wed 08/10/2025

Film Reviews

Hustlers review - strip club crime pays

Nick Hasted

When did Dorothy (Constance Wu) really want to be a stripper? Maybe it’s when she looks with love at Ramona (Jennifer Lopez) during her strutting set piece dance, as she descends to a carpet of cash.

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Honeyland review - tipping nature's balance

Joseph Walsh

Tamara Kotevska and Ljubomir Stefanov’s new documentary, Honeyland, is a lament for a vanishing world. Captured with the delicacy of honeycomb, it focuses on the last wild beekeeper in Europe. Hatidze Muratova lives in rural Macedonia on a craggy farm without running water or electricity.

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Downton Abbey review – business as usual

Demetrios Matheou

Despite the fact that the Downton Abbey 2015 Christmas special wrapped the series up with a seemingly watertight bow, a cinema offering of Julian Fellowes’ much-loved creation was perhaps inevitable. And so virtually all of the series cast and a few new ones descend upon the fictitious Yorkshire pile for more misadventures upstairs and down. 

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The Shiny Shrimps review - worth the plunge

Owen Richards

Whoever thought of crossing the social conscience of Pride with the sporting acumen of Dodgeball? Out of this unlikely union comes The Shiny Shrimps, a joyous dive into the world of gay water polo.

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It Chapter Two review – time to stop clowning around

Demetrios Matheou

Just two years after It Chapter One became the most successful horror film ever made, Pennywise the Dancing Clown is once again giving the American town of Derry absolutely nothing to laugh about. But this time around it’s audiences who may feel unable to enjoy the irony of a killer clown. For Chapter Two feels like a pointless, nay horrific case of déjà vu. 

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A Million Little Pieces review - addict's anaemic redemption

Nick Hasted

The high, crackhead days of James Frey (Aaron Taylor-Johnson) are over in five adrenalized minutes, as he dances naked to the Smashing Pumpkins, then tumbles insensibly backwards from a ledge.

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Memory: The Origins of Alien review - a study of the sci-fi horror classic

Saskia Baron

Forty years after Alien made a star out of Sigourney Weaver, comes a documentary that goes into forensic detail about the movie’s original writer and monstrous imagery but barely mentions its lead actor despite the fact that her portrayal of Ripley broke all the stereotypes of women in sci-fi.

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The Souvenir review – Joanna Hogg's most emotionally wrenching film yet

Graham Fuller

Joanna Hogg’s melancholy autobiographical drama The Souvenir cuts too close to the bone.

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The Informer review - tough but tin-eared B-movie

Nick Hasted

If it wasn’t for bad luck, Pete Koslow (Joel Kinnaman) wouldn’t have any luck at all. Being an Iraq special forces veteran jailed for protecting his wife in a bar fight seems wretched karma enough.

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Hail Satan? review - the detail of the devil

Joseph Walsh

As Penny Lane’s documentary shows, America and Satanism have a long history.

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A Faithful Man review - an atypical romance

Owen Richards

There were some early warning signs that A Faithful Man might be another box-ticking French romcom. The poster of two women kissing one man, his bemused look in the middle. The lethargic narration referencing childhood and the mysteries of the female mind. Here we go again.

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Scary Stories to Tell in the Dark review - mild-mannered nightmares

Nick Hasted

Guillermo del Toro considered directing this adaptation of Alvin Schwartz’s bestselling campfire tales, and his sensibility can still be discerned in its kind sort of fantasy and concern with outsiders.

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Pain and Glory review - masterful meditation on age and art

Nick Hasted

The Almodovar who made his name as an all-out provocateur in the Eighties considers that wild art’s becalmed far side, in this quietly wonderful meditation on where it’s left him.

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Transit review - existential nightmares for a German refugee

Saskia Baron

If you’re looking for escapism from anxieties about Brexit, the worldwide refugee crisis and rising authoritarianism, Christian Petzold’s Transit is not going to provide comfort.

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Once Upon A Time… in Hollywood review – Tarantino’s mellowest film yet

Demetrios Matheou

Quentin Tarantino’s made a big deal of this being his ninth film, while heralding his retirement after number 10 with the sort of nostalgic fandom he’s always ladled over his favourite directors and stars.

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JT Leroy review - pseudonym, avatar, literary hoax

Markie Robson-Scott

Based on Savannah Knoop’s memoir Girl Boy Girl: How I became JT LeRoy, Justin Kelly’s film skims the surface of the sensational literary hoax of the early 2000s, that far-off time before avatars, gender fluidity and fake online identity were part of everyday life.

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