sun 21/09/2025

Classical Reviews

BBC Proms: Missa Solemnis, London Symphony Orchestra, Davis

alexandra Coghlan

While revered and respected, Beethoven’s Missa Solemnis has never inspired audiences with the same affection as Bach’s B minor Mass, Haydn’s Nelson Mass, or even Mozart’s Coronation or C minor settings. Perhaps it’s the austerity, the monumentality of the work Beethoven knew to be his greatest that rejects the easy assimilation into secular concert life, perhaps it’s more simply the lack of big tunes to wash down all that liturgy. Furtwängler famously drew back from the work’s sacred...

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BBC Proms: Clein, Britten Sinfonia, BBC Singers, Hill

alexandra Coghlan Sofia Gubaidulina: a composer whose 'mistaken path' is as colourful as it is complex

Dominated by a focus on contemporary music, this year’s Proms’ Saturday Matinees have also developed something of a heavenward glance as the series has progressed. Last weekend it was the Christian mysticism of Hildegard of Bingen at the fore, with Britten’s Sacred and Profane providing a slippery foothold in the earthly. Yesterday we cast off worldly shackles entirely, gazing beyond the limits of our own humanity in the musical visions of Tippett, Tavener and Sofia Gubaidulina.

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BBC Proms: Lazić, Budapest Festival Orchestra, Fischer/ Audience Choice Prom

Igor Toronyi-Lalic

"Don't expect polish," announced Ivan Fischer apologetically. "Things vill go rrrong. We may start pieces again." The tuba had been turned into a tombola. The percussionists were playing their buttocks. Someone else was blowing a Hungarian didgeridoo. A certain amount of madness was expected from the second Prom, an experimental Audience Choice concert. But the Mahler One of the first Prom? Who knew that that would be equally if not even more outrageous.

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Damrau, De Maistre, Queen's Hall/ Aimard, Bamberg SO, Nott, Usher Hall, Edinburgh

David Nice

What do visiting German performers add to the Edinburgh International Festival's Auld (Scotland-France) Alliance thread? Simple: when they communicate as superbly as soprano Diana Damrau and Jonathan Nott's Bambergers, the music-making works at the highest level.

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Classical CDs Weekly: Brahms, Desyatnikov, Glière, Tchaikovsky

graham Rickson Russian composer Leonid Desyatnikov: 'I have in mind only beauty and harmony of proportions'

We head east this week - new pieces by a contemporary Russian composer, and a bargain box set showcasing the flamboyant orchestral music of a neglected Russian. And a famous viola player leads a young Moscow orchestra in electrifying accounts of Brahms and Tchaikovsky.

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BBC Proms: Shaham, Israel Philharmonic Orchestra, Mehta

Igor Toronyi-Lalic

Police. Placards. Protests. And bag checks. It meant only one thing. Jews were performing at the Proms. Here we were in the Royal Albert Hall in London in 2011 witnessing a stage of musicians being barracked and abused for having the gall to be Jewish. Last year, four more Jewish musicians, the Jerusalem Quartet, had the cheek to perform and broadcast a recital at the Wigmore Hall. They were again heckled and hounded off air.

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BBC Proms: Ma, BBCSO, Robertson

alexandra Coghlan Yo-Yo Ma: the consummate performer, bringing virtuosity to absolute simplicity

Over the past six weeks of the Proms the BBC’s hard-working Symphony Orchestra has performed everything from Britten to Brahms, Verdi to Volans. Their Mahler with Ed Gardner was an operatic epic, their...

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BBC Proms: Fray, Netherlands Radio Philharmonic Orchestra, Van Zweden

Igor Toronyi-Lalic David Fray: he looks the part and he has the hands

David Fray certainly has the locks to be a piano virtuoso (eat your heart out, Franzi). And he has the looks, the troubled brow, the pallor and a suitably eccentric manner (the Glenn Gould hunch and hum came out for all the runs). But does he have the hands?

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BBC Proms: Hooray for Hollywood, John Wilson Orchestra, Wilson

Igor Toronyi-Lalic

Hooray for Hollywood! The title of last night's Prom didn't officially have an exclamation mark. But if any concert deserved a screamer, it was this one. A delirious mutual enthusiasm pinged back and forth from stage to audience all night as the slick John Wilson Orchestra and its eponymous chief (with excellent vocal support) romped through the highways and byways of the golden age of the American musical.

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BBC Proms: Elijah, Gabrieli Consort & Players, McCreesh

Igor Toronyi-Lalic

Mendelssohn loved looking back. And nowhere more so than in his blockbuster oratorio, Elijah. But what was most striking about last night's monumental performance at the Proms was how much he was also clearly looking forward and outward, and how feeble an appellation oratorio seemed to be for what we were witnessing. We were being bombarded with pre-echoes of the adventure-laden Hollywood epics of the 1950s.

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