mon 09/06/2025

tv

An Audience With Barry Manilow, ITV1

Kieron Tyler

This wasn’t going to offer any surprises. Bernadette Nolan, Lulu and Stacey Solomon would deliver the questions they’d rehearsed. Manilow would respond, then deliver the relevant song. He’s a charmer, and you’d have to be made of lead not to be lifted by some of his songs. But he didn’t need this audience and format. The interaction added nothing. His fantasticness doesn't need restating.

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Hidden, Series Finale, BBC One/ The Slap, BBC Four

Adam Sweeting

Many commentators have professed bafflement at the tangled layers of Hidden, as it probed into a sick and murky past while apparently dead characters came back to haunt the present. Right to the end, writer Ronan Bennett kept his cards carefully concealed, so we still don't know who was really behind the sinister "Helpdesk" and its slick dial-a-killer operating system.

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Frozen Planet, BBC One

Jasper Rees

It’s been suggested that, come the revolution, the best possible of outcomes to the question of who shall be Head of State is the man off the goggle box who for innumerable aeons has been telling us about the birds and the bees, the silverbacks and the dung beetles, the fishes and the flytraps. But could we not, on reflection, do a bit better than that? If God does exist he is surely the spit of David Attenborough.

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Death in Paradise, BBC One

Adam Sweeting

You'd think a lengthy shoot on the Caribbean island of Guadeloupe would be any actor's dream, but apparently Ben Miller found making Death in Paradise too hot and uncomfortable. That means he's perfectly cast as DI Richard Poole, a detective from the Metropolitan Police sent (as the drama would have it) to Saint-Marie, a fictional small island near Guadeloupe, to investigate the murder of a fellow British cop, Charlie Hulme.

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I Never Tell Anybody Anything: The Life and Art of Edward Burra, BBC Four

howard Male

What a relief: Andrew Graham-Dixon got the job of presenting this documentary on one of my favourite British 20th-century artists. If it had been Waldemar Januszczak (sometimes interesting but too gimmick-laden and shouty) or Matthew Collings (sometimes interesting but too fond of the catchy sweeping statement) I would have thought twice about tuning in. But Graham-Dixon understands that the art documentary is not about him, it’s about the artist.

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Spooks, Series 10 Finale, BBC One

Adam Sweeting

And now we faced the final curtain. Spooks responded with an inspired burst of hyperactivity and plots-within-plots, and even a micro-cameo from Matthew Macfadyen as Tom Quinn, the original head of Section D. Up to now this hadn't been the finest of seasons, partly because the death of Richard Armitage's Lucas North at the end of Series 9 left a void which was never successfully filled.

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The Walking Dead, Series 2, FX

Adam Sweeting

At the end of the first series, we left our bedraggled band of survivors in Atlanta, their expectations dashed that they might be able to find some glimmer of hope at the Center for Disease Control. Instead, all they'd discovered was a lone, slightly deranged scientist who had failed to find a cure for the zombie plague. Then the generators ran out of fuel, fail-safe devices kicked in and the CDC blew up.

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Holy Flying Circus, BBC Four

Adam Sweeting

Reading the pre-transmission blurb, you might have formed the impression that Holy Flying Circus was going to offer new insights into the controversy that erupted around Monty Python's supposedly blasphemous Life of Brian movie when it was released in 1979. Instead, its 90 minutes were a thin gruel of flabby fantasy and caricature.

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This World: Spain's Stolen Babies, BBC Two

Fisun Güner

The scale of the operation was hard to take in, as was the extent of the cover-up. Between 1940 and 1990, it’s estimated that up to 30,000 babies were trafficked in Spain. It started under the military dictatorship of Franco, but it ended long after its fall, though why the sudden cut-off was given as 1990 we never learned.

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Origins of Us: Bones, BBC Two

Josh Spero

I was possibly not the right person to review this programme. I didn't do biology beyond GCSE, can't bear David Attenborough's Natural World programmes and laugh anytime someone says "homo erectus". Nevertheless, Alice Roberts, an anatomist and a woman who clearly knows all the words to "Dry Bones", made Origins of Us on BBC Two last night subtly enthralling, even if it did suffer from a certain amount of documentaryese.

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