Classical Reviews
Gabriela Montero, Kings Place review - improvising to a Chaplin classic is the icing on a zesty cakeSaturday, 09 October 2021
As the Statue of Liberty appears in Charlie Chaplin’s The Immigrant, our improvising pianist proclaims “The Star-Spangled Banner”, only for it to slide dangerously. Read more... |
Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Manchester review - together againSaturday, 09 October 2021
The joint enterprise of soloist Jean-Efflam Bavouzet and conductor Gábor Takács-Nagy, with Manchester Camerata, in recording publicly all Mozart’s piano concertos alongside his opera overtures – with the project theme “Mozart, made in Manchester” – was rudely interrupted after 2019 by you-know-what. Read more... |
theartsdesk at the Two Moors Festival - birdsong, gongs and nocturnes in Dartmoor churchesThursday, 07 October 2021
First came the difficult decision: whether to experience performances by great musicians whose work I already knew in the second, Exmoor-based weekend of the Two Moors Festival, or to go for enticing programmes by others whom I’d never experienced live around Dartmoor. Read more... |
Geniušas, SCO, Emelyanychev, Usher Hall, Edinburgh review - glorious return to a much-missed venueSaturday, 02 October 2021
This concert almost had me in tears before a single note was played because it marked (joy!) the first classical concert to take place in the Usher Hall since it was shut in March 2020. She has been closed for eighteen long months, but she hasn’t aged a day. Read more... |
Philharmonia, Rouvali, RFH review - the really big orchestra is back for cosmic StraussFriday, 01 October 2021
Two suns, two moons, two Philharmonia leaders sharing a front desk, two aspirational giants among Richard Strauss's symphonic poems bringing the number of players, in the second half, to 134. Read more... |
The Creation, Academy of Ancient Music, Cummings, Barbican review - back to choral paradiseThursday, 30 September 2021
Whatever the upsets and uncertainties of this musical season, the return of choral works at full scale and full power has been an unalloyed joy. And sheer, exhilarated, heaven-storming joy branded the Academy of Ancient Music’s reading of Haydn’s The Creation in the Barbican Hall on Tuesday night. Read more... |
Gerhaher, Faust, Wigmore Hall review - husky shadings and dark huesWednesday, 29 September 2021
Christian Gerhaher and a string ensemble led by Isabelle Faust presented here a programme of works with a nocturnal theme. Gerhaher’s voice is an instrument of husky shadings and dark hues, so the night theme seemed wholly appropriate. Read more... |
Carnac, BCMG, Kemp, Music@Malling Festival - lyrical Turnage frames abstruse fanciesTuesday, 28 September 2021
Is there any composer alive who writes more luminously bittersweet elegies than Mark-Anthony Turnage? Taking key lines from memorialising poets through the ages as inspiration, he knows that instrumental phrases must sing, sometimes to invisible words, as well as dance if they’re to pierce the heart. Read more... |
Iestyn Davies, Aurora Orchestra, Collon, Kings Place review - Elizabethans and extraterrestrialsMonday, 27 September 2021
Music in London has faced down plagues, puritans, philistines and planners over the four centuries spanned by the Aurora Orchestra’s season-opener at Kings Place on Saturday. This concert in the venue’s “London Unwrapped” strand filled its main hall without distancing for the first time since the capital’s (and the world’s) latest pandemic struck. Read more... |
Nicola Benedetti, Barbican Hall review – from Bach to the Highlands via New OrleansFriday, 24 September 2021
If a standard-sized recital hall can be a lonely place for a solo violinist, playing an auditorium of Barbican dimensions must feel like crossing a desert under pitiless spotlight sun. Happily, Nicola Benedetti’s prowess as a communicator means that she made those trackless wastes shrink into a shared garden where she, and we, explored her instrument’s many kinds of bloom. Read more... |
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