Classical Reviews
Birmingham Contemporary Music Group, CBSO Centre, BirminghamMonday, 14 March 2011
This latest BCMG concert had its pleasures; and it had its irritations. Among the pleasures was a pair of works, one of them newly commissioned, by the under-performed Japanese composer Jo Kondo. The irritations were of the BBC variety: long pauses between short works while technicians in headphones faffed around with microphones and music stands, in sovereign disregard for the convenience of a large paying audience.
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Biss, London Symphony Orchestra, Davis, BarbicanSunday, 13 March 2011
Sir Colin Davis's year has not been a happy one. There've been heart problems, cancellations and, during a performance of The Magic Flute at Covent Garden last month, a major fall. Last night at the Barbican Hall he faced a strenuous Beethoven programme, the Third Piano Concerto with Jonathan Biss and the Seventh Symphony, and a new work by Romanian Vlad Maistorovici. Would the 83-year old conductor have enough energy to inject proceedings with the required welly? There was as... Read more... |
London Sinfonietta, Adès, Queen Elizabeth HallFriday, 11 March 2011
Like so much fine music, Gerald Barry's new work began life as detritus. Feldman's Sixpenny Editions, which received its world premiere at the Queen Elizabeth Hall last night, are elaborations on the tacky little Edwardian jingles whose browning dog-eared scores are still to be found in music shops up and down the land selling in big plastic buckets for 5p. Read more... |
London Symphony Orchestra, Rattle, Barbican HallTuesday, 08 March 2011
Sir Simon Rattle's intriguing return to the London Symphony Orchestra podium after years away threw up a curious thought: what happens after Berlin? The fate of six of his eight predecessors at the Berlin Phil has been death on the job. Was last night a first step to finding another way out? Read more... |
Goldberg Variations, Fretwork, St George's BristolSaturday, 05 March 2011
There are few more beautiful sounds on this planet than a consort of viols well played. Like a quiet conversation overheard from across the room, it combines intimacy and secrecy, together with a kind of conspiratorial subtlety of feeling – intellect and passion fused but disguised. And the sound has a delicacy and refinement hardly matched in any music I know.
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Faust, BBC Symphony Orchestra, Yamada, Barbican HallFriday, 04 March 2011
It's rare for demanding though not, I think, unduly cynical orchestral musicians to wax unanimously lyrical about a new conducting kid on the block. But that's what happened at the 2009 Besançon International Conducting Competition when BBC Symphony players in residence placed their bets on the obvious winner, 30-year-old Kazuki Yamada. Read more... |
Players of the Royal Opera House Orchestra, Pappano, Cadogan HallSunday, 27 February 2011
What a versatile master is the Royal Opera’s resident dynamo Antonio Pappano. On Saturday night, he was in the Covent Garden pit getting big-band sounds and tender elegies from the whole orchestra in Turnage’s Anna Nicole. And here he was again, moving from a surprisingly fine score to a great one, the shadow-of-mortality approach to Chinese... Read more... |
Brian Ferneyhough Day, Barbican CentreSunday, 27 February 2011
Earlier this month something happened to me that's never happened before. Brian Ferneyhough's Sixth String Quartet roughed-up my critical faculties and left them for dead. I couldn't tell you what had happened, why, in what order, when. As it finished, small birds circled my head. So I entered Brian Ferneyhough Day yesterday at the Barbican as one would an egg-beater, knees a-knocking. Read more... |
Berlin Philharmonic Orchestra, Rattle, Royal Festival HallThursday, 24 February 2011
So the Berlin Phiharmonic’s high-profile five-day residency staked its ultimate curtain-calls on one of the most spiritual adagio-finales in the symphonic repertoire (most of the others, like this one to the Third Symphony, are by Mahler). We knew the masterful Sir Simon's micromanagement and the Berlin beauty of tone would look to the first five movements of the Third's world-embracing epic. But would the sixth flame, as it must, with pulsing inner light and strength of long-term line? Read more... |
Berlin Philharmonic Orchestra, Rattle, Barbican HallTuesday, 22 February 2011
Sir Simon Rattle's clever programming struck again last night, showing us that musical neoclassicism - for want of a better word, which would be something like neo-everything - didn't begin with Stravinsky, whose Apollo ballet is surely his most elevated set of gestures to the past. Read more... |
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