fri 23/05/2025

Film Reviews

Hotel Mumbai review – Dev Patel shines in harrowing real-life drama

Demetrios Matheou

Like recent films about the Anders Breivik terror attacks in Norway, Hotel Mumbai unavoidably raises questions of taste. Do audiences really need to be subjected to harrowing recreations of real-life suffering, when the events themselves are still fresh?

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The Laundromat review – The Panama Papers as root canal

Demetrios Matheou

With The Laundromat Steven Soderbergh is trying to do for the Panama Papers what The Big Short did for the 2008 financial crash, namely offer an entertaining mix of explanation, exposé, black comedy and righteous anger. Sadly, it doesn’t come close. 

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San Sebastian Film Festival: Proxima review – Eva Green has The Right Stuff

Demetrios Matheou

Proxima is a very special, very beautiful space movie, one of those that are more concerned with the bread-and-butter reality of getting people into space – practically, emotionally, psychologically – than with the starry shenanigans themselves.

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The Farewell review - warmly comic culture-clash

Nick Hasted

The cancer weepie is knocked off its tear-jerking axis by Lulu Wang’s sly and heartfelt autobiographical tale.

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Ad Astra review – out of this world

Demetrios Matheou

There have been a number of excellent science fiction films of late – GravityThe MartianAnnihilation among them. But Ad Astra may be the most complete and profound addition to the genre since 2001: A Space Odyssey

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The Kitchen review – more gangsters' molls taking over the reins

Demetrios Matheou

Three women decide to take over their husbands’ criminal activities, proving more than a match for the men who dominate the underworld.

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For Sama review - besieged, bombed, and defiant in Syria

Graham Fuller

People who idly use the phrase “it’s like living in a war zone” when considering their domestic mess should see Waad al-Kateab’s documentary For Sama.

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Phoenix review - Norwegian family tragedy with an autobiographical slant

Markie Robson-Scott

“You’re so meticulous,” says Astrid (Maria Bonnevie) to her teenage daughter Jill (impressive newcomer Yvla Bjørkaas Thedin) as they create a batik artwork together at the kitchen table. Little son Bo (Casper Falck-Løvås) looks on as he munches a jam sandwich. A happy domestic scene? Anything but. “Meticulous” isn’t even really a compliment, coming from this chaotic, mentally fragile mother.

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The Shock of the Future review - for the music nerds

Owen Richards

The Shock of the Future is for anyone who's watched a music biopic and thought "that's not how it works!" Directed and co-written by Marc Collin of Nouvelle Vague fame, it's perhaps the most realisitic film about recording music ever made.

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Hustlers review - strip club crime pays

Nick Hasted

When did Dorothy (Constance Wu) really want to be a stripper? Maybe it’s when she looks with love at Ramona (Jennifer Lopez) during her strutting set piece dance, as she descends to a carpet of cash.

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Honeyland review - tipping nature's balance

Joseph Walsh

Tamara Kotevska and Ljubomir Stefanov’s new documentary, Honeyland, is a lament for a vanishing world. Captured with the delicacy of honeycomb, it focuses on the last wild beekeeper in Europe. Hatidze Muratova lives in rural Macedonia on a craggy farm without running water or electricity.

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Downton Abbey review – business as usual

Demetrios Matheou

Despite the fact that the Downton Abbey 2015 Christmas special wrapped the series up with a seemingly watertight bow, a cinema offering of Julian Fellowes’ much-loved creation was perhaps inevitable. And so virtually all of the series cast and a few new ones descend upon the fictitious Yorkshire pile for more misadventures upstairs and down. 

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The Shiny Shrimps review - worth the plunge

Owen Richards

Whoever thought of crossing the social conscience of Pride with the sporting acumen of Dodgeball? Out of this unlikely union comes The Shiny Shrimps, a joyous dive into the world of gay water polo.

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It Chapter Two review – time to stop clowning around

Demetrios Matheou

Just two years after It Chapter One became the most successful horror film ever made, Pennywise the Dancing Clown is once again giving the American town of Derry absolutely nothing to laugh about. But this time around it’s audiences who may feel unable to enjoy the irony of a killer clown. For Chapter Two feels like a pointless, nay horrific case of déjà vu. 

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A Million Little Pieces review - addict's anaemic redemption

Nick Hasted

The high, crackhead days of James Frey (Aaron Taylor-Johnson) are over in five adrenalized minutes, as he dances naked to the Smashing Pumpkins, then tumbles insensibly backwards from a ledge.

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Memory: The Origins of Alien review - a study of the sci-fi horror classic

Saskia Baron

Forty years after Alien made a star out of Sigourney Weaver, comes a documentary that goes into forensic detail about the movie’s original writer and monstrous imagery but barely mentions its lead actor despite the fact that her portrayal of Ripley broke all the stereotypes of women in sci-fi.

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