mon 09/06/2025

tv

London's Burning, Channel 4

Adam Sweeting

What finer way to nudge us gently towards the forthcoming festivities and celebrate the season of goodwill than by creating a lurid reconstruction of the riots that scorched through London last summer. London's Burning was assembled principally from news footage of the events, which you'll recall was copious and shockingly vivid, while interspersing it with dramatic re-enactments of people's real-life experiences in Clapham. Quite what it was trying to tell us I'm not sure.

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Imagine: The Art of Stand-up, BBC One

Veronica Lee

What makes something funny? Why do comics stand on stage in front of strangers and try to make them laugh? Is any subject beyond a joke? What is the purpose of Alan Yentob? Those questions – OK, only the first three – were raised by Imagine's presenter in this, the first of a two-parter about the art of stand-up.

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Young James Herriot, BBC One

Jasper Rees

You can see why prequels come into being. A dramatic character becomes a national treasure and eventually, once old age or worse removes them from the small screen, they are opportunistically exhumed by means of the backstory. Young Delboy was brought back to life in Rock and Chips. Young Morse is expected to be solving murders soon.

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Masterchef: The Professionals, BBC Two

Ismene Brown

There are all sorts of reality shows, but the best ones really do strip people bare. It’s the reason why The X Factor is more interesting than Strictly Come Dancing, why Don’t Tell the Bride is more revealing of the gamble of love than Snog, Marry, Avoid? It’s the reason why Masterchef: The Professionals is more gripping than the estimable Great British Bake-Off.

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The Slap, BBC Four

howard Male

While the rest of the country has been busy discussing the knitwear of Denmark’s answer to DCI Jane Tennison, I found myself bereft of anyone to share my unbridled enthusiasm for this Australian adaptation of Christos Tsiolkas’s novel The Slap. Even at the virtual watercooler of Facebook, only one person gave me a thumbs up when I wrote a paragraph on its excellence.

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Steve Jobs: Billion Dollar Hippy, BBC Two

Jasper Rees

He would not hesitate to wake up employees at all hours to yak about ideas. He could fire an underling in the seconds it took for the elevator to ferry him to or from his fourth-floor office. He shouted, like, a lot, even at Bill Gates. Especially at Bill Gates.

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Imagine: Books – the Last Chapter? BBC One

Kieron Tyler

“Will the app clicker replace the page turner?” asked Alan Yentob’s state-of-play rumination on the book. It’s a cutely phrased question and, as everyone reading this will be familiar with the digital world – this is theartsdesk, after all – a fair one. Will zeroes and ones make the book redundant, a sort of totem, or will it adapt, taking on the new forms presented by the digital world?

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I Had the X Factor... 25 Years Ago, BBC Two

Adam Sweeting

This was the television equivalent of the slaves in ancient Rome, who used to run alongside their imperial masters whispering in their ear, "Remember, you are mortal." Long before the tantrums, bombast and megalomania of The X Factor, there was New Faces, ITV's Birmingham-based talent show.

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The X Factor: The Final, ITV1 - The Result

joe Muggs

And we're done. As you'd expect for a grand final, everything was pumped up yet further. A guest spot by Coldplay came over like a Nazi rally styled by kindergarten teachers who once took an E, all rainbow squiggles and brain-obliterating strobes. The fact that the TV sound mix revealed Chris Martin's vocal weaknesses and the flimsiness of the songs beneath the band's bombast couldn't ruin the gloriously dumb spectacle.

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The X Factor: The Final, ITV1

joe Muggs

Well, there we go. Another series of The X Factor about to splutter and crunch to a halt.

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