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Downton Abbey, Series 2, ITV1

Jasper Rees Monday, 19 September 2011

And now for that difficult second album. Downton Abbey’s stately progress last autumn revived in television audiences a taste thought long dead: for populist drama offering a sepia-tinted vision of the English class system in which the well-to-do are dressed for dinner by bowing/curtsying feudal underlings. With social mobility back roughly where it was a century ago. it could almost have been a snapshot of modern UK plc.

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Misfits: Vegas Baby!, 4oD

ASH Smyth Thursday, 15 September 2011

Question. How do you kill off a TV character whom, just a few episodes ago, you and your fellow scriptwriters went out of your way to render immortal? How… and why?

Timeshift: The Picture Postcard World of Nigel Walmsley, BBC Four

Kieron Tyler Thursday, 15 September 2011

Declaring that “everything in the world exists to end up on a postcard” is pretty courageous. But after watching the charming, gently funny Picture Postcard World of Nigel Walmsley you begin thinking that maybe, just maybe, everything was created to be depicted on a piece of card destined to be sent through the post. Holiday camps, motorways, hills, walls - all were created to become images printed on the postcards collected by deltiologists like Ronnie Barker and Michael Winner.

The Body Farm, BBC One

Jasper Rees Tuesday, 13 September 2011

One didn’t keep a detailed log on the state of decomposition of each and every corpse in all umpteen series of Waking the Dead. Being cold cases, they were none of them too presentable. But did any make quite such a mess as ep one of The Body Farm, which took care to begin last night with a bang? To be more forensic, an explosion distributed blood and gristle evenly around a high-rise flat, leaving not much in the way of too too solid flesh.

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Little England, ITV1

howard Male Monday, 12 September 2011

Why did I dislike this programme so much? At first I put it down to the stinker of a hangover I found myself watching it through. Perhaps it was the thought that my hangover would have been easier to bear under a yolk-yellow Dordogne sun than under a glowering grey London sky, and therefore the British couples featured here who’ve made just that move caused a twinge of jealousy.

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The Children of 9/11, Channel 4

ASH Smyth Monday, 12 September 2011

Over the course of the past weekend, not to mention over the last 10 years, it has been said often enough that there are no words to express the horror of 11 September, 2001. This hasn’t stopped people from trying, of course – and sometimes with commendable results. But basically there just isn’t much effective vocabulary when it comes to describing grief and torment on a grand scale: hence, perhaps, America’s seeming lack of closure regarding the whole episode, and the often slightly...

The Story of Film: An Odyssey, More 4

Tom Birchenough Saturday, 10 September 2011

After the first two parts of Mark Cousins’s magisterial The Story of Film: An Odyssey, I’m still in two minds as to whether it’s fair to call the presenter a generalist. He has already managed to piece together details from the cinema cultures of almost every film-making nation on earth with the authority of a specialist – and that’s before his narrative has formally progressed beyond the arrival of the talkies, let alone colour.

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QI, BBC Two

ASH Smyth Saturday, 10 September 2011

A couple of summers back, I spent an entire term with an idling history teacher who watched, in his many, many free periods, the entire back catalogue of QI on his laptop. And gave us running updates. Much as we mocked him for his pseudo-intellectual thumb-twiddling, in a staff room full of chat about timetables, syllabuses and the iniquities of the tuck shop, the regular injection of dorky trivia – and the entrenched and bitter arguments it provoked – was very welcome.

Horizon: Are You Good or Evil?, BBC Two

howard Male Wednesday, 07 September 2011

Scientists, eh? You can’t live with them and you can’t live without them: they cure life-threatening diseases and they threaten life with ever more powerful weapons. And in the instance of this documentary, they state the bloody obvious and then go to elaborate lengths to prove that their statements of the bloody obvious are objectively correct.

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How Facebook Changed the World: The Arab Spring, BBC Two

ASH Smyth Tuesday, 06 September 2011

It seems unlikely that the founding fathers of social media had in mind a revolution of any greater magnitude than turning your teenager’s bedroom walls inside out and making themselves rich in the process. Still, here we are, less than a decade later, reeling from a series of very literal revolutions which have, over the past nine months, upheaved a vast tract of the Arab world and recalibrated the definition of people power.