Classical Reviews
Maurizio Pollini, Royal Festival HallSaturday, 29 January 2011
Take one venerated living pianist and one venerated epic of the piano canon and what do you get? Two and a half hours of the most inert pianism imaginable.
|
Christine Brewer, Wigmore HallFriday, 28 January 2011
Christine Brewer singing American song – it’s like Judi Dench in Shakespeare, or an Aaron Sorkin screenplay: it just doesn’t get any better. Forcing the restrained acoustic of the Wigmore to ring as though it were St Paul’s, and persuading a white-haired Friday-night crowd to whoop and clap between numbers until cut off by the next piano introduction, it’s hard to say whether Brewer’s voice or personality carries greater weight. Every bit the equal of the “glad, great-throated nightingale”... Read more... |
Los Angeles Philharmonic, Dudamel, Barbican HallFriday, 28 January 2011
There had been murmurings that his star had dimmed. That Gustavo Dudamel's partnership with the Los Angeles Philharmonic (greeted with such fanfare in 2009) had yet to set the West Coast on fire. Had this Icarus flown too high? Would their debut visit to the Barbican last night resemble Breughel's fall, Latino legs flailing in an orchestral sea? Not a bit of it. Read more... |
Bronfman, Philharmonia, Salonen, Royal Festival HallFriday, 28 January 2011
"You have to start somewhere," remarked Debussy drily at the 1910 premiere of young Stravinsky's Firebird ballet. Even so, that was far more of a somewhere than the ultra-nationalistic Hungarian tone poem Kossuth, first major orchestral flourish of Béla Bartók, the Russian's senior by one year. In choosing it to launch Infernal Dance, the Philharmonia's 2011 celebration not of Stravinsky (as the title weirdly implies) but Bartók, principal conductor Esa-Pekka... Read more... |
Steven Isserlis, Academy of Ancient Music, Wigmore HallThursday, 27 January 2011
No self-mutilation or incest, but plenty of daddy issues at the Wigmore Hall last night in a musical glance through the Bach family album. Carefully keeping Johann Sebastian out of the way (presumably lest he show everyone else up and spoil the fun), Richard Egarr guided us through the work of his four composer sons. Spread across Europe from London to Hamburg and Bologna, the differing influences, fashions and character of each becomes quickly evident. Just a shame that – even in his... Read more... |
Markovich, LPO, Jurowski, Royal Festival HallWednesday, 26 January 2011
The great thing about the paucity of Mahler compositions is that, when anniversary time comes, his late-Romantic buddies get to join in. And some of them, like Alexander Zemlinsky in his ravishing Lyric Symphony - being given a rare outing by the London Philharmonic Orchestra last night - sometimes seem to be better at Mahler than Mahler. Read more... |
LPO, Nézet-Séguin, Royal Festival HallSunday, 23 January 2011
A programme of French music under the baton of the LPO’s talented young principal guest conductor Yannick Nézet-Séguin should be a treat. Nézet-Séguin’s affinity for French textures and gestures has already been amply proved, as has the orchestra’s own aptitude for them, yet whatever was happening to the Fauré Requiem last night at the Royal Festival Hall was neither polished nor delightful. To attribute it simply to a bad day might be the kindest thing, but when you take into account the... Read more... |
Army of Generals, Hazlewood, St George's BristolSaturday, 22 January 2011
An “Army of Generals” suggests a kind of supergroup, a fighting force made up of leaders rather than followers. If Charles Hazlewood’s band, which has just started a residency at Bristol’s St George's, is such a host, then he presumably is the Generalissimo, primus inter pares, whose mastery is exercised with a showman's display of almost innocent ego. Read more... |
Juan Diego Flórez, Royal Festival HallThursday, 20 January 2011
We’ve all seen singers go wrong. Forgetting words, missing entries, skipping verses – it happens often enough, and is generally cause for little more than some awkward laughter and a second attempt. Never, however, have I seen a wrong entry (as ill-luck would decree, in the only sacred work of the programme) greeted with a resonant expostulation of “Oh, shit” from the performer, followed by minor audience uproar and many apologies. It wasn’t the finest moment of the evening for Juan Diego... Read more... |
BBC Diverse Orchestras 2011: The Music of North Africa, The TabernacleThursday, 20 January 2011
Now I know why the BBC Symphony Orchestra slunk so easily into Piazzolla tango mode last Friday: they'd danced it under Latin American instruction four years ago. It's all part of their education department's annual Diverse Orchestras week, where performers from another culture come to open the players'... Read more... |
Pages
inside classical music
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Ballet Shoes, Olivier Theatre review - reimagined classic wi...
Those with treasured battered copies of Noel Streatfield’s 1936 story of three young adopted sisters in pre-war London may have...
Christmas with Connaught Brass, Milton Court review - deligh...
Connaught Brass is a quintet of twenty-something...
Cinderella, Royal Ballet review - inspiring dancing, but not...
Romeo and Juliet or Cinderella? Prokofiev’s two great scores have provided the Royal Ballet with a pair of popular...
Nocturnes review - the sounds of the rainforest transport yo...
If you suffer from lepidopterophobia, this film will either cure your fear of moths or push you over the edge. Warning: the screen is often...
Julia Holter, Islington Assembly Hall review - shelter from...
On a wet, dreary, winter evening in north London, at Islington Assembly Hall, a crowd gathered for an ethereal although not always engaging set by...
Music Reissues Weekly: John Leyton - Lone Rider The Holloway...
For John Leyton, it was third time lucky as far as his singles were concerned. The actor’s manager Robert Stigwood teamed him with producer Joe...
theartsdesk Q&A: filmmakers Guy Maddin, Evan and Galen J...
Somewhere in Germany, G7 conference leaders including German Chancellor Ortmann (Cate Blanchett) and US President Wolcott (Charles Dance) repair...
Merchant Ivory review - fascinating documentary about the di...
“Shoot, Jim, shooot!” Simon Callow does a fine impression of producer Ismail Merchant desperately trying to get director James Ivory to...
The Pirates of Penzance, English National Opera review - fre...
“Comedy is a serious thing,” quoth David Garrick. Gilbert and Sullivan knew it, and so does Mike Leigh, having bequeathed to ENO a clear and...