Film Reviews
A Beautiful Day in the Neighborhood review - an emotionally honest biopicSaturday, 01 February 2020
The role of Fred Rogers in A Beautiful Day in the Neighborhood was made for Tom Hanks – and he excels in it. Read more... |
Richard Jewell review - a portrait of duty and dignity in this true-life taleSaturday, 01 February 2020
Since Play Misty For Me in 1971, Clint Eastwood has been tearing up the American myth with a body of muscular, often melancholic work. Read more... |
Show Me the Picture: The Story of Jim Marshall review - needles, guns and grassSaturday, 01 February 2020
In photographer Jim Marshall’s heyday in the 60s and 70s, before the music business became corporate and restrictive, and before Marshall unravelled – he was partial to cars, cocaine and guns as well as cameras – musicians asked for him, they trusted him, and he never violated their trust because, he... Read more... |
The Lighthouse review - shiver me timbersThursday, 30 January 2020
A creepy lighthouse on a remote island, a blistering storm, a mermaid languishing on the shore and two fabulously bewhiskered actors chewing up the scenery like there’s no tomorrow. The Lighthouse feels like it’s been washed up in a bottle, a film from another time with a story sprung from ghost stories or nightmares. Read more... |
Queen & Slim review - a stylish and raw tale of outlaws on the lamThursday, 30 January 2020
There’s a palpable rage to Melina Matsoukas’ first feature film Queen & Slim, starring Get Out’s Daniel Kaluuya and newcomer Jodie Turner-Smith. Cast in the mould of Bonnie and Clyde, it’s a film that has you clinging to the arms of your seat from the first fifteen-minutes. Read more... |
Talking About Trees review - friendships formed through filmMonday, 27 January 2020
What’s the appeal of cinema? It can transport us to fantasy lands, or open our eyes to new perspectives. But one aspect that’s less discussed is how it brings people together. Going to the cinema is a social stimulus, a shared experience that sparks discussions and forges friendships. Read more... |
The Personal History of David Copperfield review – top-drawer DickensFriday, 24 January 2020
Armando Iannucci’s move away from the contemporary political satires that made his name, first signalled by his bold, uproariously brilliant Death of Stalin, continues apace with a Dickens adaptation that feels quietly radical. Read more... |
The Grudge review - non-stop shocks wear out their welcomeThursday, 23 January 2020
The 18-year-old Japanese horror hit Ju-On (The Grudge) was remade once before, as – yes – The Grudge (2004), with Sarah Michelle Gellar. Read more... |
A Hidden Life review - Nazism stoically refusedSaturday, 18 January 2020
Terrence Malick returns to his former greatness following three features of unscripted, all-star poesy, with this sombre biopic of sainted Austrian conscientious objector Franz Jägerstätter (August Diehl). Read more... |
Waves review - pulsating, rapturous, devastatingFriday, 17 January 2020
Trey Edward Shults’s extraordinary, music-driven third feature, set in a sparkling south Florida, stars a wonderful Kelvin Harrison Jr as 17-year-old Tyler, an African American high-school wrestler with bleached blond hair. Read more... |
Bombshell review – powerful, to a pointThursday, 16 January 2020
With Harvey Weinstein about to go on trial, the timing is particularly apt for a film that outlines the fall from grace of another media giant who used his powerful position to sexually victimise women. Read more... |
Uncut Gems review - relentless tale of gambling and the diamond tradeFriday, 10 January 2020
The Safdie brothers, Josh and Benny, once programmed a season of films entitled Emotional Sloppy Manic Cinema, and if sloppy is subtracted from that description, it’s a pretty accurate summation of their work here in Uncut Gems. This is edge-of-the-seat filmmaking, with vertiginous camerawork by Darius Khondji and a relentless, immersive soundscape of electronica and layered dialogue. Read more... |
Seberg review - lightweight script, heavyweight performanceFriday, 10 January 2020
It’s 1968, and Seberg leaves her husband, Romain Gary (Yvan Attal) and son, Alexandre (Gabriel Sky) for an audition in Hollywood. She seems happy to be going. Touching down in LAX she joins a group of black activists, led by Hakim Jamal (Anthony Mackie), and offers up a black power salute. Her intentions are unclear. Read more... |
1917 review – immersive, exemplary war filmThursday, 09 January 2020
The greatest war films are those which capture the terrifying physical and psychological ordeal that soldiers face, along with the sheer folly and waste of it all – Paths of Glory, Come and See, Apocalypse Now, Saving Private Ryan, most recently Dunkirk. Read more... |
The Runaways review - a road trip worth takingThursday, 09 January 2020
Oh how British indies love a road trip. Trekking across the rugged landscape, meeting a colourful cast of characters, realising it’s not the destination but the journey. Read more... |
In the Line of Duty review - brazen absurdityFriday, 03 January 2020
The dinosaur credentials of disgraced cop Frank Penny (Aaron Eckhart) litter his flat, from his battered old TV to his binning of his daily newspaper, bar the sports section. Read more... |
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