January 2012
Empty vessels make the most noise. That pithy old aphorism floated into my head a scant few minutes into the much-heralded new work by the undoubtedly talented, but here way off-beam, Hofesh Shechter. And again, a few minutes later. And again, and again, as something like 200 drummers filled the stage and bashed away in earnest polyrhythmy. At the end of the 80 minutes my watch was worn with checking. Read more... |
Spaghetti Western Orchestra, Queen Elizabeth HallFriday, 06 January 2012
It is a ridiculous idea but also a strangely appealing one. Five Australians recreate the music of composer Ennio Morricone's 80-piece troupe on a variety of traditional instruments as well as an instrument made out of string and a tin can, plus some bubble wrap, an alarm clock, two asthma inhalers and numerous other household items. Imagine a cross between Tom Waits in his junkyard phase and John Noakes building something on Blue Peter three decades ago. Read more... |
2011: The Triumph of AuthenticityMonday, 02 January 2012
In a year of mounting turmoil and uncertainty, it was easy to fall back on safe bets and comfort-zone reassurance. Addictive TV series offered a welcome haven from the angst of financial meltdown: Sarah Lund’s melancholy airs in The Killing offered a homeopathic cure for the gloom of double-dip recession. Breaking Bad, the saga of the cancer-struck physics teacher who takes to a life of crime was dark, funny and endlessly surprising. Read more... |
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