Classical Reviews
Britten War Requiem, London Symphony Orchestra, Noseda, Barbican HallMonday, 10 October 2011
Nearly 50 years have passed since Britten’s War Requiem premiered at the consecration of the reconstructed Coventry Cathedral in May 1962. The intervening years have seen British military campaigns in the Falklands, Iraq, Afghanistan and Libya, and while the process and practice of war has changed beyond recognition, the horror that the pacifist Britten perceived so acutely remains the same. Read more... |
Rostropovich: The Genius of the Cello, BBC FourSaturday, 08 October 2011
How can even a generously proportioned documentary do justice to one of the musical world’s greatest life forces? John Bridcut knows what to do: make sure all your interviewees have a close personal association with your chosen giant in one of his many spheres of influence, then get cellist-disciples from Rostropovich’s Class 19 in the Moscow Conservatoire – here Moray Welsh, Natalia Gutman, Karine Georgian and Elizabeth Wilson - to watch and listen to their mentor talking and playing. Read more... |
Olga Borodina, Dmitri Yefimov, Barbican HallSaturday, 08 October 2011
In Italian opera, where lustrous Verdi mezzos are rare indeed, Olga Borodina tends to a first-the-music-then-the-words approach. In Russian song, the sole focus of last night's Barbican recital until the second encore, her classy, naturally inflected and beautifully coloured realisation of great as well as more generic native poets leaves you in no doubt what you're supposed to feel and think. Read more... |
Pierre Boulez Weekend, Southbank CentreMonday, 03 October 2011
William Glock once claimed that Pierre Boulez could literally vomit at music he believed to be substandard. I wonder what he would have made of my friend, who fled at the interval of the opening concert of the Southbank festival on Friday blaming Boulez's Domaines for setting off a panic attack. Read more... |
Classical CDs Weekly: Tchaikovsky, Shostakovich, Weir, Lockenhaus FestivalSaturday, 01 October 2011
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Coote, Vinke, Philharmonia, Maazel, Royal Festival HallFriday, 30 September 2011
It was bound, in vocal terms, to be a case of Beauty and the Beast. Stefan Vinke, though useful for killer heroic-tenor parts like this one in Mahler’s Song of the Earth, has made some of the ugliest sounds I’ve heard over the past few seasons, ineffable mezzo Alice Coote many of the loveliest, and with great communication, too. Read more... |
Mahler 2, BBCPO, Mena, Bridgewater Hall, ManchesterSunday, 25 September 2011
After producing an overwhelming performance of Mahler’s colossal Second Symphony, rewarded by a 10-minute standing ovation from a packed house, the new chief conductor of the BBC Philharmonic could not be accused of easing himself into the job. One might have thought that Juanjo Mena (pronounced Huanho Mayna, being Basque) might have started off with a splash of Spanish colour, with Rodrigo and De Falla, which must be in his blood. But no, although that will come in his next concert. Read more... |
Classical CDs Weekly: Bach, Varèse, GiuliniSaturday, 24 September 2011
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Schubert Recital 2, Christian Gerhaher, Gerold Huber, Wigmore HallFriday, 23 September 2011
Some great singers know how to modulate their beautiful instruments for long vocal life; others push technique and expression to the limits in countless concerts of a lifetime before burnout. Baritone Christian Gerhaher, it seems, belongs to the beautiful and the secure. Read more... |
Leiferkus, LPO, Jurowski, Royal Festival HallThursday, 22 September 2011
How odd that Musorgsky, a composer sanctified beyond his very individual deserts for making social statements in his art, should be feted by an orchestra, or rather an orchestral management, which says music and politics don't mix. Read more... |
Tchaikovsky: Piano Trio in A minor; Shostakovich: Piano Trio in E minor David Trio (Stradivarius)
Bach: The Well-Tempered Clavier, Books 1 and 2 Roger Woodward - piano (Celestial Harmonies)Pages
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