ASH Smyth
Bio
ASH Smyth has written about music and the arts for The Oxford Times, The First Post, The Spectator, Music Teacher, Early Music Today, whatsonstage.com, Guernica, Stop Smiling, and the Sri Lankan Sunday Times. He is the co-author (with Richard Suart) of They'd None of 'Em Be Missed, a potted history of WS Gilbert's "Little List".
Articles By ASH Smyth
latest in today
Savala Nolan: Don't Let It Get You Down review - findin...
Liminal: a word that conjures thresholds and between states. Caught between three languages – the adjective is a borrowing from the Latin...
Jews. In Their Own Words, Royal Court review - calling out a...
What is the Royal Court theatre for? Is it a...
'Serving the community means representing the narrative...
Just as I was moving from the US to the UK to begin working as the Artistic Director of the...
Album: Slipknot - The End, So Far
Make no mistake about it, Slipknot are massive. 23 years after their recording debut, they’ve had 8.5 billion streams, their sixth album,...
Yiyun Li: The Book of Goose - fame, reality and two teenage...
The Book of Goose, Yiyun Li’s fifth novel, is the...
This England, Sky Atlantic review - how Boris's No 10 g...
From underneath the messy ash-white thatch of hair, a strange mooing suddenly issues: Sir Kenneth Branagh is wrestling with Boris Johnson’s odd...
Kim Noble, Soho Theatre review - final part of trilogy about...
A dead pigeon. A dead squirrel. A dead fox. Lots of maggots – very much alive. I might be describing your worst nightmare (throw in a rat or two...
In Front of Your Face review - a day in the life
Twenty-four hours in the life of a Korean woman, Sangok (Lee Hyeyoung), are caught in scenes which feel like real time in Hong Sangsoo’s latest....
Album: Yeah Yeah Yeahs - Cool It Down
It’s a minor tragedy that Yeah Yeah Yeahs arrived just in time to be bundled in with a spurious “new rock revolution,” because they were so much...
Purcell's Playhouse, Bevan, Barokksolistene, Eike, Purc...
“What about the communication with the audience?” asked violinist and impresario Bjarte Eike in his First Person piece for theartsdesk...