wed 24/09/2025

Classical Reviews

Classical CDs Weekly: Meister, Prokofiev, Uri Caine & Jenny Lin

graham Rickson


Johann Friedrich Meister: Il giardino del piacere Ensemble Diderot/Johannes Pramsohler (dir. and baroque violin) (Audax Records)

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Edinburgh Festival: Bartoli, Barry Humphries, Deep Time

David Kettle

The big yellow banners proclaiming "Welcome, world" are out. And judging by the seething, heaving crowds, a fair portion of the world has indeed descended on Edinburgh, where the annual August festivals season has now been up and running for just shy of a week.

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Proms at...Cadogan Hall: Hardenberger, Gruber, ASMF

David Nice

Superior light music with a sting, done at the highest level: what could be better for a summer lunchtime in the light and airy Cadogan Hall? Our curator was that most collegial of top soloists, trumpeter Håkan Hardenberger. He'd invited colleagues of many nations, all of them first rate, but it was almost a given that chansonnier-composer HK Gruber would steal the show.

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Prom 29: NYO, Gardner/Prom 30: Kolesnikov, NYOS, Volkov

David Nice

If the BBC were to plan a Proms season exclusively devoted to youth orchestras and ensembles, many of us would be delighted. Standards are now at professional level right across the board.

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theartsdesk at the Verbier Festival 2016

Peter Quantrill

Idyllic setting, star-rated musicians, the sense of an occasion. Verbier so wholly fulfils the clichés of an international music festival that to the cynical it can seem complacent or arrogant in doing so. To the uninitiated – and this was my first visit to the Monaco of the Mountains – there is more than a sprinkling of magic about the sheer implausibility of the place.

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Prom 27: Kuusisto, BBCSSO, Dausgaard

alexandra Coghlan

Concert halls, as Gregg Wallace might observe if he ever went to one, don’t come much bigger than the Royal Albert Hall, nor violin concertos than the Tchaikovsky. Faced with this awesome combination, the temptation for a soloist is to play up to the occasion. Volume gets louder, vibrato faster, emotions are amped. But not for Pekka Kuusisto.

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Classical CDs Weekly: Butterworth, Liszt, Nielsen

graham Rickson


Butterworth: Orchestral Works BBC National Orchestra of Wales/Kriss Russman, with James Rutherford (baritone) (BIS)

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Prom 21: Leleux, Aurora Orchestra, Collon

Bernard Hughes

The Aurora Orchestra’s gimmick at Prom 21 was the same as in the last two seasons: playing a major classical symphony from memory. This was touted as an “astonishing feat” by the concert’s on-stage presenter Tom Service but, although unusual, is it really that extraordinary? When I go to the opera I am not moved to congratulate the singers on performing without music.

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Prom 20: Roméo et Juliette, Monteverdi Choir, NYCoS, ORR, Gardiner

David Nice

Like Prokofiev in his full-length ballet a century later, Berlioz seems to have been inspired by Shakespeare's Romeo and Juliet to bring forth his most compendious score. John Eliot Gardiner, who knows and loves every bar of light and shade in this great Berlioz kaleidoscope, offered even more of it than usual at last night's Prom.

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Prom 18: Mahler's Third Symphony, LSO, Haitink

David Nice

Few 87-year-olds would have the stamina to conduct over 100 minutes of Mahler. Bernard Haitink, though, has always kept a steady, unruffled hand on the interpretative tiller, and if his way with the longest of all the symphonies, the Third, hasn't changed that much since his first recording made half a century ago with his Concertgebouw Orchestra, there's still reassurance in the sheer beauty of the music-making.

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