Classical Reviews
Rites: 3D, CBSO, Volkov, Royal Festival HallMonday, 25 April 2011
Were the great Diaghilev alive today, surely he’d be working in the imaginative possibilities of electronic technology - this was the opinion given me by the arts panjandrum, the late Sir John Drummond. And given the developments of 3D, who knows? Would it be this manipulation of our perceptions that fascinated him? 3D is certainly everywhere in dance now, though the challenge is to leap the judgment of it as merely a gimmick. I reckon while Wim Wenders’ film Pina 3D achieved... Read more... |
Classical CDs Weekly: Haydn, Gershwin, Ciccolini, SheherazadeFriday, 22 April 2011
Today we’ve Easter-themed music from Haydn and a rare chance to hear some delectable Grieg played by an old master. A kitsch Russian classic is given a new slant, and two Italians have serious fun with Gershwin. Read more... |
Cage 99, St George's BristolTuesday, 19 April 2011
John Cage, the focus of an adventurous three-day mini-festival in Bristol, is possibly one of the most influential figures in 20th-century culture. As much a practical philosopher as a composer of note, he made artists, writers and musicians think about the nature of chance, our place in nature and the role of the subject in the creative process. Read more... |
Classical CDs Weekly: Berg, Bruckner, SpolianskyFriday, 15 April 2011
This weekend's classical highlights comprise an eloquent tribute to a 20th-century master, entertaining cabaret songs from Weimar-era Berlin and some sublime Bruckner choral music recorded by an Edinburgh choir. Read more... |
London Sinfonietta, Atherton, Queen Elizabeth HallFriday, 15 April 2011
The most interesting thing about Louis Andriessen's musical snapshot of the famous eroticist Anaïs Nin - being given its UK premiere at the Queen Elizabeth Hall last night - was that the scene on the chaise longue in which Nin (Cristina Zavalloni) simulates riding her father was nowhere near the most unsettling episode. |
Miloš Karadaglić, LPO Foyle Future Firsts, 100 ClubThursday, 14 April 2011
Bear with me while, like supergroomed rising star Miloš Karadaglić retuning his guitar to a mellower vein, I adjust my concert-hall vocab and describe this as a no-gimmicks sell-out gig underground with young musicians from the London Philharmonic’s Foyle Future Firsts scheme presenting two varied sets and Karadaglić headlining. And now I’ll just revert to old habits and declare the meat to be a slice of Classicism chromatically spiced (Mozart) and a 20th-century maverick pushing Neo-Baroque... Read more... |
Mahler Cycle, Philharmonia, Maazel, Bridgewater Hall, ManchesterMonday, 11 April 2011
However, to begin at the beginning – the First Symphony in D major, first performed in 1889 in Budapest, with the composer conducting. There’s a lot to be said for giving Manchester its scoop (naturally, we don’t regard it as a dress rehearsal for the Royal Festival Hall performance tonight). In any case, Manchester had its big Mahler feast last year, when the Halle and the BBC Philharmonic joined forces to celebrate the 150th anniversary of his birth. Read more... |
Unsuk Chin Day, BarbicanMonday, 11 April 2011
Some of the most exciting Western classical music being composed today comes from the Far East. Composers from Japan and South Korea - possibly because they find themselves in a different intellectual cycle to us in the West - seem to be able to do things we can't. The BBC Symphony Orchestra dedicated one of their Total Immersion series to Korean Unsuk Chin, an unconventional Modernist whose relationship to melody and storytelling is refreshingly unashamed, but who, on the evidence of the...
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St Matthew Passion, The Bach Choir, Royal Festival HallSunday, 10 April 2011
As Handel’s Messiah is to Christmas so the music of Bach is to Lent. Every Passiontide churches and concert halls are flooded with performances that include everything from dainty consort renderings of the St John Passion to choral societies delivering all but symphonic St Matthew Passions. Mightiest of all, however, is The Bach Choir’s annual concert. Performed on Palm Sunday to a reliably sold-out Royal Festival Hall, it’s a fixture of over 80 years' standing and... Read more... |
Daniel Barenboim, Tate ModernSaturday, 09 April 2011
It had all the hallmarks of being an almighty car crash of an event. Barenboim? Chopin? Turbine Hall? You might as well have dumped the piano at the bottom of the Pacific Ocean. Actually, acoustically, it wasn't quite that bad. It sounded as if Barenboim was playing next door. Next door in France, that is. Or Germany.
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