Classical Reviews
Never to Forget, Spitalfields Festival review – moving musical tributes to lost care and health workersFriday, 02 July 2021
During early lockdown in 2020 Howard Goodall published an article pondering the role of the composer in a pandemic. His answer was that music has throughout history been successful at memorialising people and events, and that it could do so again. Read more... |
Tenebrae, Short, Saffron Hall review - from dark shadows to bright heavensMonday, 28 June 2021
While the big choral societies are asking, with good cause, why they remain silenced when it’s OK for football fans to sing on the terraces, the top voices of smaller ensembles are being heard again by select audiences. Read more... |
Hallé, Berglund, Bridgewater Hall, Manchester review - taking Beethoven seriouslySaturday, 19 June 2021
Tabita Berglund is that rare species, an up-and-coming orchestral conductor attracting enough attention to secure repeated international bookings in even these straitened times. She also happens to be female and young, which until relatively recently would have been seen as another major handicap to success. Read more... |
Matthews, LPO, Ticciati, Glyndebourne review - out of this worldThursday, 17 June 2021
Why travel to Glyndebourne for a concert? Well, for a start, none of us has heard a Mahler symphony live in full orchestral garb for at least 15 months, and though the Fourth is smaller-scale than some, its innocent beginnings belie the cosmic adventures ahead. Read more... |
Uchida, Philharmonia, Salonen, RFH review - Bach to the futureFriday, 11 June 2021
In the beginning, 38 years ago, came a career-making Mahler Third Symphony for Esa-Pekka Salonen in his first concert with the Philharmonia. Reassembling that vast epic wouldn't be possible under present circumstances. Read more... |
Bostridge, CBSO, Seal, Symphony Hall Birmingham review - large and liveFriday, 11 June 2021
The City of Birmingham Symphony Orchestra believes that its current post-lockdown summer series features the largest orchestra currently performing live in the UK. It’s not an easy claim to verify, and the full string section certainly wasn’t on stage for this matinee performance under the orchestra’s associate conductor Michael Seal. Read more... |
Grosvenor, RSNO, Chan, Glasgow Royal Concert Hall online review - too big for the small screenTuesday, 08 June 2021
By chance, I started watching this streamed concert shortly after hearing a live BBC broadcast of the Philharmonia playing in front of an audience for the first time in over a year. Read more... |
Dark Days, Luminous Nights, Manchester Collective, The White Hotel, Salford review - a sense of HadesTuesday, 08 June 2021
Did you wonder what all those creative musicians and artists did when they couldn’t perform in public last winter? Some of them started making films. Read more... |
Bronfman, Philharmonia, Salonen, RFH review – celebration around C majorSaturday, 05 June 2021
One of the many things we’ll miss when Esa-Pekka Salonen moves on from his 13 years as the Philharmonia’s principal conductor will be his programming. For this first of his farewell concerts, he’s not only chosen what he loves but made sure it all fits. Read more... |
Gweneth Ann Rand, Simon Lepper, Wigmore Hall review - a richly hued collection of songsFriday, 04 June 2021
In the final concert marking the Wigmore Hall’s 120-year anniversary, soprano Gweneth Ann Rand and pianist Simon Lepper gave a programme of songs curated by Rand, titled "An Imperfect Tapestry". Read more... |
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