Classical Reviews
Esfahani, Gibson, Manchester Collective, BBC Proms review – variety, but not always in proportionWednesday, 18 August 2021
I was looking forward to this Prom by the Manchester Collective, an exciting young group founded in 2016, which has quickly established a reputation for innovative presentation of contemporary repertoire. Read more... |
Voces8 Live from London Summer online review - choral excellence and more besidesTuesday, 17 August 2021
There is much to love about the latest Voces8 Live from London online festival. It goes beyond having a purely choral line-up, embracing instrumental music for the first time, while maintaining its focus on vocal performances of the highest standard. Read more... |
Ólafsson, Philharmonia, Järvi, BBC Proms review - a ravishing Proms debutMonday, 16 August 2021
What does it mean to be Classical? It’s the question award-winning Icelandic pianist Víkingur Ólafsson has consistently asked in a career that has collided music from Bach to Debussy, presenting them as part of a single conversation and continuum. Read more... |
Isserlis, LPO, Jurowski, BBC Proms review - a final hand full of acesFriday, 13 August 2021
We finished with a pure Hollywood moment when John Gilhooly – as Chair of the Royal Philharmonic Society – popped up after the warm applause to announce that the Society had awarded its gold medal to Vladimir Jurowski. Oddly, Covid rules meant that the actual handover took place backstage. Read more... |
Kolesnikov, Aurora Orchestra, Collon, BBC Proms review - dazzling musicianship and insightThursday, 12 August 2021
It’s nobody’s fault, but – try as they might – the BBC Proms can often feel rather middle-aged. Whether it’s the lumbering albatross of a building, the ushers in their dated, casino waistcoats or the tone of zealous jollity (Have fun! But silently and according to the rules!), it somehow all adds up to a lack of freshness, spontaneity. Thank goodness for Aurora Orchestra. Read more... |
Brahms Piano Concertos, Tsoy, Philharmonia, Emelyanychev, Bold Tendencies - rich epic mastery in concrete surroundingsTuesday, 10 August 2021
To excel at one massive Brahms piano concerto in a standard concert hall is cause enough for celebration. To master two over one evening in a very unorthodox space – namely, below the roof of Peckham’s former multi-storey car park – brings the performer close to recreative genius. Read more... |
BBCNOW, Bancroft, BBC Proms review – American music from across the spectrumMonday, 09 August 2021
In this most atypical Proms season this was actually an archetypal Proms programme: a world premiere: a neglected masterpiece and a good solid 19th-century symphony for those put off a bit by the first two. But this American-themed programme never felt run of the mill. Read more... |
Benedetti, National Youth Orchestra, Heyward, BBC Proms review – stirring sounds of changeSunday, 08 August 2021
In a normal year, the National Youth Orchestra of Great Britain descends mob-handed on the Royal Albert Hall for a Prom that complements the sheer quality of the young musicians’ work with joyful, raucous, roof-raising quantity. I recall a Turangalîla symphony in the other Olympic season of 2012 that rocked all Kensington with its heaven-storming, gold-medal exuberance. Read more... |
Echo Vocal Ensemble, Midlands Arts Centre review - fresh and fun approach to choral singingSaturday, 07 August 2021
After meeting on the Genesis Sixteen Young Artist Scheme, this vibrant vocal ensemble has been rapidly gaining momentum since their debut at St John’s Smith Square in 2017. Under the direction of conductor Sarah Latto, the final concert in their UK tour was polished, poised and subtly powerful. Read more... |
CBSO, Gražinytė-Tyla, BBC Proms review - expectations teased, seldom fulfilledFriday, 06 August 2021
Nominally, this was a programme of three symphonies. The first, though, sounded like music re-cut and pasted from a very British film and the second was a suite, albeit impressively reworked, from an opera. Read more... |
Pages
inside classical music
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Mission: Impossible - The Final Reckoning review - can this...
Whether it is or isn’t the final Mission: Impossible film, there’s a distinct fin-de-siècle feel about this eighth instalment, and not...
Code of Silence, ITVX review - inventively presented reality...
In the guided tour of Britain’s cathedral cities that is the primetime TV...
Pixies, O2 Academy, Birmingham review – indie veterans pack...
Pixies might just be the ultimate Radio 6 Dad band. They’ve been around (on-and-off) for around 40 years; they’ve got a fine back catalogue of...
Album: Sports Team - Boys These Days
How do you solve a problem like Sports Team? Taking them at face value, they’re a living metaphor for the slow music biz relegation of the working...
Pygmalion, Early Opera Company, Curnyn, Middle Temple Hall r...
With French baroque opera all but banished from the UK’s major...
Album: Stereolab - Instant Holograms on Metal Film
Stereolab always walked a knife edge between deadly serious and dead silly. Their sound was constructed around the sort of reference points –...
The Fifth Step, Soho Place review - wickedly funny two-hande...
The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic dialogue and very funny banter....
Josefowicz, LSO, Mälkki, Barbican review - two old favourite...
Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two...
Mr Swallow: Show Pony, Richmond Theatre review - magic trick...
Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative...