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The Nation's Favourite Bee Gees Song, ITV1

Kieron Tyler Saturday, 10 December 2011

“They’re some of the greatest pop songs ever written,” declares Sir Elton John. He’s right. The Bee Gees – Barry, Maurice and Robin Gibb – are responsible for songs that will live forever, songs that are part of successive generation’s cultural furniture. Yet although the title was The Nation’s Favourite Bee Gees Song, the question asked on the ITV website was: “Just what is the greatest Bee Gees song ever?” Favourite and greatest aren’t the same thing.

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Without You, ITV1

Adam Sweeting Friday, 09 December 2011

It's your worst nightmare. Two WPCs appear at your door and inform you that your husband has been killed in a road accident. It doesn't help that the one doing the talking looks like the uglier sister of Macbeth's witches. Then they twist the knife by telling you that there was an unknown woman in the passenger seat, now also dead.

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Imagine: The Lost Music of Rajasthan, BBC One

Peter Culshaw Wednesday, 07 December 2011

That Alan Yentob gets around. I’ve run into him backstage during Jay Z's set at Glastonbury and in a jazz club in Poland, and here we found him in Rajasthan fronting a fascinating and well-shot programme, albeit workmanlike rather than really inspired, mostly set in one of the richest traditional music areas of India.

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Black Mirror, Channel 4

Veronica Lee Monday, 05 December 2011

It was several minutes into The National Anthem, Charlie Brooker's latest dramatic output on Channel 4 after his excellent 2008 mini-series Dead Set, a zombie-laden satire about reality television, before I laughed. I say that not as a criticism – far from from it – but as a huge compliment.

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America in Pictures: The Story of Life Magazine, BBC Four

Adam Sweeting Friday, 02 December 2011

Before the internet and the Kindle were invented, generations of Americans saw their lives refracted through the pages of Life magazine. In particular, through its photography, since writers at Life were largely relegated to supplying glorified picture captions. They were also allowed to carry the photographers' equipment.

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Charlie's Angels, E4

Jasper Rees Thursday, 01 December 2011

Those of a certain age have certain memories (very certain) of Farrah Fawcett-Majors, wife of the Bionic Man and not exactly unbionic herself, especially in that poster of her in the red one-piece with Seventies enormohair and fluorescent American Dream gnashers. There were a couple of others in Charlie’s Angels. One forgets their names, and indeed faces.

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Money: Who Wants To Be a Millionaire? BBC Two

Kieron Tyler Wednesday, 30 November 2011

It’s not long until we’re told, “There is enough money in the world to make everyone in the world a millionaire.” And if everyone was? Utopia and freedom might not be inevitable. Inexorable price rises would restore some sort of balance. Or a crash might follow. But as this extraordinary look into what’s been inspired by the American money motivators who’ve washed up on our shores showed: logic, be damned.

Digging the Great Escape, Channel 4

Adam Sweeting Tuesday, 29 November 2011

The archaeological documentary is becoming the obligatory format for tackling legendary tales of the British at war. Someone seems to recreate the Dam Busters raid every six months, the wrecks of battleships HMS Hood and the Bismarck have been tracked down in the ocean depths, and Time Team have excavated various subterranean artefacts from the Western Front.

Living With the Amish, Channel 4

Jasper Rees Friday, 25 November 2011

The life-swap doc comes in sundry guises. Emissaries of simpler cultures visit our broiling cities to gawp at streets swimming in fresh spew and rivers of piss every Saturday night. Alternatively our lot pop off to places where people shit in holes and praise the Lord. Whichever way the story gets sliced, it’s always about the same thing: holding up a mirror to ourselves and not tending to like the view.

Searching For Summertime, BBC Four

howard Male Thursday, 24 November 2011

It’s a song which hangs in the air like pollen or reefer smoke, before gradually rising like a never-to-be-answered prayer. It began life as a lullaby but grew up to be a protest song, a scream of existential angst and even a purred invitation to sex.