Classical Reviews
Christine Rice, Roger Vignoles, Wigmore HallSunday, 16 January 2011
The Sunday Afternoon Song Recitals are a wonderful Wigmore tradition. Filling in that tricky gap between lengthy weekend lunch and early school-night supper, they offer a chunky one-act programme, generous but without the fuss and faff of an interval. Balancing young talent with more established performers, the next few months see (among others) Emma Bell, Anna Grevelius and Isabel Bayrakdarian occupying this slot. Playing to the prevailing mood yesterday afternoon was repertoire from Gounod... Read more... |
Mainetti, Perianes, BBC Symphony Orchestra, Pons, BarbicanSaturday, 15 January 2011
This was a programme born for marketing cliché: banish the winter blues by bathing in Latin American/Iberian warmth. And it turned out to be true, by virtue of an unexpected watershed. How did the BBC Symphony strings manage to be first among the London orchestras to slip into something truly sensual, whether tangoing with an Argentinian bandoneónist - "A what?" you may ask, and I'll tell you shortly - or dancing malagueñas with a Spanish pianist? Read more... |
Iestyn Davies, Richard Egarr Wigmore HallThursday, 13 January 2011
Not a lot of swooning goes on at the Wigmore Hall. Nor does it seem the kind of institution to endorse rapturous wailing, beating of the breast, or the throwing of either flowers or underwear. All of which leaves one with the problem of how to respond appropriately to a concert such as last night’s by Richard Egarr and countertenor Iestyn Davies. Decorous applause doesn’t quite seem to cut it when faced with such a joyous abundance of talent, and I’d have endured any amount of plague and/or... Read more... |
BBC Symphony Orchestra, John Wilson, BarbicanMonday, 10 January 2011
Once upon a time, composers ran Hollywood. As conductor John Wilson reminded us last night, 44-time Oscar nominee and movie composer Alfred Newman became so powerful as second in command at MGM that he had two security guards posted at his office door. Any directors attempting to enquire how the score to their movies was getting along were told to clear off. Big, bold orchestral scores were Hollywood's crown jewels. At the Barbican last night we got a rare chance to inspect them close up....
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National Youth Orchestra/Kristjan Järvi, Leeds Town HallSunday, 09 January 2011
A glance at the programme hinted at the identity of the orchestra: you don’t perform Prokofiev’s Scythian Suite and Janáček’s Sinfonietta in the same evening unless you’ve industrial quantities of brass and percussion to spare. This was riveting, transcendent stuff, and the most uplifting evening I’ve spent in a concert hall for years. Plus, the echoing barn of Leeds Town Hall is the ideal size for a 170-piece orchestra, a perfect place to experience Janáček’s... Read more... |
Mozart Unwrapped, Aurora Orchestra, Collon, Kings PlaceThursday, 06 January 2011
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Winter Wassail, Gabrieli Consort & Players, Shakespeare's GlobeSaturday, 01 January 2011
Vienna has its New Year's Day concert, conducted this year with some style but not quite enough sensuousness by Franz Welser-Möst. London could do worse for a more modest equivalent than let the Wooden O play host to a well-spiced small package of carols, seasonal songs and readings from Chaucer's times to Thomas Hardy's. But sing and play it lustily, ye Gabrieli ladies and gentlemen, or not at all. And it's sad to report that the proceedings got off to a start as soggy as the winter's... Read more... |
King's Singers, Cadogan HallSunday, 19 December 2010
An awful lot of bad singing goes on in the name of Christmas. If it’s not the endless piped renditions of Slade and Cliff Richard, then it’s anaemic carol singers in every railway station and foyer. Each street corner becomes a concert hall (albeit one with exceptionally poor acoustics) and every passer-by an unwitting (not to say unwilling) audience member. Music becomes a commercial mood-board, a festive ear-worm to prompt charitable giving and personal spending in equal measure. How... Read more... |
Ogrintchouk, BBCSO, Bělohlávek, BarbicanFriday, 17 December 2010
Everywhere I looked I saw children, some burying their heads in their mothers' chests, some doodling on programme notes. One was dancing to Prokofiev's Sixth Symphony. Ambitious. Last night's BBC Symphony Orchestra concert had been given over to family listening. My first thought was why? Stravinsky's fun but dry Dumbarton Oaks is hardly suitable. And Prokofiev's Sixth is psychologically X-rated when done right. Sandwiched between these two works, however, was, superficially, a...
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Thomas Zehetmair, Wigmore HallFriday, 17 December 2010
Perhaps it was the effect of the elaborately mosaicked and marbled stage of the Wigmore Hall, but when a black-clad Thomas Zehetmair stepped out last night to occupy this space with just his violin and Bach for company, the image was incongruous. Even devotees of the hall will surely acknowledge the fussiness of its aesthetic appeal, the lingering visual excesses of a bygone age making it as unlikely a setting for Zehetmair’s deconstructed style as for the sharp architectural edges of Bach’s... Read more... |
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