Classical Reviews
Liebeck, Bournemouth SO, Hasan, Lighthouse, Poole review - evergreen gifts of melodyMonday, 17 January 2022
Having conducted two Discovery programmes with the LSO after being a finalist in the 2016 Donatella Flick competition, London-born Kerem Hasan went on to win the Nestlé and Salzburg Festival Young Conductors Award in 2017. Read more... |
Lise Davidsen, Leif Ove Andsnes, Barbican review - perfect Grieg, impressive Strauss and WagnerFriday, 14 January 2022
After a too-much-too-soon debut disc, Lisa Davidsen has just rolled out the gold on CD with her great fellow Norwegian Leif Ove Andsnes in songs by their compatriot Grieg. Read more... |
Best of 2021: Classical music concertsMonday, 27 December 2021
As the catastrophe unfolded in 2020, it seemed reasonable to speculate that the biggest orchestral works – Mahler and Shostakovich symphonies, Strauss tone poems among them – probably wouldn’t be heard live in our concert halls for years. Read more... |
Voces8 Live from London Christmas online review – seasonal favourites and new discoveriesSunday, 26 December 2021
The Voces8 online festivals – which were born of a need to keep the show on the road during at the beginning of the pandemic – have rapidly become a fixture of the musical landscape, setting the bar for online presentation of choral music and broadening the reach of all the groups involved. Read more... |
Solomon's Knot, Wigmore Hall review - festive music for uncertain timesTuesday, 21 December 2021
It had been a tense week, explained Jonathan Sells, the artistic director and bass-baritone of Solomon’s Knot, from the stage of the Wigmore Hall: unsure if the concert would go ahead, unsure who exactly would be able to perform, unsure if there would be anyone in the audience. Read more... |
Messiah, Dunedin Consort, Butt, Queen's Hall, Edinburgh - period clarity infused with loveMonday, 20 December 2021
This time last year, the moment I knew things were really bad was when the Dunedin Consort cancelled Messiah. All performances since the summer of 2020 had been online films, but Dunedin cancelled even their online Messiah because it would involve performers travelling from all corners of the UK to do it. Read more... |
The Sixteen, Christophers, Cadogan Hall review - polished and impeccable but slightly sedateThursday, 16 December 2021
The Sixteen are one of the jewels of the choral world. For over 40 years they have led the way in singing excellence and programming that brings together old and new. Read more... |
L’Enfance du Christ, Monteverdi Choir, ORR, Gardiner, St Martin-in-the-Fields review – clear-cut Christmas storyMonday, 13 December 2021
Time, place and performers gave this performance of Berlioz’s typically original “Sacred Trilogy” a special significance. Read more... |
Semenchuk, Skigin, Wigmore Hall review - compelling Tchaikovsky songsTuesday, 07 December 2021
This winter's evening spent at Wigmore Hall, completely immersed in performances of songs by Tchaikovsky, was a delight. Read more... |
MacMillan Christmas Oratorio, LPO, Elder, RFH review – a new star for the seasonMonday, 06 December 2021
The shadow of the cross falls over James MacMillan’s manger. You may come for his work’s consoling, even transporting, beauty and mystery. It’s there in abundance in his new Christmas Oratorio. Yet what may grip hardest are his passages of crashing dread and horror. For MacMillan, the incarnation in Bethlehem triggers a journey across human suffering that only redemption, through Christ’s crucifixion, can close. Read more... |
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