tue 07/05/2024

New Music Reviews

Dan Mangan, Stereo, Glasgow

Lisa-Marie Ferla

Dan Mangan’s gravelly, expressive voice and the wisdom that infuses his lyrics do not speak to a songwriter still in his twenties. There’s this song on Nice, Nice, Very Nice, his first album for the Arts & Crafts indie powerhouse back in 2009, that has always given me chills for those reasons. It’s called “Basket” and, the singer explained, is “based on old people” he’s gotten to know over the years.

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Miles Kane, Forum

Bruce Dessau

Never underestimate the power of the iPod shuffle. When Miles Kane's album Colour of the Trap was released last year I liked it but still dismissed it as a fairly throwaway piece of stylishly dressed retro-fluff. Somehow though, tracks kept popping up and he eventually won me over. I wasn't alone. Songs started to appear on sports programmes and documentaries. Only moody mardy bums The xx cropped up more.

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Reissue CDs Weekly: Carole King, Abba, Sheena Easton

theartsdesk

Carole King The Legendary Demos

Carole King: The Legendary Demos

Lisa-Marie Ferla

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Juan De Marcos Afro-Cuban All-Stars, Barbican Centre

Peter Culshaw

As both a catalyst and a musician, Juan De Marcos Gonalez has had a massive impact on Cuban music in the last couple of decades.

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Major Lazer/Toddla T, Shepherd's Bush Empire

Thomas H Green

It became clear, midway through support act Toddla T that this was going to be a bit special. With a view from the front of the first tier balcony, I could see the melee below and the two balconies above. The Shepherd’s Bush Empire is a gorgeous 109 year old theatre that’s been a music hall and BBC studio in its time but no-one was sitting down tonight, far from it.

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Céu, KOKO

howard Male

The fact of the matter is that this young, supremely talented Brazilian singer-songwriter is no great performer. But is this an issue when the music she makes is so immersive and seductive in its own right? On record, her songs are like ragged collages held together by scraps of tape. They sound like they might dissipate or disintegrate at any moment were it not for the calm authority of her voice holding everything together. This is music that exudes sophistication.

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Amanda Shires, Woodend Bowling and Tennis Club, Glasgow

Lisa-Marie Ferla

In a members-only bowling club, down a side street in a residential part of Glasgow I'd never visited before last night, Texan fiddle-player and songwriter Amanda Shires stood wearing the most magnificent pair of cowboy boots I had ever seen.

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Graham Coxon, Liquid Room, Edinburgh

graeme Thomson

Funny how things turn out. As Damon Albarn has morphed from Blur’s Fred Perry-sporting jackanapes into the thinking man’s musical adventurer, flitting from opera to Malian music to cartoon conceptualist, Graham Coxon has opted to pursue the low key and lo-fi, seemingly happier hanging out on the margins than infiltrating the mainstream.

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The Sinking of the Titanic, Gavin Bryars Ensemble, Philip Jeck, Barbican Hall

Igor Toronyi-Lalic

I don't have many feelings about the Titanic (any more than I do about any tragedies of the distant past). I know few of the facts, I can remember nothing of the film and I have been left almost completely untouched by the centenary. Yet I am enormously grateful to have caught a Barbican performance of The Sinking of the Titanic, Gavin Bryars' beautiful musical meditation on the event.  

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Just in From Scandinavia: Nordic Music Round-Up 4

Kieron Tyler

Two things are certain with music coming from the north: there will be some wonderful surprises and some of it will sound like nothing else on earth. It’s even more enticing when the two merge. Making the peculiar accessible is a uniquely Scandinavian knack. There are more than a few examples of that – the creation of new micro-genres – in this round-up of current and new releases, but some straightforward albums are equally striking.

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