wed 21/05/2025

tv

Sherlock: The Abominable Bride, BBC One

Adam Sweeting

Since Benedict Cumberbatch is now one of the world's most in-demand actors, and his sidekick Martin Freeman isn't doing too badly either, getting them on a set together is like trying to get Simon & Garfunkel to do a reunion. Hence Sherlock fans now have just this one-off New Year special to slake their Cumberlust.

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Best (and Worst) of 2015: Television

theartsdesk

It's hard to disagree with Matthew Wright, in his brisk analysis of the shortcomings of British crime drama (see below). He notes how flashes of inspiration are smothered by skimpy budgets and the timidity of commissioning editors. The disastrous anti-climax of London Spy was a classic example. A British Sopranos seems further away than ever.

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And Then There Were None, BBC One

David Nice

None, or two? Only the tiniest whiff of spoiler is involved in pointing out that while the stage version, or at least the one I saw with an actor friend playing an early victim, settled for a semi-happy ending, this magnificently brooding adaptation in three parts – just the right length, surely – dooms us to ultimate discomfort, as an especially merciless Agatha Christie intended.

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Michael Palin’s Quest for Artemisia, BBC Four

Marina Vaizey

For his latest journey Michael Palin, actor, writer, novelist, comedian, Python, traveller, has gone beyond geography in search of the visual arts with his characteristic enthusiasm, eclectic curiosity, and sense of discovery.

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Harry Price: Ghost Hunter, ITV / Homeland, Series 5 Finale

Adam Sweeting

Earlier this year, Sky Living showed The Enfield Haunting, a tale of eerie events in a 1970s council house. One of its stars was Timothy Spall, playing a paranormal researcher. Maybe he had a premonition that his son Rafe would carry on the family's supernatural tradition in the leading role of Harry Price: Ghost Hunter  (★★★★★).

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Catherine Tate's Nan, BBC One

Veronica Lee

Everyone knows a Nan – whether their own grandmother, someone else's, or maybe an elderly woman you see on the bus rudely (but rightly) telling youngsters they shouldn't be sitting when she has to stand.

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Dickensian, BBC One

Jasper Rees

There are around 800 pages in a Dickensian doorstopper and it has been said around 800 times that if Dickens were working today he would be a show runner on a soap. Finally it has come to pass. Andrew Davies attempted something similar with his Bleak House, diced up into half-hour gobbets. But Dickensian is nothing less – or maybe that should be nothing more – than EastEnders in top hats and mobcaps.

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Downton Abbey – The Finale, ITV

Adam Sweeting

On Monday ITV showed BAFTA Celebrates Downton Abbey, in which a massed gathering of cast and crew plus a few celebrity guests toasted Downton's five-year stampede to global acclaim. Its creator Julian Fellowes waddled onstage and told an anecdote about how he'd been accosted by a Downton fan while browsing in a Barnes & Noble bookshop in New York. "Just let Edith be happy!" she wailed at him.

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We're Doomed! The Dad's Army Story, BBC Two

Jasper Rees

The sclerotic culture of dithering that afflicts the higher-ups at the BBC has been mercilessly exposed in W1A. It turns out that fear of failure was always a managerial thing at the corporation. How else did Dad’s Army have such a bumpy ride to birth? As told in We’re Doomed! The Dad’s Army Story, one of the most enduring sitcoms ever made was very nearly never made.

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Fargo, Series 2 Finale, Channel 4

Lisa-Marie Ferla

It stands to reason that the contents of a prequel can never be entirely surprising. Some details have to be constants, some plot twists left unturned. As soon as it became clear that the second series of Noah Hawley’s Fargo predated the events of the first by some 25 years, we knew that state trooper Lou Solverson (Patrick Wilson) would be left standing at the end of it.

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